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Full-Text Articles in Modern Literature

Spaces Of Collapse: Psychological Deterioration, Subjectivity, And Spatiality In American Narratives, Andrew Papaspyrou Jan 2017

Spaces Of Collapse: Psychological Deterioration, Subjectivity, And Spatiality In American Narratives, Andrew Papaspyrou

Electronic Thesis and Dissertation Repository

This thesis studies the relationship between spatiality and subjectivity within the context of modern and contemporary American narrative. Combining a psychoanalytic approach with phenomenological considerations, I set out to analyze the ways in which spatial structures mediate madness, paranoia, the compulsion to repeat, and uncanny anxiety. Space serves a primary focus of my analysis, and I outline the different ways that language and consciousness construct space. Considering the work of William Faulkner, Francis Ford Coppola, Paul Auster, and Mark Z. Danielewski, I argue that particular spaces, such as houses and cities, represent or contribute to particular forms of psychological psychosis ...


“Man Darf Nicht Sagen...”. Kafka’S 1906 Fragment Über Ästhetische Apperception („On Perception“), Jonathan Skolnik Dec 2016

“Man Darf Nicht Sagen...”. Kafka’S 1906 Fragment Über Ästhetische Apperception („On Perception“), Jonathan Skolnik

Jonathan Skolnik


Inspired by Scott Spector’s analysis of the Prague Circle, this article investigates
how Kafka’s fragment “On Perception” (“Über ästhetische Apperception”) might
be viewed as a product of the dialogue between Brod and Kafka. After surveying
how Kafka scholars have framed and tried to apply Kafka’s early text on
aesthetics, the article shows Kafka’s work refuses to engage with the powerful
anti-Jewish tropes of aesthetic theory around 1900 (Weininger) and instead
develops literary themes and techniques that anticipate many aspects of Kafka’s
later literary production


Waking Dreams: Modernist Intoxications And The Poetics Of Altered States, Jason Ciaccio Sep 2016

Waking Dreams: Modernist Intoxications And The Poetics Of Altered States, Jason Ciaccio

All Dissertations, Theses, and Capstone Projects

Intoxication as a poetic principle is often identified with the romantic imagination. The literature of the intoxicated reverie is commonly thought of as synonymous with works such as Coleridge’s “Kubla Khan,” DeQuincey’s accounts of numerous nightmares and reveries, a number of Keats’ odes, Novalis’ hymns, E.T.A. Hoffmann’s stories, and Poe’s oneiric Gothic tales. Each of these, in part through their opiation or the incorporation of various other draughts, evokes a realm of dreams and visions of various sorts that are commonly associated with romantic poetic practices. The ecstatic trance, the sense of passing into ...


Think, Pig! Beckett At The Limit Of The Human [Table Of Contents], Jean-Michel Rabate Jul 2016

Think, Pig! Beckett At The Limit Of The Human [Table Of Contents], Jean-Michel Rabate

Literature

“Very few critics have all the qualities and competencies required to engage fully with the entirety of Beckett’s work in all genres: a detailed familiarity with Beckett’s texts in both English and French; a sensitivity to his linguistic, stylistic, and thematic maneuvers; an encyclopedic knowledge of his intellectual context; an awareness of the range and detail of Beckett studies; and an ability to write with refinement and wit. It is clear from this remarkable book that Jean-Michel Rabaté is one of those few.” —Derek Attridge, University of York


Una-Sola-Cosa: The Violence Of Aesthetics In Mao Ii And Estrella Distante, Erin Briana Cousins Jan 2016

Una-Sola-Cosa: The Violence Of Aesthetics In Mao Ii And Estrella Distante, Erin Briana Cousins

Comparative Literature Graduate Theses & Dissertations

This thesis explores the relationship between aesthetics and violence in Don DeLillo’s Mao II and Roberto Bolaño’s Estrella distante. Though each text’s central characters begin with an attachment to an idealized narrative of modern artistry, I argue that these idealizations are based on a conflation of literal and metaphorical violence. Such a conflation allows these characters to value violence purely for its ability to impact sense perception, forming what I call an aesthetic violence. By conflating literal and metaphorical violence into the aesthetic, I argue, each character is able to ignore the asymmetrical power dynamics inherent to ...


