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Masters Theses

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Full-Text Articles in Modern Literature

The Biopolitical Elements In Yan Lianke's Fiction Worlds, Xiaoyu Gao Jan 2018

The Biopolitical Elements In Yan Lianke's Fiction Worlds, Xiaoyu Gao

Masters Theses

No abstract provided.


“Everything Seemed Very Queer”: Divergent Temporalities Of Normative Relations In Mrs. Dalloway, Crystal Brooke Clark Aug 2017

“Everything Seemed Very Queer”: Divergent Temporalities Of Normative Relations In Mrs. Dalloway, Crystal Brooke Clark

Masters Theses

Queer theory predominantly aligns normative relations to normative experiences of time and connects queer affiliations to queer temporal spaces. Heterosexuality, marriage, sexual reproduction, and the family are hallmarks of normative temporality, as they enact and maintain a progressive, future-oriented, genealogical timeline. However, normative attachments do not always follow queer theory’s narrative of straight time. Closely observing the structure of normative relationships and, in terms of my study specifically, marriage, uncovers assumptions constructing the constitution of normative temporality. I discuss queer theoretical works by Lee Edelman, Jack Halberstam, José Esteban Muñoz, and others to see how current theories typically oversimplify ...


Riemannian Reading: Using Manifolds To Calculate And Unfold Narrative, Heather Lamb Jan 2017

Riemannian Reading: Using Manifolds To Calculate And Unfold Narrative, Heather Lamb

Masters Theses

The purpose of this study is to investigate the space where readers and texts interact. By applying non-Euclidean geometry to the modern subgenre of science fiction known as steampunk, we can see that narratives have no intrinsic geometry. Instead, what we can understand is that readers unflatten inherently flat narratives by applying their own metric of understanding to a narrative. Steampunk acts a primer to considering this mathematical process by explicitly flattening its settings and characters, as well as the historical accounts founding the narrative. Mark Hodder's novel, The Strange Affair of Spring-Heeled Jack, offers two characters that unsuccessfully ...


Cat On A Hot Tin Roof: 60 Years Of American Dialogue On Sex, Gender, And The Nuclear Family, Amy Brooks Jan 2016

Cat On A Hot Tin Roof: 60 Years Of American Dialogue On Sex, Gender, And The Nuclear Family, Amy Brooks

Masters Theses

This thesis is a two-part work. Its components, a written paper and a one-night symposium/film screening event entitled Tennessee Williams: Gender Play in 2015 and Beyond, have been closely coordinated with my dramaturgical research for the February 2015 University of Massachusetts Amherst Department of Theater production of Cat on a Hot Tin Roof. The written inquiry is structured around a chronological, selected American production history of Cat; this history, rendered in a series of three case studies, will (1) synthesize preexisting analyses of Cat’s dramaturgical profile, its impact on American theater, and its position in Williams’s oeuvre ...


Intersections Of Space, Movement, And Diasporic Subjectivity In Brick Lane, White Teeth, And Maps For Lost Lovers, Md. Alamgir Hossain Jan 2016

Intersections Of Space, Movement, And Diasporic Subjectivity In Brick Lane, White Teeth, And Maps For Lost Lovers, Md. Alamgir Hossain

Masters Theses

This thesis explores the correlations between characters' encounters with specific locations and their interior development as they adjust to their new environments in the novels Brick Lane (2003), White Teeth (2000), and Maps for Lost Lovers (2004). Monica Ali's Brick Lane focuses on Nazneen's (the protagonist) encounters with different places such as particular streets, pubs, restaurants, cafés, and train stations, which impact her personality to such an extent that, in the process of traversing London's physical terrain, she is transformed from a passive Bangladeshi rural woman into an active, independent agent in London. In With Teeth, Zadie ...


Female Anti-Heroes In Contemporary Literature, Film, And Television, Sara A. Amato Jan 2016

Female Anti-Heroes In Contemporary Literature, Film, And Television, Sara A. Amato

Masters Theses

The anti-hero character has steadily become more popular in contemporary literature, film, and television. Part of this popularity is due to the character's appeal to the audience. This character type often commits acts that challenge the regulations of society. These acts, however, can become wish fulfillment for some audience members, making the acts of the character a vicarious experience as well as making the character more relatable because of the character's flawed nature.

This study will trace some of the evolution of the female anti-hero by discussing an ancestral character of the female anti-hero—Hester Prynne the protagonist ...


