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Music

Music

Senior Honors Theses

Articles 1 - 7 of 7

Full-Text Articles in Religion

A Study Of Music: Music Psychology, Music Therapy, And Worship Music, Jessica Whittemore Apr 2019

A Study Of Music: Music Psychology, Music Therapy, And Worship Music, Jessica Whittemore

Senior Honors Theses

There are three specific fields related to music: the psychology of Music and how it affects human brain and functions, the methodology of Music Therapy and how it affects individuals undergoing treatment, and the psychological effects of Worship Music and how it can be used in music therapy. Music therapy is a growing field in which the therapeutic outcomes greatly benefit the patients. The overall purpose is to create a greater understanding of music and music therapy in order to a provide a system for introducing group worship services into music therapy to ultimately bring spiritual healing to individuals.


The Makings Of An Ep: From Silence To Portable Sounds, Emily Ream Apr 2017

The Makings Of An Ep: From Silence To Portable Sounds, Emily Ream

Senior Honors Theses

The creation of an EP is a process that requires skills in multiple areas. Once, creating an EP was only available to those who garnered resources and support from a record label. However, an increasing number of aspiring musicians are writing, recording, and making their music available for download or purchase without the assistance of a record label. Doing this successfully and excellently requires application of knowledge in areas such as literature, theology (for Christian artists), music theory, music technology, and marketing. This thesis will describe one process used to turn inspiration into a tangible product that one can purchase ...


Musical Contextualization In The Local Church: A Pragmatic Exploration Concerning The Philosophy And Methodology Of Assimilating Sacred Music Into The Worship Vocabulary Of A Congregation, Kaleb Gooden Apr 2016

Musical Contextualization In The Local Church: A Pragmatic Exploration Concerning The Philosophy And Methodology Of Assimilating Sacred Music Into The Worship Vocabulary Of A Congregation, Kaleb Gooden

Senior Honors Theses

God’s mandate for all worship pastors is that they minister to their local body of believers in an effective way. This directive necessitates the use of scripturally and culturally appropriate music that clearly communicates the Gospel to the church congregation. This creative thesis further investigates musical contextualization in the local church.

Five philosophical pillars represent the most basic structure on which the entire process of local church contextualization stands. The minister must be rooted in scripture, led by the Spirit, present-minded, future-driven, and committed to service. After evaluating these philosophical concepts, this thesis will then explore the methodological contextualization ...


“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo Apr 2015

“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo

Senior Honors Theses

Music education and institutionalized Christianity have been criticized by historians and ethnomusicologists for their role in the domination and transformation of indigenous Latin American cultures since the late 15th century. However, indigenous peoples, including Amerindians as well as more recent mestizo and Ladino people groups, have also taken an active role in transforming European musics to reflect an emic understanding of their own cultural identity. Music education within the Latin American church has provided an interface for these complex interactions between foreign and native cultural influences. This paper will explore the connections between colonial and contemporary-era music education movements in ...


The Intersections Of Music, Love, And Worship, Jacob C. Wessel Apr 2015

The Intersections Of Music, Love, And Worship, Jacob C. Wessel

Senior Honors Theses

When a right understanding of the doctrine of love infiltrates the art of music in the event of corporate worship, an opportunity arises for a unique synergism of knowledge, emotion and relationships. These qualities are paramount in the doctrine of love and practice of corporate worship, and they are especially encouraged by the powers of music. An exploration of these three aspects of love—knowledge, emotion and relationships—is here provided with special attention to the opportunity music and worship provide for intersections between them.


A Survey Of Christian Cross-Over Songwriting: Core Principles And Potential For Impact, Paul Malhotra Jan 2013

A Survey Of Christian Cross-Over Songwriting: Core Principles And Potential For Impact, Paul Malhotra

Senior Honors Theses

A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater ...


Jesus Music: The Story Of The Jesus Movement And Evaluation Of Its Musical Impact, Shimon K. Galiley Dec 2011

Jesus Music: The Story Of The Jesus Movement And Evaluation Of Its Musical Impact, Shimon K. Galiley

Senior Honors Theses

Few recent historical developments have had as much impact on American Evangelical Christianity as the Jesus Movement. Dating back only a few decades, this movement resulted in the conversion of many countercultural youth and the consequent revitalization of many American churches. One of the greatest impacts of the Jesus Movement was its new music which came to be known as “Jesus Music.”

This thesis describes the history of the Jesus Movement and the musical impact it had on American Evangelical Christianity.