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Full-Text Articles in Theory and Criticism

Why Did I Marry A Sentimentalist?: Family & Domesticity In The Films Of Steven Spielberg, Emmet Dotan Jan 2017

Why Did I Marry A Sentimentalist?: Family & Domesticity In The Films Of Steven Spielberg, Emmet Dotan

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College.


The Worth Of Aura In The Work Of Fine Art Publishing, Alexander Kunin Bacon Jan 2017

The Worth Of Aura In The Work Of Fine Art Publishing, Alexander Kunin Bacon

Senior Projects Spring 2017

Senior Project submitted to The Division of Social Studies of Bard College.


Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore Jan 2017

Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore

Senior Projects Spring 2017

A joint senior project submitted to the divisions of arts and social studies. This project aims to reconsider the 'album' as a format of music distribution that has effects on the consumption-of and relationship-with music as commodity. This project consists of writing and recorded-music-making. Please email tom (at) dpimusic (dot) com for a link.


Rauschenberg's Journey To Dante: Or How To Keep A Clean Head, Maxwell Ian Eric Barnes Jan 2017

Rauschenberg's Journey To Dante: Or How To Keep A Clean Head, Maxwell Ian Eric Barnes

Senior Projects Spring 2017

Senior Project submitted to The Division of Social Studies of Bard College.


Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams Jan 2017

Lifecasting & Ubiquitous Relationships, Alexis Charlotte Williams

Senior Projects Spring 2017

My subjects do not know I exist. They do not know who I am, and they do not know their lives are the center of my painting series. But I know them - at least, I think I do. My acrylic paintings depict people in domestic spaces in specific moments in time. The relationships of person-to-person, person to space, paint to canvas and voyeur to subject drives my obsession to watch and to paint what I see. What I am seeing are a collection of pixels that make up human forms, living rooms, and kitchens. These digital bodies move through the ...


Film No Longer Telling A Story; Film Itself As The Story: Reflexive Constructions In Alfred Hitchcock And Jean-Luc Godard, Amy Ertie Chabassier Jan 2017

Film No Longer Telling A Story; Film Itself As The Story: Reflexive Constructions In Alfred Hitchcock And Jean-Luc Godard, Amy Ertie Chabassier

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College


The Phallic Woman: A Reexamination Of The Problematics Of Women And Surrealism, Adrienne Anne Chau Jan 2017

The Phallic Woman: A Reexamination Of The Problematics Of Women And Surrealism, Adrienne Anne Chau

Senior Projects Spring 2017

To see a work by a female surrealist is, perhaps, to see surrealistically. In other words, if the canonical, Western accounts of surrealism are what we are accustomed to, then the act of seeing a work of a woman completely disorients our trained familiarity with the movement, which up until the 1970s was left undisturbed. The principles of the movement, founded on the personal investigation of one’s psyche, lent themselves as an opportunity for the surrealist woman to explore the interior sources of her creative imagination. Visual expression of their self-discovery provided a different perspective of modern woman’s ...