- Achaemenid art (1)
- Picture Bibles (1)
- Archaeological referencing (1)
- Literature (1)
- Easter Rising (1)
Articles 1 - 3 of 3
Full-Text Articles in European History
Women In Eighteenth Century London: Female Coming Of Age In Frances Burney’S Evelina, Cecilia, And The Witlings, Kate Hamilton
Honors Scholar Theses
The late eighteenth-century author Frances Burney is best known for popularizing the “comedy of manners,” a literary style later adopted by Jane Austen. Burney’s novels, journals, and plays offer an intriguing commentary on contemporary social customs and etiquette. In particular, she voices the concerns and desires of women, leading scholars to focus on the feminist overtones of her writing. Although she carefully examined female roles in the household and family structure, Burney also provided an insider’s perspective into London high life. As an acclaimed author and member of the royal court, Burney offers a rare insight into the ...
To Die A Noble Death: Blood Sacrifice And The Legacy Of The Easter Rising And The Battle Of The Somme In Northern Ireland History, Anne L. Reeder
History Honors Projects
In 1916, under the pressurized conditions of the Great War, two violent events transpired that altered the state of Anglo-Irish relations: the Easter Rising and the Battle of the Somme. These events were immediately transformed into examples of blood sacrifice for the two fundamentally opposed communities in Northern Ireland: Nationalists and Unionists. In 1969, Northern Ireland became embroiled in a civil war that lasted thirty years. The events of 1916 have been used to legitimize modern instances of violence. This paper argues, through the use of cultural texts, that such legitimization is the result of the creation of mythic histories.
Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway
The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection ...