Open Access. Powered by Scholars. Published by Universities.®

Religion Commons

Open Access. Powered by Scholars. Published by Universities.®

Music

Journal

Institution
Keyword
Publication Year
Publication

Articles 31 - 60 of 113

Full-Text Articles in Religion

An Analysis Of The Experiences And Integration Of Transpersonal Phenomena Induced By Electronic Dance Music Events, Audrey Redfield Sep 2017

An Analysis Of The Experiences And Integration Of Transpersonal Phenomena Induced By Electronic Dance Music Events, Audrey Redfield

International Journal of Transpersonal Studies

Electronic dance music (EDM) events are attended by millions of people all over the world. While prior research uncovered the spiritual and religious elements as well as the transpersonal nature of EDM events, this preliminary study further explored the types of transpersonal phenomena that participants experience at EDM events and their subsequent integration of these experiences into daily life. A semi-structured, in-depth interview was used to explore this topic with 12 EDM participants. A thematic analysis was conducted on the data. Findings suggested that EDM events have the potential to foster interpersonal relationships with the numinous, spiritual beings, and human ...


Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo Jul 2017

Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo

Journal of Global Catholicism

A study of inculturation, composition and music among Catholics is Igbo Land, Nigeria. The article insects with contemporary discussions of inculturation/enculturation after Vatican II and the recommendation of St. John Paul II in his Ecclesia in Africa.


Teaching Music In The Reformed/Calvinist Tradition, John Macinnis Jun 2017

Teaching Music In The Reformed/Calvinist Tradition, John Macinnis

Pro Rege

Editor’s Note: This article (© 2017 by the author) was submitted for possible open access publication under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/). It was first published in Religions on March 31, 2017, in the Special Issue Teaching the Reformations and was edited for that publication by academic editor Christopher Metress.


Relational Power, Music, And Identity: The Emotional Efficacy Of Congregational Song, Nathan Myrick Apr 2017

Relational Power, Music, And Identity: The Emotional Efficacy Of Congregational Song, Nathan Myrick

Yale Journal of Music & Religion

Relational Power, Music, and Identity: The Emotional Efficacy of Congregational Song

The power of congregational song to unify (or divide) people along various lines is well documented. Yet, how this process of uniting or dividing is accomplished has proven necessarily difficult to document. This paper examines the complex and polyvalent factors that contribute to the meaningfulness of congregational music making, seeking to offer a synthetic, conceptual framework with which to engage this often murky milieu.

Employing interdisciplinary research techniques drawn from sociology, ritual studies, and ethnomusicology, I construct a conceptual framework with which to understand the profoundly formative power of ...


Liturgical Singing In The Lutheran Mass In Early Modern Sweden And Its Implications For Clerical Ritual Performance And Lay Literacy, Mattias O. Lundberg Mar 2017

Liturgical Singing In The Lutheran Mass In Early Modern Sweden And Its Implications For Clerical Ritual Performance And Lay Literacy, Mattias O. Lundberg

Yale Journal of Music & Religion

This article postulates and analyses three distinct modes of performativity in Early Modern ecclesiastical music in Sweden, each linked to a specific repertoire of melodies, and each de facto (and sometimes also de jure) monopolized by the Church of Sweden. It is proposed that recognition and analysis of these three modes may provide further understanding of the interaction between singing, reading and speaking during the period under discussion. This sheds new light on what has in literacy research been termed “religious reading”, giving rise in some instances to a corresponding type of “religious singing” in a narrower sense: one where ...


Glimpses Into The Music And Worship Life Of A Victorian Colonial Cathedral: The Anglican Cathedral Of St Michael And St George In 1900 (Grahamstown, South Africa), Andrew-John Bethke Mar 2017

Glimpses Into The Music And Worship Life Of A Victorian Colonial Cathedral: The Anglican Cathedral Of St Michael And St George In 1900 (Grahamstown, South Africa), Andrew-John Bethke

Yale Journal of Music & Religion

This article documents one year (1900) in the musical life of a colonial Anglican cathedral in Grahamstown (Cape Colony, South Africa), during the British colonial period. The source material for the music-lists is drawn mainly from the Saturday editions of two local newspapers: Grocott’s Penny Mail and the Grahamstown Journal. The author analyses the musical trends of the cathedral by exploring the content of the cathedral’s musical repertoire and relating it to the choir’s size and competency; commenting on the preference for certain composers and what this might imply about local musical taste; examining the precentor’s ...


