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Modern Literature Commons

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Articles 1 - 12 of 12

Full-Text Articles in Modern Literature

Elizabeth S. Anker And Rita Felski, Eds. Critique And Postcritique. Duke Up, 2017., Maïté Marciano Dec 2018

Elizabeth S. Anker And Rita Felski, Eds. Critique And Postcritique. Duke Up, 2017., Maïté Marciano

Studies in 20th & 21st Century Literature

Review of Elizabeth S. Anker and Rita Felski, eds. Critique and Postcritique. Duke UP, 2017.329 pp.


Jean Braithwaite, Ed. Chris Ware: Conversations. Jackson: The Up Of Mississippi, 2017., Lindsay Harper Cannon Sep 2017

Jean Braithwaite, Ed. Chris Ware: Conversations. Jackson: The Up Of Mississippi, 2017., Lindsay Harper Cannon

Studies in 20th & 21st Century Literature

Review of Jean Braithwaite, ed. Chris Ware: Conversations. Jackson: The UP of Mississippi, 2017.


Jeffrey A. Brown. The Modern Superhero In Film And Television: Popular Genre And American Culture. New York: Routledge, 2016., Danielle A. Orozco Sep 2017

Jeffrey A. Brown. The Modern Superhero In Film And Television: Popular Genre And American Culture. New York: Routledge, 2016., Danielle A. Orozco

Studies in 20th & 21st Century Literature

Review of Jeffrey A. Brown. The Modern Superhero in Film and Television: Popular Genre and American Culture. New York: Routledge, 2016.


Frederick Luis Aldama. Latino Comic Book Storytelling: An Odyssey By Interview. San Diego: ¡Hyperbole Books!, 2017., Jessica Rutherford Sep 2017

Frederick Luis Aldama. Latino Comic Book Storytelling: An Odyssey By Interview. San Diego: ¡Hyperbole Books!, 2017., Jessica Rutherford

Studies in 20th & 21st Century Literature

Review of Frederick Aldama. Latino Comic Book Storytelling: An Odyssey by Interview. San Diego: ¡Hyperbole Books!, 2017.


Words + Pictures: A Manifesto, Jean Braithwaite Sep 2017

Words + Pictures: A Manifesto, Jean Braithwaite

Studies in 20th & 21st Century Literature

In the second decade of the 21st century, academic comics studies is well established as a serious intellectual subject, but for many non-specialists, including university administrators, a sense of frivolity still attaches to comics. This brief essay braids together personal history and intellectual analysis: 1) it compares the cultural position of comics today to the position of novels in the 19th century; 2) it analyzes the complementary nature of the verbal and visual channels; 3) it argues that neither words nor pictures should be considered primary in a narratology of comics; and 4) that comics are eminently well ...


Michael A Chaney. Reading Lessons In Seeing: Mirrors, Masks, And Mazes In The Autobiographical Graphic Novel. Jackson: Up Of Mississippi, 2016., Jennifer Caroccio Sep 2017

Michael A Chaney. Reading Lessons In Seeing: Mirrors, Masks, And Mazes In The Autobiographical Graphic Novel. Jackson: Up Of Mississippi, 2016., Jennifer Caroccio

Studies in 20th & 21st Century Literature

Review of Michael A. Chaney. Reading Lessons in Seeing: Mirrors, Masks, and Mazes in the Autobiographical Graphic Novel. Jackson: UP of Mississippi, 2016.


Michelle Ann Abate And Gwen Athene Tarbox. Graphic Novels For Children And Young Adults. Up Of Mississippi, 2017., Carlos G. Kelly Sep 2017

Michelle Ann Abate And Gwen Athene Tarbox. Graphic Novels For Children And Young Adults. Up Of Mississippi, 2017., Carlos G. Kelly

Studies in 20th & 21st Century Literature

Review of Michelle Ann Abate and Gwen Athene Tarbox. Graphic Novels for Children and Young Adults. UP of Mississippi, 2017.


Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. New York: Palgrave Macmillan, 2017. ---. Superman: The Persistence Of An American Icon. New Jersey: Rutgers Up, 2017., Cathy L. Ryan Sep 2017

Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. New York: Palgrave Macmillan, 2017. ---. Superman: The Persistence Of An American Icon. New Jersey: Rutgers Up, 2017., Cathy L. Ryan

Studies in 20th & 21st Century Literature

Review of Ian Gordon. Kid Comic Strips: A Genre Across Four Countries. Palgrave Studies in Comics and Graphic Novels, Ed. Roger Saban. New York: Palgrave Macmillan, 2017. Review of Ian Gordon. Superman: The Persistence of an American Icon. New Jersey: Rutgers UP, 2017.


Derek C. Maus And James J. Donahue. Post-Soul Satire: Black Identity After Civil Rights. Jackson: Up Of Mississippi, 2014., Jacinta Yanders Sep 2017

Derek C. Maus And James J. Donahue. Post-Soul Satire: Black Identity After Civil Rights. Jackson: Up Of Mississippi, 2014., Jacinta Yanders

Studies in 20th & 21st Century Literature

Review of Derek C. Maus and James J. Donahue. Post-Soul Satire: Black Identity After Civil Rights. Jackson: UP of Mississippi, 2014.


Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017., Jacinta Yanders Sep 2017

Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017., Jacinta Yanders

Studies in 20th & 21st Century Literature

Review of Craig Hill. Teaching Comics Through Multiple Lenses: Critical Perspectives. New York: Routledge, 2017.


9/11, Hyperreality, And The Global Body Politic: Frédéric Beigbeder’S Windows On The World, Jenn Brandt Jan 2015

9/11, Hyperreality, And The Global Body Politic: Frédéric Beigbeder’S Windows On The World, Jenn Brandt

Studies in 20th & 21st Century Literature

This essay argues that the success of Frédéric Beigbeder's Windows on the World is due to Beigbeder's use of the seemingly contradictory genres of autofiction and hyperrealism in the depiction of the terrorist attacks of September 11, 2001. By positioning himself in the text alongside his fictionalized American counterpoint, Beigbeder configures 9/11 as a lived-body experience that models the ways in which the post-9/11 subject was formed within specific political, cultural, and national conditions. The effect of the novel’s hyperrealism is such that Beigbeder simultaneously posits and deconstructs the notion of national identity within the ...


Eugene Onegin The Cold War Monument: How Edmund Wilson Quarreled With Vladimir Nabokov, Tim Conley Jan 2014

Eugene Onegin The Cold War Monument: How Edmund Wilson Quarreled With Vladimir Nabokov, Tim Conley

Studies in 20th & 21st Century Literature

The tale of how Edmund Wilson quarreled with Vladimir Nabokov over the latter’s 1964 translation of Eugene Onegin can be instructively read as a politically charged event, specifically a “high culture” allegory of the Cold War. Dissemination of anti-Communist ideals (often in liberal and literary guises) was the mandate of the Congress for Cultural Freedom, whose funding and editorial initiatives included the publication of both pre-Revolution Russian literature and, more notoriously, the journal Encounter (1953-1990), where Nabokov’s fiery “Reply” to Wilson appeared. This essay outlines the propaganda value of the Onegin debate within and to Cold War mythology.