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Articles 1 - 5 of 5

Full-Text Articles in Modern Literature

The Wolf-Girl Nomadic: Becoming-Animal And Post-Human Feminine Subjectivity In Angela Carter’S "Peter And The Wolf", Cary C. Haun Jan 2013

The Wolf-Girl Nomadic: Becoming-Animal And Post-Human Feminine Subjectivity In Angela Carter’S "Peter And The Wolf", Cary C. Haun

Comparative Literature Graduate Theses & Dissertations

Calling upon a post-structuralist post-humanist account of Angela Carter’s short story “Peter and the Wolf,” it is necessary to take an approach such as this in order to facilitate the articulation of potentiality as well as explore different perspectives through Carter’s use of animals in her “re-tellings.” With this in mind, one can allow her work to flow freely through multiple disciplines and discourses such that, like the animals she writes about, a nomadic feminine subjectivity would be better suited for examining the benefits of its methodological practicality. When re-telling a story from not only a feminine perspective ...


This Is A True Story: Confession And Discourse In Marcel Proust’S La Prisonnière, Jeffrey Joseph Bellomi Jan 2013

This Is A True Story: Confession And Discourse In Marcel Proust’S La Prisonnière, Jeffrey Joseph Bellomi

Comparative Literature Graduate Theses & Dissertations

The purpose of this thesis is to explore the relation between the Foucauldian concepts of truth and confession and their place within modern literature. By focusing on Marcel Proust’s La Prisonnière in particular, the intention is to examine how confession operates as a productive source of truth in an art form that by its very definition appears to resist the categorization of “truthful”. What makes Proust’s work especially critical to this is analysis is how its autobiographical elements and rhetorical devices entwine themselves with the art of confession and both expand as well as complicate the notion of ...


Silenced Tongues And Inaccessible Spaces: Home And Language In The Work Of Leïla Sebbar And Emine Sevgi Özdamar, Erica Grant Carley Jan 2012

Silenced Tongues And Inaccessible Spaces: Home And Language In The Work Of Leïla Sebbar And Emine Sevgi Özdamar, Erica Grant Carley

Comparative Literature Graduate Theses & Dissertations

Home has often been understood as a stable point of origin or a location of belonging, where one understands and is understood. However, the existence of multinational and multilingual homes prompts a reimagining of home as a concept. It cannot be considered a stable location through which identity and origin may be determined. Rather, home must be understood as an ever-changing set of feelings and experiences. As such, it is inextricably joined to language. It is through language that home is defined, experienced and constructed. In this paper, I discuss the varied notions of home and language in the autobiographical ...


Non-Subjects And Post-Individuals: The Negotiation Of Identity In The Postmodern American Suburb, Lacey N. Smith Jan 2012

Non-Subjects And Post-Individuals: The Negotiation Of Identity In The Postmodern American Suburb, Lacey N. Smith

Comparative Literature Graduate Theses & Dissertations

Suburban studies, particularly with regards to literary analysis, has only recently been recognized as an analytical space in its own right rather than as a peripheral space within urban studies. Through close readings of both Danielle Dutton's S P R A W L and Jeffrey Eugenides' The Virgin Suicides, this essay investigates the ways that the suburb functions as a type of postmodern space, specifically focusing on the implications such space poses for notions of identity, individuality and subjectivity. In this essay, I employ Henri Lefebvre's theory of the production of space, Fredric Jameson's theory of postmodern ...


Narratives Of Nothing In Twentieth-Century Literature, Meghan Christine Vicks Jan 2011

Narratives Of Nothing In Twentieth-Century Literature, Meghan Christine Vicks

Comparative Literature Graduate Theses & Dissertations

This study begins with the observation that much of twentieth-century art, literature, and philosophy exhibits a concern with nothing itself. Both Martin Heidegger and Jean Paul Sartre, for example, perceive that nothing is part-and-parcel of (man’s) being. The present study adopts a similar position concerning nothing and its essential relationship to being, but adds a third element: that of writing narrative. This relationship between nothing and narrative is, I argue, established in the writings of Friedrich Nietzsche, Mikhail Bakhtin, Jacques Derrida, and Julia Kristeva. As Heidegger and Sartre position nothing as essential to the creation of being, so Nietzsche ...