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Selected Works

Molière

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Full-Text Articles in Modern Languages

The Functions Of The Récit In L'Ecole Des Femmes, Nina Ekstein Feb 2016

The Functions Of The Récit In L'Ecole Des Femmes, Nina Ekstein

Nina C Ekstein

Since L'Ecole des femmes was first performed in 1662, much mention has been made of the numerous récits in the play. In La Critique de l'Ecole des femmes, Lysidas criticizes the play because "dans cette comédie-ci, il ne se passe point d'actions, et tout consiste en des récits que vient faire Agnès ou Horace.'' Indeed, the entire love intrigue takes place offstage and is reported in the form of récits. Far from being tiresome recitals, these narratives are integrated into the structure of the play on numerous levels.


The Portrait On Stage In Molière's Theater, Nina Ekstein Feb 2016

The Portrait On Stage In Molière's Theater, Nina Ekstein

Nina C Ekstein

Literary portraits, while common in a wide variety of genres, are not often thought of in connection with the stage. Discussions of dramaturgy make little mention of portraits, which is perhaps not surprising when one considers that theater is the domain of action, movement, and conflict; the portrait, on the contrary, is primarily descriptive. Verbal portraiture would not seem to be terribly effective in a theatrical context: it is unlikely to advance the action of the play, nor would it lend itself readily to gesture and movement. Theater requires the physical presence of its object, portraiture depends on a certain ...


The Theatrical Lieu De Culture Within Molière’S Theater, Nina Ekstein Sep 2013

The Theatrical Lieu De Culture Within Molière’S Theater, Nina Ekstein

Nina C Ekstein

Molière’s theater is itself, by definition, a lieu de culture. The performance of one of his plays transforms the space in which it occurs into a lieu de culture by virtue of the presence of two crucial features. First, the performance belongs to a cultural domain, in this case specifically the theater. By ‘culture’ I mean simply that which is tied to the arts, letters, manners, and scholarly pursuits. Second there must be an audience present for that performance. The same basic situation obviously holds true for any playwright whose plays are performed. What makes Molière interesting is the ...