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Full-Text Articles in Philosophy

Sketches, Impressions And Confessions: Literature As Experiment In The Nineteenth Century, Andrew Ragsdale Lallier Dec 2016

Sketches, Impressions And Confessions: Literature As Experiment In The Nineteenth Century, Andrew Ragsdale Lallier

Doctoral Dissertations

In this dissertation, I argue for the existence and critical relevance of a program of experimental literature in the long nineteenth century, developed in the aesthetics of German Romanticism and adapted in a set of texts by Thomas De Quincey, Charles Dickens and George Eliot. My introduction positions this argument in context of larger debates concerning form, theory and literary capacity, provides points of connection between these authors, and outlines the most prominent features of experimental literature. In the first chapter, I present an unorthodox reading of Kant’s Critique of Judgment, accompanied by a brief account of the literary-critical ...


Refreshment For The Soul: A Phenomenological Study Of The Student Experience Of Beauty In School, Paul Reiff Dec 2016

Refreshment For The Soul: A Phenomenological Study Of The Student Experience Of Beauty In School, Paul Reiff

Dissertations

Prompted by the ratio-scientific emphasis in the curriculum, I conducted this study to explore the lifeworlds of students to understand their lived experience of beauty in school. This investigation entailed a phenomenological study, the method of which included in-depth interviews and focus group discussions with four high school students. This study aimed to examine the essence of beauty in the lived experience of students in school, to explore the perceptions of students regarding school as a place to appreciate beauty, and to understand the needs of students as a place that develops their aesthetic sensibilities. The findings include the description ...


Bodies: Punk, Love And Marxism, Kathryn Grant Jul 2016

Bodies: Punk, Love And Marxism, Kathryn Grant

Electronic Thesis and Dissertation Repository

This thesis returns love to the purview of Marxism and punk, which had attempted to ban the interpersonal in respective critiques of abstractions. Love-as-sense—as it is figured by Marx— will be distinguished from the love-of-love-songs, and from commodity fetishism and alienation, which relate to this recuperated love qua perception or experience. As its musical output exhibited residue of free love’s failure, and cited sixties pop which characterized love as mutual ownership, American and British punk from 1976-80 will be analyzed for its interrogation of commodified love. An introductory chapter will define love as an aesthetic activity and organize ...


Art As Display, Frank M. Boardman Jun 2016

Art As Display, Frank M. Boardman

All Dissertations, Theses, and Capstone Projects

Art is essentially a type of display. As an activity, art is what we do when we display objects with certain intentions. As a set of objects, art is all of those things that are displayed for those purposes. The artworld is the social atmosphere that surrounds this particular activity of display. And a history of art is an evolving narrative of change in the practice of this sort of display.

Specifically, to focus for convenience on art as a set of objects, this is what we can call the “displayed-object thesis”:

x is a work of art iff: (a ...


Una-Sola-Cosa: The Violence Of Aesthetics In Mao Ii And Estrella Distante, Erin Briana Cousins Jan 2016

Una-Sola-Cosa: The Violence Of Aesthetics In Mao Ii And Estrella Distante, Erin Briana Cousins

Comparative Literature Graduate Theses & Dissertations

This thesis explores the relationship between aesthetics and violence in Don DeLillo’s Mao II and Roberto Bolaño’s Estrella distante. Though each text’s central characters begin with an attachment to an idealized narrative of modern artistry, I argue that these idealizations are based on a conflation of literal and metaphorical violence. Such a conflation allows these characters to value violence purely for its ability to impact sense perception, forming what I call an aesthetic violence. By conflating literal and metaphorical violence into the aesthetic, I argue, each character is able to ignore the asymmetrical power dynamics inherent to ...


What Movies Show: Realism, Perception And Truth In Film, Lindsey Fiorelli Jan 2016

What Movies Show: Realism, Perception And Truth In Film, Lindsey Fiorelli

Publicly Accessible Penn Dissertations

Film-viewing is a unique aesthetic experience, and it seems to possess a unique sort of tension. On the one hand, a film’s story seems to just be there before us: we’re directly presented with sights and sounds and can perceive the objects, people, and places depicted in the same sort of way we perceive things in the world. On the other hand, there’s an important sort of constructedness in film. Film-viewers have to cognize what’s represented by a film’s perceptual prompts; we have to bring our awareness of convention to understand shot-transitions and montage; and ...


The Groundwork For Food Criticism: How Normative Aesthetic Judgments Are Possible With Regards To Tastes, Jacob Caldwell Jan 2016

The Groundwork For Food Criticism: How Normative Aesthetic Judgments Are Possible With Regards To Tastes, Jacob Caldwell

Senior Independent Study Theses

Issues of tastes and smells are often relegated to an ancillary or minor rank of importance in the domain of aesthetics, if recognized at all as legitimate objects of aesthetic inquiry and experience. This essay aims, firstly, to carve out a space of legitimacy for the aesthetics of tastes, and secondly, to clarify what aesthetic inquiry with regards to tastes must look like. In order for the above to be decisively established, the following positions will be argued for: (1) tastes are real, (2) our ordinary or scientific conception of what tastes are, upon which our reasons for doubting the ...