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Full-Text Articles in Modern Literature

To Live Like Fighting Cocks: 'Fight Club' And The Ethics Of Masculinity, Andrew Slade Nov 2015

To Live Like Fighting Cocks: 'Fight Club' And The Ethics Of Masculinity, Andrew Slade

Andrew R. Slade

David Fincher's 1999 adaptation of Chuck Palahniuk's novel Fight Club has prompted many academics to write about this film and has captivated many of their students. As Warren Rosenberg, chair of English at the all-male Wabash College has said, "This seems to be a movie that they all adore so we'll see if we can deconstruct it, and hopefully get them to like it less" (Students, A10). While we may take this flippant comment from a 2001 story in The Chronicle of Higher Education as just that and dismiss it as quickly as it passes, Rosenberg's ...


Violence And Beauty: Jacques Lacan's 'Antigone', Andrew Slade Nov 2015

Violence And Beauty: Jacques Lacan's 'Antigone', Andrew Slade

Andrew R. Slade

If Jean-Luc Nancy was able to write in "The Sublime Offering," in 1993, that the sublime was fashionable (25), then academic and theoretical tastes have changed, and beauty has come back in style. Throughout the late 1990s, cultural critics and theorists undertook a return to beauty against the fashion for the sublime that returned in twentieth-century theory and philosophy of art in works by Jean-François Lyotard and Theodor Adorno, among others. The interest in the sublime has been grounded in violent historical experience. Not that violence was new, or that the kinds of violence that the twentieth century bequeathed us ...


Remake As Erasure In 'The Texas Chainsaw Massacre', Andrew Slade Nov 2015

Remake As Erasure In 'The Texas Chainsaw Massacre', Andrew Slade

Andrew R. Slade

Tobe Hooper’s The Texas Chainsaw Massacre (1974) was remade as The Texas Chainsaw Massacre (2003) by Marcus Nispel. The remake erases the progressive critique of gender and family life in the United States that Hooper’s film screened and replaces that critique with a reactionary vision of sex, gender and family in the United States of the early twenty-first century.


Differend, Sexual Difference, And The Sublime, Andrew Slade Oct 2015

Differend, Sexual Difference, And The Sublime, Andrew Slade

Andrew R. Slade

The aim of this chapter is to articulate how two key feminist writers, Marguerite Duras and Luce lrigaray, engage and rewrite Lyotard's interest in the sublime as a feminist aesthetic category. Jean-François Lyotard was at the vanguard of a retrieval of the category of the sublime in contemporary aesthetic theory. A trenchantly polymorphous philosopher, he wrote of the sublime in a range of styles that rivals the old masters of aesthetics, who not only mastered the thought, but were themselves sublime in their works. Whereas the tradition of aesthetics almost unequivocally aligns the sublime with the masculine and the ...


Invisible Monsters And Palahniuk's Perverse Sublime, Andrew Slade Oct 2015

Invisible Monsters And Palahniuk's Perverse Sublime, Andrew Slade

Andrew R. Slade

Invisible Monsters is a novel about the search for identities — sexual, family, gender, social — that is never at ease with the search. The characters in the novel wish to put an end to the need to search for an identity and to draw to a close the need and urge to represent themselves to others. These are characters who wish to be what and who they are without apology or argument but are ill-equipped to do so. They cannot find the means by and through which to put the seeking to an end. It may be tempting to diagnose them ...


Mixing Mourning And Desire: Alfonso Cuarón's 'Y Tu Mamá También', Andrew Slade Oct 2015

Mixing Mourning And Desire: Alfonso Cuarón's 'Y Tu Mamá También', Andrew Slade

Andrew R. Slade

Alfonso Cuarón's Y Tu Mamá También was one of a series of hit movies from Mexico in the early years of the millennium. From the beginning, the movie generated shock and scandal for its representations of graphic sex, but more than that for its representation of queer desire between the emerging young stars Diego Luna and Gael Garcia Bernal. As the two established their careers, they continued to answer questions about Julio and Tenoch, the two adolescent, urban cowboys they played in Y Tu Mamá También. The road movie as coming-of-age story on its own would not produce any ...