The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo Mar 2015

The World In Singing Made: David Markson's "Wittgenstein's Mistress", Tiffany L. Fajardo

FIU Electronic Theses and Dissertations

In line with Wittgenstein's axiom that "what the solipsist means is quite correct; only it cannot be said, but makes itself manifest," this thesis aims to demonstrate how the gulf between analytic and continental philosophy can best be bridged through the mediation of art. The present thesis brings attention to Markson's work, lauded in the tradition of Faulkner, Joyce, and Lowry, as exemplary of the shift from modernity to postmodernity, wherein the human heart is not only in conflict with itself, but with the language out of which it is necessarily constituted. Markson limns the paradoxical condition of ...


Dirty Modernism: Ecological Objects In American Poetry, Michael D. Sloane Dec 2014

Dirty Modernism: Ecological Objects In American Poetry, Michael D. Sloane

Electronic Thesis and Dissertation Repository

This dissertation examines how early-to-mid twentieth century American poetry is preoccupied with objects that unsettle the divide between nature and culture. Given the entanglement of these two domains, I argue that American modernism is “dirty.” This designation leads me to sketch what I call “dirty modernism,” which includes the registers of waste, energy, animality, raciality, and the sensual. Reading these registers, I turn to what I call “ecological objects,” or representations of how nature and culture come together, which includes trash, natural resources, inanimals, and tools. Through an ecocritical mode of analysis, I introduce dirty modernism with the Baroness Elsa ...


Literature In The Archive Of Terror: Badiou, Blanchot, Beckett, Christopher Langlois Sep 2014

Literature In The Archive Of Terror: Badiou, Blanchot, Beckett, Christopher Langlois

Electronic Thesis and Dissertation Repository

This dissertation conjoins the two most dominant trends in the secondary criticism of Samuel Beckett today: the philosophical and historicist approaches to his work. It explores how the Reign of Terror that erupted during the French Revolution acts as a traumatic catalyst for key developments in modernist literature and continental philosophy of which the philosophical writing of Alain Badiou, the literary-critical writing of Maurice Blanchot, and the literary-narrative writing of Beckett are perhaps the most exemplary expressions. The overarching thesis that this dissertation defends is that Beckett’s post-war prose work in The Unnamable and Texts for Nothing is overshadowed ...


Dirk Van Hulle. Modern Manuscripts: The Extended Mind And Creative Undoing From Darwin To Beckett And Beyond. London: Bloomsbury, 2014. Xiii + 271 Pp., Anna E. Hiller Jan 2014

Dirk Van Hulle. Modern Manuscripts: The Extended Mind And Creative Undoing From Darwin To Beckett And Beyond. London: Bloomsbury, 2014. Xiii + 271 Pp., Anna E. Hiller

Studies in 20th & 21st Century Literature

Review of Dirk van Hulle. Modern Manuscripts: The Extended Mind and Creative Undoing from Darwin to Beckett and Beyond. London: Bloomsbury, 2014. xiii + 271 pp.


Metaphor And Metanoia: Linguistic Transfer And Cognitive Transformation In British And Irish Modernism, Andrew C. Wenaus Aug 2013

Metaphor And Metanoia: Linguistic Transfer And Cognitive Transformation In British And Irish Modernism, Andrew C. Wenaus

Electronic Thesis and Dissertation Repository

This dissertation contributes to the critical expansions that Douglas Mao and Rebecca L. Walkowitz identify as New Modernist Studies. This expansion is temporal, spatial, and vertical. I engage with the effects Modernist texts have “above” the page: lived experience. I examine the structural similarity of linguistic metaphor and the mind as considered by cognitive scientists. Identifying the human mind as linguistic and language as an artifact of the human mind, my research extrapolates upon what I call the “psycho-ecology” of reading, a self-representational knot between text and mind that constitutes lived experience. Far from being an abstraction, psycho-ecology is concrete ...