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Articles 1 - 11 of 11

Full-Text Articles in Modern Literature

"The Tyrant Father": Leslie Stephen And Masculine Influences On Virginia Woolf And Her Novel, To The Lighthouse, Anya Graubard Mar 2019

"The Tyrant Father": Leslie Stephen And Masculine Influences On Virginia Woolf And Her Novel, To The Lighthouse, Anya Graubard

Honors Theses, University of Nebraska-Lincoln

This paper examines the volatile yet nurturing relationship between Virginia Woolf and her father, Leslie Stephen. It specifically considers the effects of three male “tyrants” in Woolf’s childhood, including not only her father but also her two half-brothers, who abused her sexually. Analysis of the dynamics of these relationships provides insight into Woolf’s lifelong battle with mental illness and helps us to understand the complicated relationships she had as an adult with men and women.

In her letters, diaries, and memoir essays, Woolf reveals how she drew from her own experiences of childhood to write her most famous ...


Spring 2017 New Writing Series, The University Of Maine College Of Liberal Arts And Sciences Apr 2017

Spring 2017 New Writing Series, The University Of Maine College Of Liberal Arts And Sciences

Cultural Affairs Distinguished Lecture Series

Please see Program description


The New Writing Series, Spring 2016, The University Of Maine Honors College Oct 2015

The New Writing Series, Spring 2016, The University Of Maine Honors College

Cultural Affairs Distinguished Lecture Series

In its thirty-fourth consecutive semester of programming, the New Writing Series will host six readings featuring four poets (John Keene, Prageeta Sharma, Divya Victor, and John Yau) and two fiction writers (Emily Fridlund and Joanna Walsh).

These writers are all highly active across the full spectrum of literary activity. They are editors, publishers, and anthologists; translators and tale-tellers; art-makers and trail-blazing scholars.

The New Writing Series brings innovative and adventurous contemporary writing to the University of Maine's flagship campus in Orono on selected Thursdays at 4:30pm.


Catholic Sensibility In The Early Fiction Of Edna O'Brien, Eamon Maher Oct 2014

Catholic Sensibility In The Early Fiction Of Edna O'Brien, Eamon Maher

Articles

No abstract provided.


Bandera, Cesareo, A Refuge Of Lies: Reflections On Faith And Fiction. East Lansing, Mi: Msu Press, 2013, Andrew J. Mckenna May 2014

Bandera, Cesareo, A Refuge Of Lies: Reflections On Faith And Fiction. East Lansing, Mi: Msu Press, 2013, Andrew J. Mckenna

Modern Languages and Literatures: Faculty Publications and Other Works

A review is presented of Bandera, Cesareo, A Refuge of Lies: Reflections on Faith and Fiction. East Lansing, MI: MSU Press, 2013 (viii, 156 pp.) ISBN: 978-1-60917-378-4. $19.95.


Dialogue In Fiction, Tracy A. Townsend Jun 2013

Dialogue In Fiction, Tracy A. Townsend

The Short Story

This close-reading and discussion-oriented lesson, which takes between sixty and seventy minutes, uses Ernest Hemingway’s “Hills Like White Elephants” as a model of how dialogue advances plot and develops character in fiction. It is useful in literature classrooms for its emphasis on drawing inferences from text and in creative writing contexts for teaching effective dialogue writing. This lesson is suitable for grades 9-12.


The Exchange: A Novella, Katie Knecht May 2012

The Exchange: A Novella, Katie Knecht

Honors College Capstone Experience/Thesis Projects

Grace Schmeidler is dealing with her recently broken engagement, which is horrible enough, what with her perfect wedding plans gone to waste. If she think nothing could be worse than the embarrassment she feels now, she is wrong. Her best friend, Audrey, shows up to deliver the only news that could have made her desire to be invisible even stronger; her ex-fiancé married someone else using all of Grace’s wedding arrangements. As if this weren’t enough, Grace’s mother calls with equally unsettling news. Work no longer provides Grace with an escape, and she is forced to deal ...


In The Colonies, Nicolas A. Sansone Jan 2012

In The Colonies, Nicolas A. Sansone

Masters Theses 1911 - February 2014

In the Colonies is a work of fiction. It tells the story of a young German harpist, C––, who is seduced into a life of luxury by a venal American, Sansone. She is invited to spend a year at his artists’ colony, where she works on composing a transcendent work of music and, in the process, realizes that she has lost sight of the material realities around her. Ultimately, she comes to realize that her single-minded pursuit of an ideal Beauty has driven her away from the very ideals she aspired to in the first place.


Using The Novel To Teach Multiculturalism, Michelle Loris Jan 2007

Using The Novel To Teach Multiculturalism, Michelle Loris

English Faculty Publications

Description of a fourteen week course taught by Michelle Loris, professor of English at Sacred Heart University. The course, titled Recent Ethnic American Fictions, introduced students to several concepts from contemporary literary theory. The theories included New Criticism, Deconstruction, Cultural Studies, New Historicism, and Feminist Theory. The assumption was that these concepts would give students the tools to become critical readers, which would then provide them with a deeper understanding of these multicultural novels and their particular cultural contexts.

For a semester, reading and thinking about these multicultural novels engaged and challenged the students' assumptions about themselves and the America ...


Crossing Borders In Anne Tyler's Fiction, Susan Norton Jan 2003

Crossing Borders In Anne Tyler's Fiction, Susan Norton

Articles

No abstract provided.


Nabokov's Third-Person Selves, James Morrison Jan 1992

Nabokov's Third-Person Selves, James Morrison

CMC Faculty Publications and Research

Many previous efforts to come to terms with the problem of autonomous consciousness and of self-construction in Nabokov's work have done so in the sphere of psychoanalysis, and have therefore found it necessary to make a foray into Nabokov's tireless polemic against the school of thought. Perhaps, however, an examination of what may be called "the third-person self" provides a way of apprehending Nabokov's conception and representations of consciousness in such a way that a detour through that well-travelled territory may be avoided.