Hanging The Servant Girl To Hunting The Ripper: The Victorian Birth Of The True Crime Genre, Jonathan G. Brown Jan 2016

Hanging The Servant Girl To Hunting The Ripper: The Victorian Birth Of The True Crime Genre, Jonathan G. Brown

Masters Theses

More definitive answers about the creation and form of the modern True Crime genre narrative can be found by exploring, not the creators of True Crime narratives, but by following reader expectations and examining the social situation from which True Crime narratives were able to arise. Theorists in the genre field such as Lloyd Bitzer Carolyn Miller and Amy Devitt have introduced and refined the view of genre as a social action. In this view, genre does not come about as a set of rules imposed upon types of literature to bring order, but as a societally accepted creation constructed ...


Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols May 2015

Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols

Masters Theses

This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity ...


Constructing Abe No Seimei: Integrating Genre And Disparate Narratives In Yumemakura Baku's Onmyōji, Devin T. Recchio Jan 2014

Constructing Abe No Seimei: Integrating Genre And Disparate Narratives In Yumemakura Baku's Onmyōji, Devin T. Recchio

Masters Theses

The Onmyōji series has had an incredible impact on Japanese fiction. It has created an entire genre of material called onmyōjimono and sold 5 million copies counting only the novel series. Despite this, it has been woefully understudied by both Japanese and English speaking scholars. The Japanese scholars that do acknowledge it use it as a springboard to launch a survey of Abe no Seimei in written and performed media throughout history, and the English speaking scholars have limited their analyses to the form that oni take in the narrative. My research has revealed that Yumemakura Baku utilizes a complex ...


Literatura En Las Coordenadas Del Cambio: Premio Casa De Las Americas Literatura Para Niños Y Jovenes (1975-2012), Gloria-Maria Cuesta-Gonzalez Jan 2014

Literatura En Las Coordenadas Del Cambio: Premio Casa De Las Americas Literatura Para Niños Y Jovenes (1975-2012), Gloria-Maria Cuesta-Gonzalez

Masters Theses

The cultural dimension of the Cuban Revolution (1959) has an unquestionable reference: Casa de las Américas, international symbol of Cuba in the field of the arts. Of its multiple artistic expression, we have put our focus in the literary prizes with which this institution recognizes children’s literary creation, and our working hypothesis is that Casa de las Américas has played an essential role in the development and consolidation, in the Latin American context, of a genre that even today in day is considered minor. The goal of our study is therefore to investigate and analyze the reasons offered for ...


Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris May 2012

Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris

Masters Theses

In Powers of Horror, Julia Kristeva defines abjection as the seductive and destructive remainder of the process of entering the symbolic space of the father and leaving the pre-symbolic space of the mother, resulting in a desire to return to the jouissance of the pre-symbolic space. In this project, I read Jamaica Kincaid’s The Autobiography of My Mother as an attempt to link Xuela’s psychic abjection with the postcolonial identity. Xuela exists on the boundaries of the colonial dichotomy, embracing the space of the abject because she is haunted by her dead mother. She cannot return to her ...


Image And Identity: Effects Of The Gaze In Colette's The Vagabond And Jean Rhys's Good Morning, Midnight, Janet A. Puzey Jan 2003

Image And Identity: Effects Of The Gaze In Colette's The Vagabond And Jean Rhys's Good Morning, Midnight, Janet A. Puzey

Masters Theses

Image and Identity: Effects of the Gaze in Colette's The Vagabond and Jean Rhys's Good Morning, Midnight explains the development of identity, within private and public spaces, of the novels' female protagonists, Renee Nere and Sasha Jensen. Understanding the history of Paris, used as setting in both novels as well as serving as home for both authors, and its historical relationship to the gaze is important.

Using John Berger's and Charles Baudelaire's observations of female presence and the gaze, the thesis analyzes the ways in which Renee and Sasha struggle to form their identities, not only ...


Motherlands Of The Mind: A Study Of The Women Characters Of Attia Hosain's Sunlight On A Broken Column And Salman Rushdie's Midnight's Children, Umme Sadat Nazmun Nahar Al-Wazedi Jan 2003

Motherlands Of The Mind: A Study Of The Women Characters Of Attia Hosain's Sunlight On A Broken Column And Salman Rushdie's Midnight's Children, Umme Sadat Nazmun Nahar Al-Wazedi

Masters Theses

In my thesis I examine the portrayal of women characters by two post-colonial Indian writers, Attia Hosain and Salman Rushdie, respectively in Sunlight on a Broken Column (1961) and Midnight's Children (1980). I show how Hosain's and Rushdie's ideas of identity, nation and nationality influence their depiction of these women characters.

