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Full-Text Articles in Modern Languages

La Position Préférée De La Femme Francophone, Nathalie Bidwell, Allie Enyon, Ornella Bisamaza Apr 2019

La Position Préférée De La Femme Francophone, Nathalie Bidwell, Allie Enyon, Ornella Bisamaza

Student Symposium

The representation of women in francophone films is a concern because of the relationship it has with women and their portrayal of characters in film. When reviewing the films, Bataille D’Algiers, Mossane, Règle du Jeu, and Le Genou de Claire, we have found several different portrayals of women that have either challenged or confirmed stereotypes of women in cinema and in their everyday lives. Some of these movies emphasize on characteristics that marginalize women while others portray the importance of women in cinema. Without these women , the story would’ve been changed or would not have had the same ...


Cinematographic Aspects Of The Francophone Film: The Scale Of Realism To Formalism, Angelo Lozada, David Sickles Apr 2019

Cinematographic Aspects Of The Francophone Film: The Scale Of Realism To Formalism, Angelo Lozada, David Sickles

Student Symposium

Films can be placed on a formalist-realist scale based upon the style taken upon by filmmakers, whether a film leans toward aesthetic forms over objective subject matter, leans towards replicating objective reality, or is a mixture of both. As film evolved and took shape within the Golden Age of Hollywood Cinema, experimental forms of film were produced from the Francophone Film Industry, in both in cinematic aspects of camera techniques and editing. This presentation will discuss two films in particular: La Règle du Jeu by Jean Renoir, and La Bataille d’Alger by Gillo Pontecorvo. Renoir, son of painter Pierre-Auguste ...