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Full-Text Articles in Theory and Criticism

Paiting, Lucas Page May 2014

Paiting, Lucas Page

Undergraduate Theses—Unrestricted

My work is motivated by the painting “as such” – as an inquiry into and intervention upon what constitutes a painting, how they are constructed, how they function, etc. Through an investigation of painting as a genre, both in its historical canon and contemporary forms, I deconstruct the formal and cultural elements surrounding the field. Four major axes serve as the basis for my inquiry and intervention of painting: Painting, Abstraction, Representation, Control. Taking as a point of departure the comment, “Your work is a representation of abstraction,” I aim to figure out how “the painting” (in all of its many ...


Active, Disorienting, And Transitional: The Aesthetic Of Boredom(S) In The Multimedia Works Of Nam June Paik (1932-2006), Eugene Kwon May 2013

Active, Disorienting, And Transitional: The Aesthetic Of Boredom(S) In The Multimedia Works Of Nam June Paik (1932-2006), Eugene Kwon

Undergraduate Theses—Unrestricted

The term boredom has a long and complex history. Boredom has been a topic of interest for both critical theorists and artists from various disciplines since antiquity. In the sixties, the meaning of the term boredom took on new significance as several art critics employed the term “boredom” to describe contemporary artworks. One artist from this period did not hesitate to describe his artworks as boring: Nam June Paik (1932-2006), a multimedia artist known for his avant-garde installations, sculptures, videos, and films. In my study, I argue that an aesthetic of boredom underlies certain works by Paik that employ particular ...