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Articles 1 - 5 of 5

Full-Text Articles in Modern Literature

Spaces Of Collapse: Psychological Deterioration, Subjectivity, And Spatiality In American Narratives, Andrew Papaspyrou Jan 2017

Spaces Of Collapse: Psychological Deterioration, Subjectivity, And Spatiality In American Narratives, Andrew Papaspyrou

Electronic Thesis and Dissertation Repository

This thesis studies the relationship between spatiality and subjectivity within the context of modern and contemporary American narrative. Combining a psychoanalytic approach with phenomenological considerations, I set out to analyze the ways in which spatial structures mediate madness, paranoia, the compulsion to repeat, and uncanny anxiety. Space serves a primary focus of my analysis, and I outline the different ways that language and consciousness construct space. Considering the work of William Faulkner, Francis Ford Coppola, Paul Auster, and Mark Z. Danielewski, I argue that particular spaces, such as houses and cities, represent or contribute to particular forms of psychological psychosis ...


The Ecocritical Carnivalesque Of Mason & Dixon: Thomas Pynchon's Environmental Vision, Theodor Jack Hamstra Jan 2017

The Ecocritical Carnivalesque Of Mason & Dixon: Thomas Pynchon's Environmental Vision, Theodor Jack Hamstra

Undergraduate Honors Theses

Among American novelists since 1945, Thomas Pynchon ranks as one of the most accomplished, with arguably the most fully realized and profound visions of Postmodernity. Therefore, his absence from the field of Ecocriticism is alarming. The aim of my thesis is to demonstrate that Pynchon’s 1997 novel Mason & Dixon ought to be considered as an essential text of American environmental writing. My thesis triangulates the environmental vision of Mason & Dixon by highlighting its affinity with environmental literature on three overlapping levels: the specter of the ancient, the spectacle of the new during the Enlightenment setting of the novel, and ...


We Are Standing In The Nick Of Time: Translative Relevance In Anne Carson's "Antigonick", Michelle Alonso Mar 2016

We Are Standing In The Nick Of Time: Translative Relevance In Anne Carson's "Antigonick", Michelle Alonso

FIU Electronic Theses and Dissertations

The complicated issues surrounding translation studies have seen growing attention in recent years from scholars and academics that want to make it a discipline and not a minor branch of another field, such as linguistics or comparative literature. Writ large with Antigonick, Carson showcases the recent Western push towards translation studies in the American academy. By offering up a text that is chaotic in its presentation, she bypasses the rigid idea of univocality. By giving the text discordant images, she betrays the failed efficacy of sign and signification, and by choosing a text to be performed and mutually participated in ...


Una-Sola-Cosa: The Violence Of Aesthetics In Mao Ii And Estrella Distante, Erin Briana Cousins Jan 2016

Una-Sola-Cosa: The Violence Of Aesthetics In Mao Ii And Estrella Distante, Erin Briana Cousins

Comparative Literature Graduate Theses & Dissertations

This thesis explores the relationship between aesthetics and violence in Don DeLillo’s Mao II and Roberto Bolaño’s Estrella distante. Though each text’s central characters begin with an attachment to an idealized narrative of modern artistry, I argue that these idealizations are based on a conflation of literal and metaphorical violence. Such a conflation allows these characters to value violence purely for its ability to impact sense perception, forming what I call an aesthetic violence. By conflating literal and metaphorical violence into the aesthetic, I argue, each character is able to ignore the asymmetrical power dynamics inherent to ...


The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo Mar 2015

The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo

FIU Electronic Theses and Dissertations

In line with Wittgenstein's axiom that "what the solipsist means is quite correct; only it cannot be said, but makes itself manifest," this thesis aims to demonstrate how the gulf between analytic and continental philosophy can best be bridged through the mediation of art. The present thesis brings attention to Markson's work, lauded in the tradition of Faulkner, Joyce, and Lowry, as exemplary of the shift from modernity to postmodernity, wherein the human heart is not only in conflict with itself, but with the language out of which it is necessarily constituted. Markson limns the paradoxical condition of ...