In the section analyzing Sunlight on a Broken Column, I argue that there is a spatial veil separating the feudal world of "Ashiana" from the outside world with its political disturbances, the life of a woman as an individual from the life of a woman as ...


Women's Heart Of Sorrow: Versions Of The Truyen Kieu In The Works Of Duong Thu Huong And Le Ly Hayslip, Vi Tran Jan 2002

Women's Heart Of Sorrow: Versions Of The Truyen Kieu In The Works Of Duong Thu Huong And Le Ly Hayslip, Vi Tran

Masters Theses

Nguyen Du's Truyen Kieu or Tale of Kieu has arguably provided a life model for Vietnamese females. The poem's influence extends in important ways to contemporary Vietnamese writers as well, including those as politically and artistically diverse as Duong Thu Huong and Le Ly Hayslip. In Novel Without a Name, Paradise of the Blind and Memories of a Pure Spring, Duong Thu Huong transforms the terms of Nguyen Du's poem to those of Vietnam during its revolutionary period and today. As an overseas Vietnamese who had earlier experienced prostitution and the moral chaos of war, Le Ly ...


The Voices From The Sanctuary: The Female Narrators Of J M Coetzee's In The Heart Of The Country And Doris Lessing's Memoirs Of A Survivor, James L. Forman Jan 2001

The Voices From The Sanctuary: The Female Narrators Of J M Coetzee's In The Heart Of The Country And Doris Lessing's Memoirs Of A Survivor, James L. Forman

Masters Theses

In both In the Heart of the Country (1977) by J. M. Coetzee and The Memoirs of a Survivor (1974) by Doris Lessing, a female narrator fabricates a sanctuary—mental rather than physical—that enables each woman to challenge, deflect, or adapt to a conflict and that shelters her from a hostile, patriarchal society. For Coetzee's narrator (Magda) in In the Heart of the Country, writing, rewriting, and editing provide the necessary devices to establish her asylum in her quest for identity. For Lessing's narrator (the survivor) in The Memoirs of a Survivor, escaping behind the wall allows ...


Garbage Picking With Salman Rushdie, Tara Hubschmitt Jan 1999

Garbage Picking With Salman Rushdie, Tara Hubschmitt

Masters Theses

Salman Rushdie's voice is one of the most powerful in postmodern and post-colonial literature. He stands as a primary spokesman for the displaced personality of those caught between the conflicting influences of traditional cultures and the contemporary west. In Midnight's Children (1980), The Satanic Verses (1989), and The Ground Beneath Her Feet (1999), Rushdie appears to reveal himself as a proponent of a garbage aesthetic. The garbage metaphor, as explained by Ella Shohat and Robert Stam in Unthinking Eurocentricism (1994), develops from Brazilian filmmakers of the 1960s and is generally used to highlight the omnipresent influence of western ...


"The World Adrift In Emptiness": Crossing The Abyss Of Transition In Four Tragedies By Wole Soyinka, Michael H. Lake Jan 1998

"The World Adrift In Emptiness": Crossing The Abyss Of Transition In Four Tragedies By Wole Soyinka, Michael H. Lake

Masters Theses

1986 Nobel Laureate, Wole Soyinka, Nigerian dramatist, poet, essayist and novelist, names the Yoruba god, Ogun, as his tragic muse for ritual theatre in "The Fourth Stage," his early artistic manifesto. In this essay Soyinka maintains that in contrast to Dionysus, Nietzsche's hero in The Birth of Tragedy from the Spirit of Music, Ogun balances within himself elements that could be described as Dionysian, Apollonian, and Promethean. Archetypally, Ogun thus constitutes a destructive-creative unity which overcomes the dyad of good-versus-evil of Europe's Christian civilization.

For this reason, Soyinka upholds Ogun not only as a natural patron ...


"Time Is One": The Temporal Aspect Of The Hopi Language And Its Experimental Application In Postmodernist Novels, Peter Buru Jan 1997

"Time Is One": The Temporal Aspect Of The Hopi Language And Its Experimental Application In Postmodernist Novels, Peter Buru

Masters Theses

My thesis examines the relationship between the temporal aspects of the language of the Hopi Indians, based on Benjamin Lee Whorf’s linguistic analyses, and postmodernist narrative theory. Within postmodernism itself, the study focuses on the narratives' handling of time and space, as illustrated by the following novels: Sexing the Cherry by Jeanette Winterson; Time's Arrow by Martin Amis; Slaughterhouse-Five by Kurt Vonnegut, Jr.; and Almanac of the Dead by Leslie Marmon Silko.

