Open Access. Powered by Scholars. Published by Universities.®

Modern Literature Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Modern Literature

“Everything Seemed Very Queer”: Divergent Temporalities Of Normative Relations In Mrs. Dalloway, Crystal Brooke Clark Aug 2017

“Everything Seemed Very Queer”: Divergent Temporalities Of Normative Relations In Mrs. Dalloway, Crystal Brooke Clark

Masters Theses

Queer theory predominantly aligns normative relations to normative experiences of time and connects queer affiliations to queer temporal spaces. Heterosexuality, marriage, sexual reproduction, and the family are hallmarks of normative temporality, as they enact and maintain a progressive, future-oriented, genealogical timeline. However, normative attachments do not always follow queer theory’s narrative of straight time. Closely observing the structure of normative relationships and, in terms of my study specifically, marriage, uncovers assumptions constructing the constitution of normative temporality. I discuss queer theoretical works by Lee Edelman, Jack Halberstam, José Esteban Muñoz, and others to see how current theories typically oversimplify ...


Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols May 2015

Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols

Masters Theses

This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity ...


Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris May 2012

Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris

Masters Theses

In Powers of Horror, Julia Kristeva defines abjection as the seductive and destructive remainder of the process of entering the symbolic space of the father and leaving the pre-symbolic space of the mother, resulting in a desire to return to the jouissance of the pre-symbolic space. In this project, I read Jamaica Kincaid’s The Autobiography of My Mother as an attempt to link Xuela’s psychic abjection with the postcolonial identity. Xuela exists on the boundaries of the colonial dichotomy, embracing the space of the abject because she is haunted by her dead mother. She cannot return to her ...