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Modern Literature Commons

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Articles 1 - 5 of 5

Full-Text Articles in Modern Literature

The Subject Of Jouissance: The Late Lacan And Gender And Queer Theories, Frederic C. Baitinger May 2019

The Subject Of Jouissance: The Late Lacan And Gender And Queer Theories, Frederic C. Baitinger

All Dissertations, Theses, and Capstone Projects

The Subject of Jouissance argues that Lacan’s approach to psychoanalysis, far from being heteronormative, offers a notion of identity that deconstructs gender as a social norm, and opens onto a non-normative theory of the subject (of jouissance) that still remains to be fully explored by feminist, gender, and queer scholars. Drawing mostly on the later Lacan, The Subject of Jouissance shows that by locating the identity of the subject in the singularity of its bodily mode of enjoyment (that Lacan calls “jouissance”), and not in the Imaginary illusions of the ego, nor in the Symbolic social structures, Lacan fosters ...


Reversing Borrón Y Cuenta Nueva: The Curative Power Of Family Memory In The Novels Of Loida Maritza Perez And Nelly Rosario, Ivonne Gonzalez Feb 2019

Reversing Borrón Y Cuenta Nueva: The Curative Power Of Family Memory In The Novels Of Loida Maritza Perez And Nelly Rosario, Ivonne Gonzalez

All Dissertations, Theses, and Capstone Projects

I examine two novels, Geographies of Home by Loida Maritza Perez and Song of the Water Saints by Nelly Rosario, written by Dominican American authors, to determine how they present identity with relation to family history in conjunction with an analysis of my life and the circumstances that have helped define my identity. I explore how the characters in the texts are affected by the loss of family history, the role that gaze and family memory play in reclaiming that which is lost, and how these all shape identity. The families in the novels seem destined to lead desolate lives ...


The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith Feb 2016

The New Reflexivity: Puzzle Films, Found Footage, And Cinematic Narration In The Digital Age, Jordan Lavender-Smith

All Dissertations, Theses, and Capstone Projects

“The New Reflexivity” tracks two narrative styles of contemporary Hollywood production that have yet to be studied in tandem: the puzzle film and the found footage horror film. In early August 1999, near the end of what D.N. Rodowick refers to as “the summer of digital paranoia,” two films entered the wide-release U.S. theatrical marketplace and enjoyed surprisingly massive financial success, just as news of the “death of film” circulated widely. Though each might typically be classified as belonging to the horror genre, both the unreliable “puzzle film” The Sixth Sense and the fake-documentary “found footage film” The ...


The Journey Back: Revisiting Childhood Trauma, Ruth Lipman Jun 2014

The Journey Back: Revisiting Childhood Trauma, Ruth Lipman

All Dissertations, Theses, and Capstone Projects

This dissertation examines the adult's endeavor to revisit childhood trauma in four sets of literary texts that are not typically studied together. These works, all published after 1968, address the central problem of revisiting childhood trauma in order to open a potential for mourning and sometimes for healing. I explore connections between individual/family trauma and collective/historical trauma. I argue that the use of objects and/or photographs is integral to the process of touching and representing the buried, embodied wounds of childhood, propelling the journeys and conveying the experience to the reader. Each pairing of literary works ...


A Psychoanalytic Exploration Into The Memory And Aesthetics Of Everyday Life: Photographs, Recollections, And Encounters With Loss, Dimitrios Mellos Feb 2014

A Psychoanalytic Exploration Into The Memory And Aesthetics Of Everyday Life: Photographs, Recollections, And Encounters With Loss, Dimitrios Mellos

All Dissertations, Theses, and Capstone Projects

The project at hand explores some of the psychological functions of photography as both an everyday and an artistic cultural practice from a psychoanalytic perspective. It is proposed that, contrary to commonsensical opinion, photographs are not accurate depositories of memory, but rather function as a functional equivalent of screen memories, thus channeling the subject's memory in ways that are objectively distorted and distorting, but psychologically meaningful and important; moreover, they are a special kind of screen memory in that they are often created pre-emptively and are physically instantiated.

Additionally, it is suggested that, by dint of their materiality, photographs ...