The study investigates how these postmodernist novels experiment with the application of a timeless temporal scheme. This scheme originates from what I refer to as Benjamin ...


Growing Old And Growing Wise? Parenting And Maturation In Henry James' Selected Tales And Novels, Judit Magyar Jan 1997

Growing Old And Growing Wise? Parenting And Maturation In Henry James' Selected Tales And Novels, Judit Magyar

Masters Theses

My thesis examines young people portrayed in Henry James' selected novels and tales, exploring the theme of the maturing process, with special emphasis on the influence of the adult world on the psychological development of the young. To this end, I focus on the following works: Daisy Miller, The Portrait of a Lady, “A London Life,” “The Pupil,” What Maisie Knew, “The Tum of the Screw” and The Awkward Age. James, through the experience of his young characters, explores not only the depths of moral corruption in society, but also the necessary steps to be taken in order to promote ...


A New Sense Of Time In Female Development: Linearity And Cyclicity In Atwood's Surfacing And Cat's Eye, Diana L. Unes Jan 1995

A New Sense Of Time In Female Development: Linearity And Cyclicity In Atwood's Surfacing And Cat's Eye, Diana L. Unes

Masters Theses

No abstract provided.


Like He Would Jump Me With A Book: Black Humor In Sanctuary And Oliver Twist, Deborah Leclaire Jan 1992

Like He Would Jump Me With A Book: Black Humor In Sanctuary And Oliver Twist, Deborah Leclaire

Masters Theses

Although many critics have compared William Faulkner and Charles Dickens, no one has fully developed the resemblance between their uses of black humor. Using several critics' definitions of black humor, I examine several aspects of black humor in Faulkner's Sanctuary and Dickens' Oliver Twist: the presence of the wasteland in society, the irreverent treatment of death and religion, the presence of grotesques and perverse sexuality.

Like the humour noir of the French surrealist movement, black humor in both of these books is very much involved in these authors' indictment of society. Both Faulkner and Dickens use black humor to ...


A Woman's Quest For Happiness: O'Neill's "Private Myth", Andrea Ximena CampañA Garcia Jan 1992

A Woman's Quest For Happiness: O'Neill's "Private Myth", Andrea Ximena CampañA Garcia

Masters Theses

Following the approach used by James Hurt in his book Catiline's Dream to determine Henrik Ibsen's "private myth" which he retold in play after play, I have delineated O'Neill's "private myth" in a narrower way concentrating on his female characters. Examining parallel motifs in the lives of the dominant women in Desire Under the Elms, Strange Interlude, and Mourning Becomes Electra, I have detected this mythic pattern involving the O'Neillian woman: She goes through an early innocent and submissive state guided by an initial vision of happiness which can be regarded as fairly conventional. But ...


Tolkien's Unnamed Deity Orchestrating The Lord Of The Rings, Lisa Hillis Jan 1992

Tolkien's Unnamed Deity Orchestrating The Lord Of The Rings, Lisa Hillis

Masters Theses

The epic world created by J.R.R. Tolkien in the Lord of the Rings trilogy is one in which secular and religious elements are intertwined and the relationship between the two is intentionally kept vague. Within this created world, known as Middle Earth, good and evil are apparent, but the standard by which they are determined remains undefined. The free creatures living in Tolkien's world appear to have an intuitive ability to discern between good and evil, and each being generally exercises its free will in pursuit of one or the other though some personalities do combine the ...


Oedipal Identity And The Freudian Construction Of Orality In Okot P'Bitek's Song Of Lawino And Song Of Ocol, Paul Kent Oakley Jan 1992

Oedipal Identity And The Freudian Construction Of Orality In Okot P'Bitek's Song Of Lawino And Song Of Ocol, Paul Kent Oakley

Masters Theses

In Okot p’Bitek’s Song of Lawino and Song of Ocol, Ocol and Lawino, presenting themselves as a university-educated man and his non-literate village wife, argue the various merits and failings of traditional, Acholi village life and modern, Westernized life. Accompanying this sociopolitical argument is the personal, emotional conflict between the two: Ocol is rejecting Lawino in favor of a Westernized second-wife, but Lawino refuses to leave him, trying instead to coerce him into returning, body and soul, to her bed. The scenario seems straightforward. But below this superficial reading is a more complex one in which Lawino is ...


