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Full-Text Articles in Race, Ethnicity and Post-Colonial Studies

On Being As Passage And Plurality Of Self: Postcolonial Caribbean Identity In Merle Hodge's Crick Crack, Monkey, Amanda González Izquierdo Feb 2019

On Being As Passage And Plurality Of Self: Postcolonial Caribbean Identity In Merle Hodge's Crick Crack, Monkey, Amanda González Izquierdo

Pathways: A Journal of Humanistic and Social Inquiry

This essay examines questions of home and identity in a postcolonial Caribbean context. Situating itself in the dialogue between continental philosophy and postcolonial theory, this research explores how identity formations are processes which negotiate fragmentary demands of being as well as the various ruptures and dislocations that are resultants of colonization. This paper proposes that in thinking of postcolonial identities, we must explicitly and necessarily consider multiplicity, alterity, diaspora, and interstitial spaces. Focusing on Merle Hodge's novel Crick Crack, Monkey, this essay thinks through protagonist Tee's process of becoming, a process which is fluid, dynamic, and never complete ...


Guest Editor's Introduction, John Lowe Dec 2018

Guest Editor's Introduction, John Lowe

The Southern Quarterly

One of the consequences of situating the U. S. as part of the circumCaribbean is that it creates an opportunity to examine important subjects—such as slavery, agricultural production, trade patterns, immigration, diaspora, travel writing and tourism—through a more comprehensive lens. Numerous slave owners had plantations in both the lower South and on the islands. Maroon culture created by runaways were common across the circumCaribbean, be they in lowland swamps or mountain retreats. Runaways also found refuge with Native Americans, leading to intermarriage and cultural exchange. Transnational studies are beginning to clear away artificial barriers separating the peoples and ...


Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure Jun 2018

Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure

Studies in 20th & 21st Century Literature

Review of Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the family tree. Ann Arbor: University of Michigan Press, 2016. 325 pp.


Development Of A Literary Dispositif: Convening Diasporan, Blues, And Cosmopolitan Lines Of Inquiry To Reveal The Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, And Antonio D’Alfonso, Anna Ciamparella Apr 2018

Development Of A Literary Dispositif: Convening Diasporan, Blues, And Cosmopolitan Lines Of Inquiry To Reveal The Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, And Antonio D’Alfonso, Anna Ciamparella

LSU Doctoral Dissertations

This dissertation seeks to create a literary dialogue among the Italian poet Giuseppe Ungaretti, the African American author Langston Hughes, and the Quebecois writer Antonio D’Alfonso. Giuseppe Ungaretti and Langston Hughes were more or less contemporaries. Ungaretti was born in 1888 and Hughes in 1902, and both were active in modernist movements that shaped the literary history of their own countries. D’Alfonso was born in Canada about half a center after Ungaretti and Hughes. Besides significant generational differences, these three authors also underwent personal and intellectual experiences that shaped their writing in seemingly incomparable ways. While a traditional ...


Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King Dec 2016

Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King

CLCWeb: Comparative Literature and Culture

In "Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec" Jason King examines recent community theater productions about the Irish Famine migration to Québec in 1847. King explores community-based and national ideas of performance and the role of remembrance in shaping and transmitting the diasporic identities of Québec's Irish cultural minority. While most of the plays re-enact French-Canadian adoptions of Famine orphans as spectacles of Irish integration in Québec, David Fennario's Joe Beef: (A History of Pointe Saint Charles) (1984, published 1991) rehearses the history of the Canadian/Québec nation in terms of recurrent ...


Review Of The Calligrapher’S Secret By Rafik Schami, Rebecca Gould Dec 2010

Review Of The Calligrapher’S Secret By Rafik Schami, Rebecca Gould

Rebecca Gould

The Calligrapher’s Secret by Rafik Schami, Wasafiri: The Magazine of International Contemporary Writing 27 (3): 94-96.