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Modern Languages Commons

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Modern Literature

Selected Works

Juan Eusebio Nieremberg

Publication Year

Articles 1 - 3 of 3

Full-Text Articles in Modern Languages

Prologue In Nieremberg. Aforismsos Y Fragmentos Sobre La Naturaleza Humana, D. Scott Hendrickson Mar 2019

Prologue In Nieremberg. Aforismsos Y Fragmentos Sobre La Naturaleza Humana, D. Scott Hendrickson

D. Scott Hendrickson

Prologue to to bilingual (Spanish - Albanian) edition of aphorisms of the Spanish Jesuit Juan Eusebio Nieremberg (1595-1658).


Early Guaraní Printing: Nieremberg’S De La Diferencia And The Global Dissemination Of Seventeenth-Century Spanish Asceticism, D. Scott Hendrickson Mar 2019

Early Guaraní Printing: Nieremberg’S De La Diferencia And The Global Dissemination Of Seventeenth-Century Spanish Asceticism, D. Scott Hendrickson

D. Scott Hendrickson

This article examines both how and why the Spanish Jesuit Juan Eusebio Nieremberg’s (1595–1658) once famous treatise De la diferencia entre lo temporal y eterno (1640) came to be translated and printed in the Paraguay reductions in 1705, the significance it holds in the transmission of Iberian asceticism to the American missions and how Juan Yaparí and other Guaraní craftsmen participated in its printing and enhanced its illustration. It situates the Guaraní imprint within the context of early modern mission practices and the book-trade of Counter-Reformation Europe, and seeks to show how—in what some scholars consider to ...


Seeing In Imagination: Visual Representation And Spiritual Contemplation In The Ascetical Treatises Of Juan Eusebio Nieremberg, D. Scott Hendrickson Jan 2018

Seeing In Imagination: Visual Representation And Spiritual Contemplation In The Ascetical Treatises Of Juan Eusebio Nieremberg, D. Scott Hendrickson

D. Scott Hendrickson

The once famous Spanish Jesuit Juan Eusebio Nieremberg engages the readers of his ascetical treatises De la diferencia entre lo temporal y eterno (1640) and De la hermosura de Dios (1641) in seeing in their imagination a seemly contradictory set of images of the material world: one in contempt, the other in wonder. However, the images serve the same purpose of fostering a greater appreciation for the eternal. This paper examines how Nieremberg’s visually descriptive narrative relates to the ways in which painters of the Spanish Golden Age –Valdés Leal, Sánchez Cotán and Murillo– display items on their canvases ...