Hiroshima, 'Mon Amour,' Trauma, And The Sublime, Andrew Slade Oct 2015

Hiroshima, 'Mon Amour,' Trauma, And The Sublime, Andrew Slade

Andrew R. Slade

Trauma ruptures the world of our daily experiences. It is an intrusion that threatens the body and psyche and affects us in symptomatic ways. That something happened is certain; what that is, however, resists comprehension and understanding. The impetus of much contemporary trauma research in the humanities derives from the coincidence of survivors' insistence on the truth of their experiences and life in a global culture that multiplies traumatic circumstances. These circumstances pose a radical threat to the fecundity of human life, to be sure, and also to the very possibility of brute survival. My aim in this essay is ...


On Mutilation: The Sublime Body Of Chuck Palahniuk's Fiction, Andrew Slade Oct 2015

On Mutilation: The Sublime Body Of Chuck Palahniuk's Fiction, Andrew Slade

Andrew R. Slade

Much of Chuck Palahniuk's writing centers on the mutilation of bodies. Bodies are broken from the outside. They are beaten unrecognizable and destroyed beyond recuperation. Bodies are transformed from one sex to another, one gender to another. In Palahniuk's writing, the human body is the site for the inscription of a search for modes of authentic living in a world where the difference between the fake and the genuine has ceased to function. Not just the rules that had regulated behavior and prospects for a good life, but the rules that determine desire, pleasure, gender identity, and family ...


Lyotard, Beckett, Duras, And The Postmodern Sublime, Andrew Slade Oct 2015

Lyotard, Beckett, Duras, And The Postmodern Sublime, Andrew Slade

Andrew R. Slade

Samuel Beckett's texts are populated with characters who have been so deprived of their humanity that humanity appears as essentially absent from his texts. The characters' presence in the diegesis is marked by unmistakable absences-absence of vision, of mobility, of sense, of name. Beckett's characters are often without: without hair, without teeth, without foreseeable future. The human character is at the limit of humanity and runs the risk of passing over into the grey zone of the inhuman. They lose track of their place, of their time, of their names. They frequently belong to no time and no ...


The Vanishing Mexicana/O: (Dis)Locating The Native In Ruiz De Burton’S 'Who Would Have Thought It?' And 'The Squatter And The Don', Tereza M. Szeghi Oct 2015

The Vanishing Mexicana/O: (Dis)Locating The Native In Ruiz De Burton’S 'Who Would Have Thought It?' And 'The Squatter And The Don', Tereza M. Szeghi

Tereza M. Szeghi

This article complements the existing body of Ruiz de Burton scholarship by providing the first sustained examination of her literary representations of American Indians in both Who Would Have Thought It? (1872) and The Squatter and the Don (1885), and by exploring how these representations serve her broader aims of social and political reform. American Indians’ presence in the novels, however marginal, and Ruiz de Burton’s rendering of them as savage, powerless, and justly shut out from the social and political life of the nation, are critical to the author’s aims. Accounting for the absence and strategic appearance ...


Scientific Racism And Masculine Recuperation: Charles Lummis And The Search For 'Home', Tereza M. Szeghi Oct 2015

Scientific Racism And Masculine Recuperation: Charles Lummis And The Search For 'Home', Tereza M. Szeghi

Tereza M. Szeghi

Like many of his peers who came of age during the second half of the nineteenth century, Charles Lummis (1859-1928) chafed against the constraints of what he and other antimodernists viewed as the overly civilized Eastern United States. However, in Lummis’ own estimation, one of the many qualities that distinguished him from his peers was his willingness to take the necessary action to combat the devitalizing impact of city life by heading west to experience unfamiliar lands and cultures. As he states in the opening pages of his 1892 travel narrative, A Tramp Across the Continent, “I am an American ...