From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan M. Lyons Mar 2017

From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan M. Lyons

Musical Offerings

The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. Eventually, early church leaders rejected that inclusion and developed a rather robust argument against instruments in liturgical worship. The totalitarian stance on musical instruments in sacred worship began to loosen as the organ ...


Guest Editor's Introduction, Sherlynn Allen-Harris Jan 2017

Guest Editor's Introduction, Sherlynn Allen-Harris

The Journal of Traditions & Beliefs

No abstract provided.


A Former Student And Colleague Remembers Gil Scott-Heron, Linwood Gato Martinez-Bentley Jan 2017

A Former Student And Colleague Remembers Gil Scott-Heron, Linwood Gato Martinez-Bentley

The Journal of Traditions & Beliefs

No abstract provided.


Books: Suggestions For Further Reading, Regennia N. Williams Jan 2017

Books: Suggestions For Further Reading, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


The Value Of Black Lives: The Effect Of The Digital Age On African American Identity And Political Participation, Lauren Grimes Jan 2017

The Value Of Black Lives: The Effect Of The Digital Age On African American Identity And Political Participation, Lauren Grimes

The Journal of Traditions & Beliefs

No abstract provided.


The Wings Over Jordan And The Scholarship Of Oral History, Regennia N. Williams, Glenn Brackens Jan 2017

The Wings Over Jordan And The Scholarship Of Oral History, Regennia N. Williams, Glenn Brackens

The Journal of Traditions & Beliefs

No abstract provided.


2018 Call For Submissions, Regennia N. Williams Jan 2017

2018 Call For Submissions, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Acknowledgments And Disclaimer, Regennia N. Williams Jan 2017

Acknowledgments And Disclaimer, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


The Legacy Of Gil Scott-Heron, Regennia N. Williams Jan 2017

The Legacy Of Gil Scott-Heron, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


The Politics Of Engagement In The Digital Age, Sherlynn Allen-Harris Jan 2017

The Politics Of Engagement In The Digital Age, Sherlynn Allen-Harris

The Journal of Traditions & Beliefs

No abstract provided.


Table Of Contents, Regennia N. Williams Jan 2017

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.


Singing The Story Of Advent And Christmas: How Congregational Song Makes Diverse Theologies Incarnate, Hilary Seraph Donaldson Nov 2016

Singing The Story Of Advent And Christmas: How Congregational Song Makes Diverse Theologies Incarnate, Hilary Seraph Donaldson

Consensus

No abstract provided.


Interfaith-Cross-Cultural Improvisation: Music And Meaning Across Boundaries Of Faith And Culture, Gerard J. Yun Nov 2016

Interfaith-Cross-Cultural Improvisation: Music And Meaning Across Boundaries Of Faith And Culture, Gerard J. Yun

Consensus

This article explores the social value and meaning of interfaith-cross-cultural improvisation (musical improvisation between people from differing cultural and faith traditions) and its unique quality of engaging widely different cultural and faith-based groups. It draws concepts from evolutionary biology, ethnomusicology, religious experience, the emerging field of community music, and the insight of first-hand participants. Interfaith-cross-cultural improvisation can be seen as a form of “deep play” with the ability to signal and evoke empathy across participants who identify with divergent beliefs, cultures, and practices. The article attempts to illuminate the process of interfaith-cross-cultural improvisation as a meaningful undertaking of interfaith and ...


Crossing Paths: Musical And Ritual Interactivity Between The Ḥamadsha And Gnawa In Sidi Ali, Morocco, Christopher J. Witulski Sep 2016

Crossing Paths: Musical And Ritual Interactivity Between The Ḥamadsha And Gnawa In Sidi Ali, Morocco, Christopher J. Witulski

Yale Journal of Music & Religion

The processions occurring in Moroccan pilgrimages--such as those in Sidi Ali, a small town situated in the mountains outside of Meknes and Fez--are important sites that instigate an aesthetic negotiation within nearby possession ceremonies. The many musical groups that punctuate the cacophonous atmosphere during the annual pilgrimage are affiliated with a many of the country’s diverse mystical brotherhoods, including the gnawa, ḥamadsha, and ʿīsāwa. Through a detailed ethnographic description of processions and rituals from two of these groups, this article outlines ways in which musical tastes flow between the different events, informing the aesthetics of both outdoor (public) expressions ...


