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Articles 1 - 8 of 8

Full-Text Articles in Modern Literature

Metamodernism In Liksom’S Compartment No. 6, Kasimir Sandbacka Mar 2017

Metamodernism In Liksom’S Compartment No. 6, Kasimir Sandbacka

CLCWeb: Comparative Literature and Culture

In his paper "Metamodernism in Liksom's Compartment no. 6" Kasimir Sandbacka examines Rosa Liksom's latest novel Compartment No. 6 (2011). Liksom is considered to be one of the most prominent Finnish postmodernists. However, Compartment No. 6 has been seen by critics as a shift or return towards modernism or even realism. Sandbacka concurs with this observation but maintains that this is an insufficient analysis of the change in Liksom's writing. He argues that the change is related to the transformation of the cultural dominant, namely postmodernism. In dialogue with Jameson's theory of postmodernism, Sandbacka discusses recent ...


“Man Darf Nicht Sagen...”. Kafka’S 1906 Fragment Über Ästhetische Apperception („On Perception“), Jonathan Skolnik Dec 2016

“Man Darf Nicht Sagen...”. Kafka’S 1906 Fragment Über Ästhetische Apperception („On Perception“), Jonathan Skolnik

Jonathan Skolnik


Inspired by Scott Spector’s analysis of the Prague Circle, this article investigates
how Kafka’s fragment “On Perception” (“Über ästhetische Apperception”) might
be viewed as a product of the dialogue between Brod and Kafka. After surveying
how Kafka scholars have framed and tried to apply Kafka’s early text on
aesthetics, the article shows Kafka’s work refuses to engage with the powerful
anti-Jewish tropes of aesthetic theory around 1900 (Weininger) and instead
develops literary themes and techniques that anticipate many aspects of Kafka’s
later literary production


French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat Dec 2016

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I ...


Waking Dreams: Modernist Intoxications And The Poetics Of Altered States, Jason Ciaccio Sep 2016

Waking Dreams: Modernist Intoxications And The Poetics Of Altered States, Jason Ciaccio

All Dissertations, Theses, and Capstone Projects

Intoxication as a poetic principle is often identified with the romantic imagination. The literature of the intoxicated reverie is commonly thought of as synonymous with works such as Coleridge’s “Kubla Khan,” DeQuincey’s accounts of numerous nightmares and reveries, a number of Keats’ odes, Novalis’ hymns, E.T.A. Hoffmann’s stories, and Poe’s oneiric Gothic tales. Each of these, in part through their opiation or the incorporation of various other draughts, evokes a realm of dreams and visions of various sorts that are commonly associated with romantic poetic practices. The ecstatic trance, the sense of passing into ...


Literature In The Archive Of Terror: Badiou, Blanchot, Beckett, Christopher Langlois Sep 2014

Literature In The Archive Of Terror: Badiou, Blanchot, Beckett, Christopher Langlois

Electronic Thesis and Dissertation Repository

This dissertation conjoins the two most dominant trends in the secondary criticism of Samuel Beckett today: the philosophical and historicist approaches to his work. It explores how the Reign of Terror that erupted during the French Revolution acts as a traumatic catalyst for key developments in modernist literature and continental philosophy of which the philosophical writing of Alain Badiou, the literary-critical writing of Maurice Blanchot, and the literary-narrative writing of Beckett are perhaps the most exemplary expressions. The overarching thesis that this dissertation defends is that Beckett’s post-war prose work in The Unnamable and Texts for Nothing is overshadowed ...


Lifting Belly: The Language Of (In)Visibility, Christine Scanlon Jan 2013

Lifting Belly: The Language Of (In)Visibility, Christine Scanlon

Dissertations and Theses

No abstract provided.


28 May 1942: Bertolt Brecht And Fritz Lang Write A Hollywood Screenplay, Jonathan Skolnik Dec 2011

28 May 1942: Bertolt Brecht And Fritz Lang Write A Hollywood Screenplay, Jonathan Skolnik

Jonathan Skolnik

A study of the anti-Nazi film Hangmen Also Die (Dir. Fritz Lang, 1943), centering on the work as a collaborative product of German exile culture and anti-fascist aesthetics, with a focus on the collaboration between Bertolt Brecht, Hanns Eisler, and Fritz Lang.


The Mother Tongues Of Modernity: Modernism, Transnationalism, Translation, Roland K. Végső Jan 2010

The Mother Tongues Of Modernity: Modernism, Transnationalism, Translation, Roland K. Végső

Faculty Publications -- Department of English

The relation of modernism to immigrant literatures should not be conceived in terms of an opposition between universalistic and particularistic discourses. Rather, we should explore what can be called a modernist transnationalism based on a general universalist argument. Two examples of this transnationalism are explored side by side: Ezra Pound’s and Anzia Yezierska’s definitions of the aesthetic act in terms of translation. The readings show that the critical discourses of these two authors are structured by a belief in universalism while showing opposite possibilities, both generated by modernist transnationalism. The essay concludes that we now need to interpret ...