Weaving Transnational Identity: Travel And Diaspora In Sandra Cisneros’S 'Caramelo', Tereza M. Szeghi Oct 2015

Weaving Transnational Identity: Travel And Diaspora In Sandra Cisneros’S 'Caramelo', Tereza M. Szeghi

Tereza M. Szeghi

Sandra Cisneros's Caramelo, or, Puro Cuento: A Novel (2002) dramatizes the functions of travel and tourism for members of the Mexican and Chicana/o diaspora, particularly for second-generation Chicana protagonist and narrator, Lala Reyes. Caramelo showcases travel's critical role in cultural identity formation, maintenance, and contestation for diasporic peoples, while also demonstrating the variability and mutability of diasporic cultural identity as mediated through travel. My explication of the novel's representations of cultural identity formation through travel contributes to critical conversations regarding the relationship between diaspora and tourism, argues for elastic understandings of diaspora itself, and brings needed ...


'The Injin Is Civilized And Aint Extinct No More Than A Rabbit': Transformation And Transnationalism In Alexander Posey’S 'Fus Fixico Letters, Tereza M. Szeghi Oct 2015

'The Injin Is Civilized And Aint Extinct No More Than A Rabbit': Transformation And Transnationalism In Alexander Posey’S 'Fus Fixico Letters, Tereza M. Szeghi

Tereza M. Szeghi

In this article I first introduce my critical approach to Posey’s life and work in conjunction with an overview of the Fus Fixico Letters, as situated in their historical and cultural context. I position my argument in relation to the ideological framework outlined by Creek/Cherokee writer and theorist Craig Womack (one of the most significant Posey scholars), and throughout the article draw upon the groundbreaking historical and archival research of Daniel Littlefield. Following an introduction to the letters and an outline of my central arguments, I analyze Posey’s conception of transformation, as it manifests in the Fus ...


The Possibilities And Pitfalls In Teaching Sherman Alexie’S 'The Absolutely True Diary Of A Part-Time Indian', Tereza M. Szeghi Oct 2015

The Possibilities And Pitfalls In Teaching Sherman Alexie’S 'The Absolutely True Diary Of A Part-Time Indian', Tereza M. Szeghi

Tereza M. Szeghi

About the book: This book provides original essays that suggest ways to engage students in the classroom with the cultural factors of American literature. Some of the essays focus on individual authors’ works, others view American literature more broadly, and still others focus on the application of culturally based methods for reading. All suggest a closer look at how ethnicity, culture and pedagogy interact in the classroom to help students better understand the complexity of works by African Americans, Native Americans, Asian Americans, Latinos and several other sometimes overlooked American cultural groups. Abstract for Tereza M. Szeghi's essay: In ...


Work In Progress: Reading And Representing Paris Virtually, Brian Gordon Kennelly Sep 2015

Work In Progress: Reading And Representing Paris Virtually, Brian Gordon Kennelly

Brian G. Kennelly

No abstract provided.


A Paraître/Apparaître: Genet And His Press, Brian Gordon Kennelly Sep 2015

A Paraître/Apparaître: Genet And His Press, Brian Gordon Kennelly

Brian G. Kennelly

No abstract provided.


Links And The Teaching Of Contemporary Issues In The Francophone World, Brian G. Kennelly Sep 2015

Links And The Teaching Of Contemporary Issues In The Francophone World, Brian G. Kennelly

Brian G. Kennelly

No abstract provided.


Rape Fantasy Redux? Textual Victimhood In And Between Versions Of Tony Duvert’S Portrait D’Homme Couteau, Brian G. Kennelly Sep 2015

Rape Fantasy Redux? Textual Victimhood In And Between Versions Of Tony Duvert’S Portrait D’Homme Couteau, Brian G. Kennelly

Brian G. Kennelly

No abstract provided.


