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Full-Text Articles in Theory and Criticism

An Incongruous Present: Identifying The Absurd Aesthetic In William Faulkner’S "Requiem For A Nun" (1951), Blake Hani Apr 2019

An Incongruous Present: Identifying The Absurd Aesthetic In William Faulkner’S "Requiem For A Nun" (1951), Blake Hani

Undergraduate Honors Theses

This thesis examines the absurd aesthetic present in William Faulkner’s Requiem for a Nun (1951), in order to both re-open an otherwise disregarded text for more fruitful interpretations, as well as consider what constitutes a “successful” or “failed” text. By applying Albert Camus’s theories of the absurd developed in The Myth of Sisyphus (1942) and The Rebel (1951), a sense of logic or intention is revealed in Requiem for a Nun’s abrasive structural disjointedness and narrative incoherence. This absurd logic presents a subversion of the standards of successful narratives, as the text appears to self-reflectively meditate on ...


(Re-) Staging Translation: Meaningful Interaction With Hindu Devotional Objects In The Western Museum, Emma Efkeman Apr 2019

(Re-) Staging Translation: Meaningful Interaction With Hindu Devotional Objects In The Western Museum, Emma Efkeman

Undergraduate Honors Theses

In this thesis, the Hindu devotional object will be tracked through many contexts and its role will change based on its geographic and cultural location. First, the original ritual context will be established, paying specific attention to ceremonial processes and actions that activate the objects. Next, I will sketch the approaches to interpretation used in the two museum spaces. In this movement between spaces, the Hindu object is de- and then re-contextualized. Museums can discover from this narrative the many ways that meaning is constructed, within and outside of a Western framework. It is this pivotal period of re-contextualization that ...


Virginia Woolf And The 'Objective' Camera: The Relationship Between Text And Image In Three Guineas And Orlando, Meilan Solly May 2018

Virginia Woolf And The 'Objective' Camera: The Relationship Between Text And Image In Three Guineas And Orlando, Meilan Solly

Undergraduate Honors Theses

Though photography offers a claim to objectivity that writing and painting cannot ostensibly equal, Virginia Woolf’s Three Guineas and Orlando: A Biography argue that the camera is not an unmediated form of documentation.Three Guineas’ images of a patriarchal society and Orlando’s more personal portraits reflect their photographers’ inherent subjectivity, and the photographs’ placement in and relationship with the texts further question the veracity of representation. Whereas Three Guineas derives its power from the contrast between reproduced and described photographs, Orlando uses images to present a counter-narrative contradicting the purported reliability of biographical accounts.


History Influencing History: Changing Perceptions Of The Starving Time At Jamestown, Kelsey Fenske May 2016

History Influencing History: Changing Perceptions Of The Starving Time At Jamestown, Kelsey Fenske

Undergraduate Honors Theses

The Starving Time is a fascinating period in American history, and the subject of substantial research for over a century. This paper closely examines twenty-four scholarly works that attempt to understand this period and place it in its proper context. The widespread fascination with the Starving Time stems from Jamestown’s importance in the history of the United States as the first permanent English settlement in America. Upon first glance, famine is not something that is usually associated with success, though. So it is intriguing that many Americans accept that the early years of what would become the United States ...


Salvador Dalí, Surrealism, And The Luxury Fashion Industry, Chantal Houglan May 2016

Salvador Dalí, Surrealism, And The Luxury Fashion Industry, Chantal Houglan

Undergraduate Honors Theses

My research offers a unique look at why as a surrealist artist Dalí felt the need explore the luxury fashion industry, given the fact that he achieved much of his recognition and success as a Surrealist painter. Salvador Dalí’s contributions to fashion may be entirely underrated, but I argue that they are his most truly Surrealist works of art.


Blurred Lines: Exploring Poetic And Musical Subjectivity In Verlaine And Debussy's "Romances Sans Paroles", Emily Eyestone Apr 2014

Blurred Lines: Exploring Poetic And Musical Subjectivity In Verlaine And Debussy's "Romances Sans Paroles", Emily Eyestone

Undergraduate Honors Theses

This thesis examines the expression of subjectivity in poetry and music, through a comparison of nineteenth century French poet Paul Verlaine's poems in his collection Romances sans paroles with the musical settings of these poems by the composer, Claude Debussy. Using artistic subjectivity as the point of departure, I attempt to account for the ways in which these art forms may approximate or suggest similar ideas, despite their materially-different modes of expression. Each of the four chapters in this analysis focus on a comparison between one of Verlaine's and its accompanying musical transcription by Debussy. I engage in ...


Pin-Up Art, Interpreting The Dynamics Of Style, Linda K. Derry Jan 1982

Pin-Up Art, Interpreting The Dynamics Of Style, Linda K. Derry

Dissertations, Theses, and Masters Projects

No abstract provided.