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Full-Text Articles in Photography

Panel #5: The Maine Centennial In 1920: Commemoration And Remembrance Through Photography, Kevin Johnson, Micah Pawling, Earle G. Shetteworth Jr., Anne Collins Goodyear Jun 2019

Panel #5: The Maine Centennial In 1920: Commemoration And Remembrance Through Photography, Kevin Johnson, Micah Pawling, Earle G. Shetteworth Jr., Anne Collins Goodyear

Maine Statehood and Bicentennial Conference

A session that included the following presentations:

A Genuine Look at Maine and Its Centennial: The Eastern Illustrating & Publishing Company, Kevin Johnson

The Wabanaki Encampment at the Maine Centennial in 1920: Homeland, Memory, and Ethnohistory, Micah Pawling

Documents of Truth and Beauty: Maine at One Hundred Years Through the Real Photo Post Cards of Charles A. Townsend, Earle G. Shettleworth, Jr.


A Place Of Gemütlichkeit: The Holden Village Of Augustana German Professor Erwin Weber, Julia Meyer May 2018

A Place Of Gemütlichkeit: The Holden Village Of Augustana German Professor Erwin Weber, Julia Meyer

Celebration of Learning

Lying in Augustana’s Special Collections are three insignificant looking items. Two three-inch black binders with white labels which read “Holden I Copy” and Holden II Copy” in red ink. These two binders along with a plastic spiral-bound paper compilation are photographs and memories of former Augustana German professor Erwin Weber’s summer at Holden Village in 1977. Titled “My Days at Holden,” this compilation is an unpublished photo-book detailing the wilderness and the people of the community of Holden Village. This isolated village situated in the Cascade Mountains of Washington State draws many individuals, including Erwin Weber who in ...


Alien Lands, Carissa Mosley Mar 2018

Alien Lands, Carissa Mosley

Seaver College Research And Scholarly Achievement Symposium

Alien Lands has been an academic year-long study and cross-media art endeavor, researching the history of palm trees in Los Angeles and documenting their current presence. I photographed and made videos of the palm trees in Los Angeles and ended the project with a ceremonial installation/performance, grieving the colonial history and unsustainability of palm trees by ironically commemorating them. This body of work is meant to provoke discussion of palm trees' iconicization, their ubiquitous invisibility in our environment, their colonial history, and their likely nonexistent future.