The Usual: Pub Phenomenology In The Works Of James Joyce, Thomas Keegan Aug 2015

The Usual: Pub Phenomenology In The Works Of James Joyce, Thomas Keegan

Tom Keegan

"The Usual: Pub Phenomenology in the Works of James Joyce" attempts to wrest the pub from critical dismissal as a token symbol of paternalistic Irish drunkenness and return it to the center of Joyce's work as the site for his development of a philosophy of being. Read this way, the pub illustrates ways humans come to understand their place in the world through objects, practices, and later, as part of a public entity. The pub also tells the story of modernism's impact on Irish society. Few spaces so deftly render the complexities of the modern Irish position: at ...


'I Second That Emotion': Minding How Plagiarism Feels, Ann E. Biswas Jul 2015

'I Second That Emotion': Minding How Plagiarism Feels, Ann E. Biswas

Ann E. Biswas

It stands to reason that when writing teachers believe their students have plagiarized, they will experience strong emotions that impact their relationships with students, their pedagogy, and their sense of professional identity. Far from being a threat to reason, understanding and acknowledging writing teachers’ emotional responses to plagiarism can lead to a deeper wisdom of its true impact. By examining the literature on emotion from psychology, sociology, education, and writing studies as well as findings from a pilot study of writing teachers’ emotional responses to plagiarism, this article argues that the work involved in managing the emotions of plagiarism reflects ...


De-Coding Intertextuality In Classic And Postmodern Russian Narratives, Natalia Olshanskaya Jun 2015

De-Coding Intertextuality In Classic And Postmodern Russian Narratives, Natalia Olshanskaya

Natalia Olshanskaya

Based on the comparison of intertextual references in several English translations of Fedor Dostoevskii’s Notes From the Underground and Victor Pelevin’s “The Ninth Dream of Vera Pavlovna,” the article addresses general issues of translating intertextual references in narratives. Special attention is devoted to the problems of reception of postmodern texts and the question of the translator’s ‘invisibility.’


Anti-Utopian Carnival: Vladimir Voinovich Rewriting George Orwell, Natalia Olshanskaya Jun 2015

Anti-Utopian Carnival: Vladimir Voinovich Rewriting George Orwell, Natalia Olshanskaya

Natalia Olshanskaya

No abstract provided.


Criticizing Local Color: Innovative Conformity In Kate Chopin’S Short Fiction, Thomas Lewis Morgan Jun 2015

Criticizing Local Color: Innovative Conformity In Kate Chopin’S Short Fiction, Thomas Lewis Morgan

Thomas Morgan

One of the difficulties in using regionalism as a descriptive category to discuss late nineteenth-century literature is the series of shifting relationships it has with other terms describing literary production. Not only is there regionalism’s implied connection to realism, there is naturalism, romance, and even local color to consider, if one desires to distinguish between types of regional literary production. Added to this initial framework are the unspoken assumptions concerning intersecting definitions of generic form: the novel is implicitly connected to realism (and later naturalism), while the short story is traditionally associated with regionalism. Further complicating both sets of ...


Inverting The Haiku Moment: Alienation, Objectification, And Mobility In Richard Wright’S ‘Haiku: This Other World’, Thomas Lewis Morgan Jun 2015

Inverting The Haiku Moment: Alienation, Objectification, And Mobility In Richard Wright’S ‘Haiku: This Other World’, Thomas Lewis Morgan

Thomas Morgan

Richard Wright’s haiku — both the 4,000 he wrote at the end of his life and the 817 he selected for inclusion in Haiku: This Other World (1998) — remain something of an enigma in his larger oeuvre; critics variously position them as a continuation of his earlier thematic concerns in a different literary form, an aesthetic departure from the racialized limitations imposed upon his earlier work, or one of several positions in between. Such arguments debate the formal construction as well as the strategic reinvention of Wright’s haiku. The present essay engages both sides of this conversation, arguing ...