Two Halves Into The Water, Michael Kuo Jan 1989

Two Halves Into The Water, Michael Kuo

Masters Theses

In my introductory essay (“The Dying Star: Character in Contemporary Fiction”) I argue that the contemporary fiction writer views character in a new way, breaking with traditional fiction theory and its dependence on the Cartesian division of Self and Other. The contemporary writer “finds Descartes’ division of Self and Other impotent, turning instead to a vision of character in which there are no certainties; a character in contemporary fiction cannot necessarily come to ‘know herself’ or the world around her.” I trace the influence of Descartes in a wide variety of traditional fiction and theory, and then propose a new ...


The Perception Of Coincidence: Artistic Symmetry In The "Wandering Rocks" Episode Of James Joyce's Ulysses, James A. Scruton Jan 1983

The Perception Of Coincidence: Artistic Symmetry In The "Wandering Rocks" Episode Of James Joyce's Ulysses, James A. Scruton

Masters Theses

James Joyce's Ulysses, the most influential novel of the twentieth century, has often been criticized for its fragmentation and complexity. Impenetrable to some readers, misunderstood by others, Ulysses bears within its eighteen episodes a symmetry of subject and form that at once clarifies and multiplies the meanings to be found there. Richard Ellmann calls Joyce's theory of art "the perception of coincidence," a theory best exemplified by "Wandering Rocks," the central episode of Ulysses. The use of "symmetrical coincidence" in ''Wandering Rocks" can be seen in two ways: 1)the internal structure of the episode, and 2)its ...


The Family In Modern Northern Irish Drama, Ray Wallace Jan 1982

The Family In Modern Northern Irish Drama, Ray Wallace

Masters Theses

The purpose of this thesis is to show the plight of the family in Northern Ireland. The four plays which are the subject of this study--Within Two Shadows by Wilson John Haire, The Flats By John Boyd, Nightfall to Belfast by Patrick Galvin, and The Death of Humpty Dumpty by J. Graham Reid--deal with this innocent faction and highlight three principal effects of the troubles on their family lives. First, the families suffer internal division. They are alienated by religious/political differences which are as inseparable in these dramas as they are in Northern Irish life. Socialist doctrine opposes ...


Charles Simic: Trends Toward An International Poetry, Denise Clark Jan 1982

Charles Simic: Trends Toward An International Poetry, Denise Clark

Masters Theses

In his article "Wrong Turning in American Poetry," Robert Bly believes that American poetry has been lead astray by the likes of Eliot, Pound, Moore, and Williams. He feels that the main failing of American poetry is its lack of inward, spiritual life. It is the Spanish speaking poets that Bly looks to as the true path-finders of spiritual poetry. If Bly believes that poets like Eliot and Williams were responsible for steering American poetry down the wrong path, it is a foreigner, Charles Simic, who will give American poetry the right turn it needs.

What Simic has been able ...


A Room Of One's Own: The Women's Room, Lou Ellen Crawford Jan 1982

A Room Of One's Own: The Women's Room, Lou Ellen Crawford

Masters Theses

The recent resurgence of feminism has been accompanied by the development of feminist fiction. Identifying those characteristics by which feminist fiction adds to the American novel a new and valid perspective, feminist criticism has also flourished. Feminist critics agree that fiction with a new perspective demands critical evaluation from that same perspective; and Cheri Register provides a concise, thorough list of five elements which comprise effective feminist fiction. Of Register's five criteria, Carol Heilbrun stresses the equalizing, conciliatory influence of androgyny. Recent feminist authors have written many novels which perform one or more of the functions prescribed by Register ...


Infinite Intellectual Leap-Frog: Tracing Three Character Voices Through Four Of Tom Stoppard's Works--Lord Malquist And Mr. Moon, Albert's Bridge, Jumpers, And Dirty Linen, Judy Laurene Donaldson Jan 1982

Infinite Intellectual Leap-Frog: Tracing Three Character Voices Through Four Of Tom Stoppard's Works--Lord Malquist And Mr. Moon, Albert's Bridge, Jumpers, And Dirty Linen, Judy Laurene Donaldson

Masters Theses

Tom Stoppard (1937- ), British playwright, creates in his Absurd novel Lord Malquist and Mr. Moon (1966) three character voices that begin a debate on man's reason for existence. Instead of resolving the debate at the end of his novel, Stoppard, using the same character voices in various combinations, continues the debate in three of his later works: the plays Albert's Bridge (1968), Jumpers (1972), and Dirty Linen (1976). The three character voices include the realist's, who ties to make some sense out of the disorder of the world and to find his place in it; the manipulator ...