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Full-Text Articles in Modern Literature

"Like Oil And Water": Adaptation As Textuality, Intertextuality, And Metatextuality In Lady Snowblood (Fujita, 1973), Matthew Bolton Sep 2017

"Like Oil And Water": Adaptation As Textuality, Intertextuality, And Metatextuality In Lady Snowblood (Fujita, 1973), Matthew Bolton

Studies in 20th & 21st Century Literature

Toshiya Fujita’s 1973 film adaptation of Kazuo Koike and Kazue Kamimura’s manga series Lady Snowblood is a case study in the challenges inherent in adapting a complex graphic narrative to film. A sprawling episodic story of assassination and revenge, the original manga text offers challenges to any adapter in terms of content, form, narrative construction, and media affordances, challenges that Fujita and his screenwriter Norio Osada gamely take up in their film. In their attempts to adapt their source material, Fujita and Osada rely on three adaptation strategies—textuality, intertextuality, and metatextuality—that reveal both their nimble thinking ...


Agency And Political Engagement In Gide And Barrault's Post-War Theatrical Adaptation Of Kafka's The Trial, Yevgenya Strakovsky Sep 2017

Agency And Political Engagement In Gide And Barrault's Post-War Theatrical Adaptation Of Kafka's The Trial, Yevgenya Strakovsky

CLCWeb: Comparative Literature and Culture

In her article, "Agency and Political Engagement in Gide and Barrault's Post-war Theatrical Adaptation of Kafka's The Trial" Yevgenya Strakovsky considers the political themes of André Gide and Jean-Louis Barrault's Le Procès (The Trial, 1947), the first theatrical adaptation of Franz Kafka's Der Prozess (The Trial, 1914). Strakovsky demonstrates that Le Procès, written and staged in the immediate aftermath of World War II, levels a critique against the passive complicity of citizens in unjust persecution in both its script and its staging. The paper also considers the elements of Kafka's prose that lend themselves to ...


Audience Response And From Film Adaptation To Reading Literature, Klaudia H.Y. Lee Jun 2016

Audience Response And From Film Adaptation To Reading Literature, Klaudia H.Y. Lee

CLCWeb: Comparative Literature and Culture

In her article "Audience Response and from Film Adaptation to Reading Literature" Klaudia H.Y. Lee analyses results from 3000-plus interview conducted across university campuses in Hong Kong in order to investigate the roles of screen adaptations and their intertextual relationship for developing students' critical textual practice. Lee combines reader-response theory (Iser and Rosenblatt) with empirical data to explore students' actual encounters and experience with texts. While the data suggests an influence of screen adaptations on students' choice and motivation of reading, this interest can potentially be developed into a critical awareness of the various intertextual possibilities that exist in ...


Adaptation, Metafiction, Self-Creation, Julie Levinson Jan 2007

Adaptation, Metafiction, Self-Creation, Julie Levinson

Julie Levinson

When the film Adaptation was released, the critical reception generally lauded it for the originality of its narrative construction and criticized it for its disappointingly conventional ending. “Adaptation, Metafiction, Self-Creation,” refutes those critical assessments by placing the film in historical and theoretical contexts. The film conforms to a type of reflexive storytelling that I call “self-creating narrative”: works that document, as part of their diegesis, their own artistic coming-into-being. Using the narratological taxonomy of Gerard Genette, the article examines Adaptation side by side with such earlier exemplars of the form as 8 1/2 and Providence, which likewise engage in ...