The City As Refuge: Constructing Urban Blackness In Paul Laurence Dunbar’S 'The Sport Of The Gods' And James Weldon Johnson’S 'Autobiography Of An Ex-Colored Man.', Thomas Lewis Morgan Jun 2015

The City As Refuge: Constructing Urban Blackness In Paul Laurence Dunbar’S 'The Sport Of The Gods' And James Weldon Johnson’S 'Autobiography Of An Ex-Colored Man.', Thomas Lewis Morgan

Thomas Morgan

This essay analyzes the narrative strategies that Paul Laurence Dunbar and James Weldon Johnson used to represent black characters in The Sport of the Gods and The Autobiography of an Ex-Colored Man as a means of examining the authors' construction of the city as an alternative space for depicting African Americans. In late nineteenth- and early twentieth-century fiction, the majority of African American images in popular fiction were confined to Southern-based pastoral depictions that restricted black identity to stereotypically limited and historically regressive ideas, exemplified in such characters as Zip Coon, Sambo, Uncle Tom, Jim Crow, and Mammy Jane. The ...


Well-Worn, Meredith Doench Jun 2015

Well-Worn, Meredith Doench

Meredith Doench

Technically it's not a bookshelf, but a collection of paperbacks stacked beside my nightstand. Most second-hand booksellers would term the current state of these paperbacks as well-worn. Multiple pages of these works are dog-eared, while the margins are filled with my scribbled thoughts and connections. The covers are permanently bent, torn, and haphazardly mended after so many harried shoves inside my cluttered book-bag. When I think of this book collection, I’m reminded of how my favorite music looked before the invention of the Ipod. My beloved tapes and CDs had been played so much, most of the printed ...


For All The Mias Of This World, Meredith Doench Jun 2015

For All The Mias Of This World, Meredith Doench

Meredith Doench

Over the past few years there has been a lot of attention given to the amount of women, or lack thereof, in the publishing world. Statistics provided by the 2013 Vida Count show that not only should those numbers be much stronger, but so should the representations of women and their variations of sexuality in published works. Roxane Gay writes in the introduction to her 2014 book, Bad Feminist: Essays, “Movies, more often than not, tell the stories of men as if men’s stories are the only stories that matter. When women are involved, they are the sidekicks, the ...


This I Believe: The Do-Over, Meredith Doench Jun 2015

This I Believe: The Do-Over, Meredith Doench

Meredith Doench

I believe in second chances. Even thirds. There’s nothing like the power of a sincere do-over.

As a junior and senior high student, school was never my forte. It wasn’t for lack of effort on my parents’ part—my mother had been a fourth grade teacher and my father, a doctor, worked hard to keep me in one of the best districts in our area. Still, I bucked most school activities. Study groups? No way. Extra-curriculars? Not unless my friends were doing it. Math club? Please!

My junior year I fell into an anxious depression so severe, I ...


Crossed, Meredith Doench Jun 2015

Crossed, Meredith Doench

Meredith Doench

Book 1 in the Luce Hansen thriller series. Description from the publisher: Agent Luce Hansen returns home to Willow’s Ridge to catch a serial killer who has been murdering young women. It’s the case she’s been waiting for, the case that compels her to return to the small town she turned her back on nineteen years ago, the case she plans to ride from the Ohio BCI all the way to the FBI. The case worth risking her shaky relationship with her lover, Rowan. But the horrors of the case recall the unsolved murder of Luce’s ...


Ethics And Remembrance In The Poetry Of Nelly Sachs And Rose Auslander, Kathrin M. Bower Apr 2015

Ethics And Remembrance In The Poetry Of Nelly Sachs And Rose Auslander, Kathrin M. Bower

Kathrin M. Bower

This is the first comparative study in English of two German-Jewish women poets who survived the Nazi genocide but did not escape its effects. The study begins with a reading of Sachs's and Ausländer's poetry in the context of the wider scope of 'Holocaust literature.' Focusing on the poet as witness bearing the double burden of survival and remembrance, the work argues that 'work of memory'achieved by Ausländer and Sachs exemplifies the complexity of poetic reflection on trauma and history.In addition to aesthetic considerations, the book concentrates on the implications of Sachs's and Ausländer's ...