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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton Feb 2007

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles ...


The Science Behind Francesco Borromini's Divine Geometry, John Hatch Dec 2001

The Science Behind Francesco Borromini's Divine Geometry, John Hatch

John G. Hatch

No abstract provided.


Silenced Sacred Spaces: Selected Photographs Of Syrian Synagogues By Robert Lyons, Exhibition Essay, Lowe Art Gallery, Syracuse University, Samuel D. Gruber Dr. Aug 1996

Silenced Sacred Spaces: Selected Photographs Of Syrian Synagogues By Robert Lyons, Exhibition Essay, Lowe Art Gallery, Syracuse University, Samuel D. Gruber Dr.

Samuel D. Gruber, Ph.D.

No abstract provided.


"Representations Of Domestic Space In Medieval Italian Painting" Paper Delivered At The Fordham Medieval Conference: The Family In The Middle Ages, Samuel D. Gruber Dr. Mar 1995

"Representations Of Domestic Space In Medieval Italian Painting" Paper Delivered At The Fordham Medieval Conference: The Family In The Middle Ages, Samuel D. Gruber Dr.

Samuel D. Gruber, Ph.D.

This paper, presented at a conference in 1995, presents impressions about the interior spaces of medieval Italian urban houses based on architecture, literature and painting. The paper in its present state refers to many works of art but is not illustrated or annotated.