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Full-Text Articles in Modern Languages

Another Look At Calderón’S El Príncipe Constante As Tragedy, Matthew D. Stroud Jan 2006

Another Look At Calderón’S El Príncipe Constante As Tragedy, Matthew D. Stroud

Modern Languages and Literatures Faculty Research

The forms and definitions of tragedy have been a frequent preoccupation for James Parr over the course of his distinguished career. One of his more influential articles was "El príncipe constante and the Issue of Christian Tragedy," published in 1986. Parr's approach was primarily ethical and formalist, dealing with the Aristotelian requirements of tragedy: areté, hubris, catharsis. He countered the long and distinguished scholarship that maintains that Christian tragedy is an impossibility by reconsidering, even redefining, hamartia and anagnorisis, and essentially ignoring peripeteia. Hamartia, in his reading, is much more than a flaw or an error. Instead, relying on ...


The Closest Reading: Creating Annotated Editions, Matthew D. Stroud Jan 2006

The Closest Reading: Creating Annotated Editions, Matthew D. Stroud

Modern Languages and Literatures Faculty Research

Teaching old literature of any kind to undergraduates is a challenge. The language is difficult, the themes often lack resonance for today's students, and the cultural references are abstruse. When one adds to the mix that the works are in an archaic version of Spanish, not the native language of most students in the United States, and that the plays are written in florid, baroque poetry, the task of helping students to appreciate the Spanish comedia for its literary value is made considerably more demanding. A great many students simply do not understand what is going on with the ...


Defining The Comedia: On Generalizations Once Widely Accepted That Are No Longer Accepted So Widely, Matthew D. Stroud Jan 2006

Defining The Comedia: On Generalizations Once Widely Accepted That Are No Longer Accepted So Widely, Matthew D. Stroud

Modern Languages and Literatures Faculty Research

Defining the comedia is a challenge that is rarely addressed directly in the pages of the Bulletin of the Comediantes. Those of us who spend our professional lives working with the plays that are brought together under this cover term have a visceral or intuitive understanding of what falls into the category of comedia and what lies outside of it. We are hardly exempt from having to articulate our definitions in concrete terms, however, because students, colleagues, and organizations to whom we write grants all want us to establish the limits, scope, and parameters of our field of study. Sometimes ...


Critiques Of The "Novela Rosa": Martín Gaite, Almodóvar, And Etxebarría, Debra J. Ochoa Jan 2006

Critiques Of The "Novela Rosa": Martín Gaite, Almodóvar, And Etxebarría, Debra J. Ochoa

Modern Languages and Literatures Faculty Research

No abstract provided.