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Full-Text Articles in Race, Ethnicity and Post-Colonial Studies

The Politics Of Feeling And The Work Of Belonging In Us Immigrant Fiction 1990 - 2015, Lauren Silber Nov 2018

The Politics Of Feeling And The Work Of Belonging In Us Immigrant Fiction 1990 - 2015, Lauren Silber

Doctoral Dissertations

“The Politics of Feeling and the Work of Belonging in US Immigrant Fiction 1990 – 2015” presents readers with a distinct optic: if we are to fully grasp contemporary US racial politics, we must recognize the narrative work emotion performs in popular US diasporic fiction. Comparing the work of authors who have become mainstays in the multi-ethnic US literary canon such as Jhumpa Lahiri, Julia Alvarez, Junot Díaz, Lan Cao, Achy Obejas, Cristina Garcia, Kiran Desai, and Nora Okja Keller, I explicate how these popular authors exhume the complex entanglements of racialization, US empire, and global capitalism by narrating the everyday ...


Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure Jun 2018

Jarrod Hayes. Queer Roots For The Diaspora: Ghosts In The Family Tree. Ann Arbor: U Of Michigan P, 2016., Annie De Saussure

Studies in 20th & 21st Century Literature

Review of Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the family tree. Ann Arbor: University of Michigan Press, 2016. 325 pp.


“The Only Way Out Is In”: Negotiating Identity Through Narrative In The House On Mango Street And The Brief Wondrous Life Of Oscar Wao, Brianna E. Taylor Apr 2018

“The Only Way Out Is In”: Negotiating Identity Through Narrative In The House On Mango Street And The Brief Wondrous Life Of Oscar Wao, Brianna E. Taylor

Steeplechase: An ORCA Student Journal

While aimed at vastly different audiences, Sandra Cisneros’s beloved coming-of-age story The House on Mango Street and Junot Díaz’s Pulitzer Prize-winning debut novel The Brief Wondrous Life of Oscar Wao both uniquely capture the complexities of navigating the hyphenated territory between their respective Mexican-American and Dominican-American identities. Cisneros engages readers with the simple yet profound narrative voice of Esperanza in a series of vignettes that subtly reveal a growing consciousness of her role as a young Mexican-American woman and her creative consciousness as an artist. Through the multifaceted narrative perspective of Yunior, Díaz skillfully weaves together “ghetto nerd ...


Development Of A Literary Dispositif: Convening Diasporan, Blues, And Cosmopolitan Lines Of Inquiry To Reveal The Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, And Antonio D’Alfonso, Anna Ciamparella Apr 2018

Development Of A Literary Dispositif: Convening Diasporan, Blues, And Cosmopolitan Lines Of Inquiry To Reveal The Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, And Antonio D’Alfonso, Anna Ciamparella

LSU Doctoral Dissertations

This dissertation seeks to create a literary dialogue among the Italian poet Giuseppe Ungaretti, the African American author Langston Hughes, and the Quebecois writer Antonio D’Alfonso. Giuseppe Ungaretti and Langston Hughes were more or less contemporaries. Ungaretti was born in 1888 and Hughes in 1902, and both were active in modernist movements that shaped the literary history of their own countries. D’Alfonso was born in Canada about half a center after Ungaretti and Hughes. Besides significant generational differences, these three authors also underwent personal and intellectual experiences that shaped their writing in seemingly incomparable ways. While a traditional ...


Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green Jun 2017

Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green

All Dissertations, Theses, and Capstone Projects

Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success ...


Walking And Wandering: Reconstructing Diasporic Subjectivity In T. C. Huo's Land Of Smiles And Lê Thi Diem Thúy’S The Gangster We Are All Looking For, Brian G. Chen Jan 2017

Walking And Wandering: Reconstructing Diasporic Subjectivity In T. C. Huo's Land Of Smiles And Lê Thi Diem Thúy’S The Gangster We Are All Looking For, Brian G. Chen

Asian American Literature: Discourses & Pedagogies

Diaspora has often been defined as the condition of dispersal and displacement in which its members express minimal connections with their host country and always look to return to their ancestral homelands. However, from the literary representations in T. C. Huo’s Land of Smiles and Lê Thi Diem Thúy’s The Gangster We Are All Looking For, it is clear that members of the Southeast Asian diaspora determine to set root in their host country and refuse to be treated as temporary guests. This determination is warranted by their desire to redefine the contentious idea of home beyond cultural ...


Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King Dec 2016

Staging Famine Irish Memories Of Migration And National Performance In Ireland And Québec, Jason King

CLCWeb: Comparative Literature and Culture

In "Staging Famine Irish Memories of Migration and National Performance in Ireland and Québec" Jason King examines recent community theater productions about the Irish Famine migration to Québec in 1847. King explores community-based and national ideas of performance and the role of remembrance in shaping and transmitting the diasporic identities of Québec's Irish cultural minority. While most of the plays re-enact French-Canadian adoptions of Famine orphans as spectacles of Irish integration in Québec, David Fennario's Joe Beef: (A History of Pointe Saint Charles) (1984, published 1991) rehearses the history of the Canadian/Québec nation in terms of recurrent ...


Historic Black Lives Matter: Archaeology As Activism In The 21st Century, Kelley F. Deetz, Ellen Chapman, Ana Edwards, Phil Wilayto Apr 2015

Historic Black Lives Matter: Archaeology As Activism In The 21st Century, Kelley F. Deetz, Ellen Chapman, Ana Edwards, Phil Wilayto

African Diaspora Archaeology Newsletter

May 19, 2015 would have been Malcolm X’s 90th birthday, and fifty years after his assassination we are still dealing with the ghosts of slavery, Jim Crow, and the manifestations of institutionalized racism. While much progress was made from the Civil Rights Movement, we still have far to go. This past year brought the topics of slavery, civil rights, and racism back into the mainstream. These stories are not new for those of us who work tirelessly to chronicle these historical and contemporary narratives in an attempt to educate the public about Black history. The “New Civil Rights Movement ...


Caribbean Traditions In Modern Choreographies: Articulation And Construction Of Black Diaspora Identity In L'Ag'ya By Katherine Dunham, Viktoria Tafferner-Gulyas May 2014

Caribbean Traditions In Modern Choreographies: Articulation And Construction Of Black Diaspora Identity In L'Ag'ya By Katherine Dunham, Viktoria Tafferner-Gulyas

Graduate Theses and Dissertations

The interdisciplinary field of Dance Studies as a separate arena focusing on the social, political, cultural, and aesthetic aspects of human movement and dance emerged in the late 1980s and early 1990s. Dance criticism integrated Dance Studies into the academy as critics addressed the social and cultural significance of dance. In particular, Jane Desmond created an integrated approach engaging dance history and cultural studies; in the framework of her findings, dance is read as a primary social text. She emphasizes that movement style is an important mode of distinction between social groups, serving as a marker for the production of ...