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Full-Text Articles in Modern Languages

“Man Darf Nicht Sagen...”. Kafka’S 1906 Fragment Über Ästhetische Apperception („On Perception“), Jonathan Skolnik Dec 2016

“Man Darf Nicht Sagen...”. Kafka’S 1906 Fragment Über Ästhetische Apperception („On Perception“), Jonathan Skolnik

Jonathan Skolnik


Inspired by Scott Spector’s analysis of the Prague Circle, this article investigates
how Kafka’s fragment “On Perception” (“Über ästhetische Apperception”) might
be viewed as a product of the dialogue between Brod and Kafka. After surveying
how Kafka scholars have framed and tried to apply Kafka’s early text on
aesthetics, the article shows Kafka’s work refuses to engage with the powerful
anti-Jewish tropes of aesthetic theory around 1900 (Weininger) and instead
develops literary themes and techniques that anticipate many aspects of Kafka’s
later literary production


French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat Dec 2016

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I ...


28 May 1942: Bertolt Brecht And Fritz Lang Write A Hollywood Screenplay, Jonathan Skolnik Dec 2011

28 May 1942: Bertolt Brecht And Fritz Lang Write A Hollywood Screenplay, Jonathan Skolnik

Jonathan Skolnik

A study of the anti-Nazi film Hangmen Also Die (Dir. Fritz Lang, 1943), centering on the work as a collaborative product of German exile culture and anti-fascist aesthetics, with a focus on the collaboration between Bertolt Brecht, Hanns Eisler, and Fritz Lang.