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Articles 1 - 9 of 9

Full-Text Articles in Music

Djembe Drum Carving In Accra Cultural Market, Kevin Booker, Aaron Carter-Enyi Jul 2018

Djembe Drum Carving In Accra Cultural Market, Kevin Booker, Aaron Carter-Enyi

Africana Digital Ethnography Project

Dean Kevin Booker of Morehouse College recorded this video of his last name being carved into his new djembe purchased in the Accra Cultural Market, next to Kwame Nkrumah Memorial.


David Morrow On The Importance Of Morehouse, Devin Johnson, Aaron Carter-Enyi, David Morrow May 2018

David Morrow On The Importance Of Morehouse, Devin Johnson, Aaron Carter-Enyi, David Morrow

Africana Digital Ethnography Project

Professor David Morrow, DMA, is director of the internationally-renowned Morehouse College Glee Club. In an interview conducted on May 15, 2018, David Morrow responds to Glee Club member Devin Johnson's question: "As a former Morehouse student, why did you stay at the college and become the director of the Glee Club?"


The Language Agenda In Post-Colonial African Music, Quintina Carter-Enyi Mar 2018

The Language Agenda In Post-Colonial African Music, Quintina Carter-Enyi

Africana Digital Ethnography Project

For post-colonial African musicians, decolonization became an imperative. For musicians, singing in one’s native language was no longer merely creative expression, it took on a more significant role in decolonizing the African continent. This was also the case for composers, particularly those who traveled abroad to study in conservatories and universities in the United Kingdom or the United States of America.

In Decolonising the Mind, Ngũgĩ wa Thiong’o makes a case for African literature to be written in African languages. He also points out that singers and musicians have resisted mental colonization by retaining indigenous musical practices and ...


Not Afro-Beat: The Hegemonic Possession Of A Musical Genre, Odyke Nzewi, Aaron Carter-Enyi, Quintina Carter-Enyi, David Oludaisi Aina Mar 2018

Not Afro-Beat: The Hegemonic Possession Of A Musical Genre, Odyke Nzewi, Aaron Carter-Enyi, Quintina Carter-Enyi, David Oludaisi Aina

Africana Digital Ethnography Project

Synchronous movements for African independence and American civil rights emboldened each other, inspiring a global flourish of black popular music. Fẹla Kuti is celebrated in literature and media but his contemporaries are largely forgotten. According to Waterman (2002), “Afro-beat music was associated almost exclusively with one charismatic figure.” This is reinforced by Moore (1982), Olaniyan (2004) and others. Nigerian journalist Tam Fiofori and the multiple-author blog “afrobeat, afrofunk, afrojazz, afrorock, african-boogie...” tell a different story. In 1960s Lagos, a nascent musical movement formed fusing Highlife and African-American popular music, fortified by James Brown’s 1970 tour of West Africa (Emielu ...


Melodic Language And Linguistic Melodies: Singing In Tone Languages, Aaron Carter-Enyi Nov 2017

Melodic Language And Linguistic Melodies: Singing In Tone Languages, Aaron Carter-Enyi

Africana Digital Ethnography Project

Approximately 60% of the world’s languages are tonal, wherein alterations of pitch change the meaning of words. Two-syllable words in Yorùbá can have as many as five separate meanings, and single- syllable words in Mandarin up to four. Among tone-language speakers, acute pitch sensitivity is developed at an early age as part of language acquisition. The result is that speakers of tone languages are generally more sensitive to pitch than stress-language speakers. For speakers of stress languages, it is difficult to conceive of this other aurality, in which sound is perceived in a different way. But music holds the ...


Auc Cypher: Nicholas Cummings Aka Nacl Confi, Nicholas Cummings, Aaron Carter-Enyi Sep 2017

Auc Cypher: Nicholas Cummings Aka Nacl Confi, Nicholas Cummings, Aaron Carter-Enyi

Africana Digital Ethnography Project

NaCl Confi is pronounced "Salt-Khan-Fee". According to the artist, his style is: "Punchlines, Schemes, Flow, Christian, Conscious, Personality"


Uzee Brown And His Society Of Choraliers, William S. Dula, Aaron Carter-Enyi, Uzee Brown Jr. Aug 2017

Uzee Brown And His Society Of Choraliers, William S. Dula, Aaron Carter-Enyi, Uzee Brown Jr.

Africana Digital Ethnography Project

Uzee Brown, Professor and Chair of the Morehouse College Department of Music, talks about growing up in the Piedmont region of South Carolina. Once he came to Morehouse, Prof. Wendell P. Whalum encouraged him to pursue research on the oral traditions of South Carolina and he saw the folk music he grew up with in a new light. This has culminated in a collection of rare spirituals which he has arranged and recorded with his choir, the Uzee Brown Society of Choraliers.


Morehouse College Glee Club Performs "Iya Mi" (My Mother) By Jude Nwankwo, David Morrow, Jude Nwankwo, Aaron Carter-Enyi Apr 2017

Morehouse College Glee Club Performs "Iya Mi" (My Mother) By Jude Nwankwo, David Morrow, Jude Nwankwo, Aaron Carter-Enyi

Africana Digital Ethnography Project

In the Fall of 2016, the Morehouse College Music Department issued a call for early-career Nigerian composers to submit applications for consideration. This project builds on the Morehouse College Glee Club’s reputation of performing African choral music under the direction of Wendell Whalum, Uzee Brown, Jr., and David Morrow.

In December 2016, Jude Nwankwo was selected as the inaugural recipient of the award. Mr. Nwankwo is a Lecturer of Music at the University of Nigeria, Nsukka.

Mr. Nwankwo was commissioned to write a three- to five-minute piece for TTBB (male-voice) choir on secular themes in one of Nigeria’s ...


Oriki Ogun (Praise Of The God Of Iron) By Mayowa Adeyemo, Aaron Carter-Enyi, David Oludaisi Aina, Mayowa Adeyemo Jul 2013

Oriki Ogun (Praise Of The God Of Iron) By Mayowa Adeyemo, Aaron Carter-Enyi, David Oludaisi Aina, Mayowa Adeyemo

Africana Digital Ethnography Project

Lagos State University music student, Mayowa Adeyemo, praises Ogun (Yoruba Orisha/God of Iron). Recorded on July 26, 2013 at Peter King College of Music near Badagry, Lagos State.