War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan Sep 2016

War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan

Yale Journal of Music & Religion

Abstract

This article explores processional action as a form of cosmological intervention in Hindu-Balinese cremation processions, focusing on the multiple and intersecting functions of a particular type of Balinese instrumental music ensemble: the gamelan beleganjur. It explores the alternately “enlivening and protective aspects” (DeVale 1990, 62) that underlie the use of beleganjur music in the ngaben, or cremation ritual, showing how beleganjur’s sonic power and rhythmic drive serve to combat malevolent spirit beings, strengthen and inspire processional participants in their efforts to meet challenging ritual obligations, and grant courage to the souls of deceased individuals embarking on their perilous ...


Relics, Processions And The Sounding Of Affections: Barbara Strozzi, The Archduchess Of Innsbruck, And Saint Anthony Of Padua, Sara M. Pecknold Sep 2016

Relics, Processions And The Sounding Of Affections: Barbara Strozzi, The Archduchess Of Innsbruck, And Saint Anthony Of Padua, Sara M. Pecknold

Yale Journal of Music & Religion

In 1655, Barbara Strozzi issued her fifth and only sacred opus, the Sacri musicali affetti, a print comprising fourteen passionately religious motets for solo voice and continuo. This article demonstrates how Strozzi's final motet to Saint Anthony reflects a surge in trans-Alpine Antonine devotion--a devotional trend in which both Strozzi's dedicatee, Anna de' Medici, and possibly the composer herself, participated. This essay examines two particular events: a procession of Saint Anthony’s relics from Venice to Padua in 1652, and the founding of a Antonine confraternity at the court of Innsbruck in the same year. When these phenomena ...


The Rogationtide Processions Of Wilton Abbey, Alison N. Altstatt Sep 2016

The Rogationtide Processions Of Wilton Abbey, Alison N. Altstatt

Yale Journal of Music & Religion

The Benedictine convent of Wilton Abbey was among the wealthiest women’s religious communities in medieval England and home to an elite school for noble women. Until recently, a late thirteenth-century manuscript processional from Wilton was known only from a hand copy made circa 1860 at the Abbey of St. Pierre de Solesmes. The original manuscript was presumed lost. The recent identification of thirty-seven leaves of the original manuscript processional offers primary sources for the study of Wilton’s liturgy, and offers a means by which to assess the reliability of the nineteenth-century copy. The purpose of this study is ...


Around Campus Aug 2016

Around Campus

DePaul Magazine

The Compassionate Cosmopolitan: National Humanities Medal award-winner Kwame Anthony Appiah suggests a way to achieve peace; Beautiful sounds: School of Music supporters celebrate as new facilities take shape; Humanity Examined: India band Typhoon wrestles with life's fragility; Deja Vu All Over Again:Women's basketball returns to the NCAA tournament; Podkowa, January Earn Academic All-American Honors; Event Center Rising; Strong Career Finishes for Mitrea, Maize and Gorden; Blue Demons Reign at BIG EAST Indoor and Outdoor Track Meets; Must Islam Change?: Nathan Lean lectures on Islamophobia and the prejudices of liberalism; Alumni U Offers a "Touch of Class"


The Schachter-Shalomi Collection Anchors Post-Holocaust American Judaism Archive At University Of Colorado, Stephanie Yuhas Apr 2016

The Schachter-Shalomi Collection Anchors Post-Holocaust American Judaism Archive At University Of Colorado, Stephanie Yuhas

Judaica Librarianship

Rabbi Zalman Schachter-Shalomi, founder of Jewish Renewal, was a visionary teacher and leader who developed tools for transformation and helped a generation of Jewish Americans rekindle their faith. This article describes the acquisition, assessment, digitization and public access dimensions of the Schachter-Shalomi Collection housed at the University of Colorado, Boulder archives.


Tarian Perdamaian: Enacting Alternative Hindu/Christian Identity Discourses Through "Secular" Balinese Performing Arts, Dustin D. Wiebe Mar 2016

Tarian Perdamaian: Enacting Alternative Hindu/Christian Identity Discourses Through "Secular" Balinese Performing Arts, Dustin D. Wiebe

Yale Journal of Music & Religion

This article examines the nature of interreligious relations between Protestants of the Bali Church and Hindus as enacted through dramatic forms of Balinese music and dance. Particular attention is paid to the influence of mass tourism as a contributing factor in this process. Since the early twentieth century these arts have formed a central component of a pan-Balinese identity discourse known as" kebalian." The first Balinese converted to Christianity during the 1930s and were subsequently excommunicated from their ancestral villages for refusing to participate in local customary practices (including the ritualistic use of gamelan music). For this reason, Balinese Christians ...


Whitefield's Music: Moorfields Tabernacle, The Divine Musical Miscellany (1754), And The Fashioning Of Early Evangelical Sacred Song, Stephen A. Marini Mar 2016

Whitefield's Music: Moorfields Tabernacle, The Divine Musical Miscellany (1754), And The Fashioning Of Early Evangelical Sacred Song, Stephen A. Marini

Yale Journal of Music & Religion

Evangelical hymnody was the most significant form of popular sacred song in eighteenth-century Anglo-America. John and Charles Wesley built their Methodist movement on it, but little is known about the music of their great collaborator and eventual rival, George Whitefield (1714-1770). The essential sources of Whitefield's music are the development of ritual song at his Moorfields Tabernacle in London, his Collection of Hymns for Social Worship (1753) prepared for that congregation, and a little-known tunebook called The Divine Musical Miscellany (1754) that contains the first and definitive repertory of music known to be sung at Moorfields. This essay recovers ...


Aesthetic Meaning In The Congregational Masses Of James Macmillan, Stephen Kingsbury Mar 2016

Aesthetic Meaning In The Congregational Masses Of James Macmillan, Stephen Kingsbury

Yale Journal of Music & Religion

Examines the interconnetions between MacMillan’s congregational masses and other works by the composer. The compositional and philosophical commonalities between paired compositions deepens the philosophical and aesthetic meaning of both works. An understanding of these parallels and the manner in which they are worked out in practice provides an important insight into the composer’s intentions, making the performance of the masses within the context of the worship service more relevant to the spiritual experience of the congregant and provides insight into the interconnectivity of MacMillan’s compositional output.


Psalms, Islam, And Music: Dialogues And Divergence About David In Christian-Muslim Encounters Of The Seventeenth Century, David R. M. Irving Mar 2016

Psalms, Islam, And Music: Dialogues And Divergence About David In Christian-Muslim Encounters Of The Seventeenth Century, David R. M. Irving

Yale Journal of Music & Religion

David (Daud) is revered in the Abrahamic faiths of Judaism, Christianity, and Islam variously as a king, prophet, and musician, providing the inspiration for what can be called the “Davidic tradition,” expressed in text, sound, ideology, and image. The scriptures associated with David are central to this tradition: within Judaism and Christianity they are the Psalms, human praises or entreaties to God; within Islam, the Zabūr is revered as a divine prophecy revealed to the prophet Daud, according to the Qurʾān. David’s musicianship and the identity of his instruments are understood differently in Jewish-Christian and Islamic traditions, and are ...


“And Can It Be”: Analysing The Words, Music, And Contexts Of An Iconic Methodist Hymn, Martin V. Clarke Mar 2016

“And Can It Be”: Analysing The Words, Music, And Contexts Of An Iconic Methodist Hymn, Martin V. Clarke

Yale Journal of Music & Religion

This paper interrogates the iconic status of Charles Wesley's hymn "And can it be" within British Methodism. It examines words, music and context, arguing that it is the combination of these that is crucial to understanding the hymn's status, and that such an approach may be more widely useful in hymnology. Through examination of the literary characteristics of the text, the musical settings associated with it throughout its history, and the ways in which it has been used within British Methodism, it reflects upon the hymn's peculiar place in the spiritual life of the denomination, and how ...