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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai May 2016

A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai

School of Arts & Sciences Theses

This thesis will explore the relationship between Venice and the Islamic Near East. By examining works from various media, this paper argues that Venetians viewed the Islamic Near East as being ‘awesome,’ and that this view was twofold, as Venetians were both enamored with and fearful of this rising power.


Cats And Dogs: The Development Of The Household Pet Through Symbolic Interpretations And Social Practices In The Middle Ages And Renaissance, Lindsey Nicole Blair Jan 2016

Cats And Dogs: The Development Of The Household Pet Through Symbolic Interpretations And Social Practices In The Middle Ages And Renaissance, Lindsey Nicole Blair

Honors Theses at the University of Iowa

Cats and dogs are perhaps the most ubiquitous and consistently represented animals throughout documented human history. Forms of the respective species have roamed the earth for millions of years; however, cats and dogs have held different societal positions ranging from exalted deities to pests. The shifting attitudes and social practices between the Middle Ages and the Renaissance in Western Europe fostered the reexamination of the relationship between humans and animals. Dogs – and later cats – were the earliest animals to be allowed occupancy inside the medieval house solely to serve utilitarian needs. The development of the modern day concept of the ...


Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women, Caitlyn D. Marianacci Jan 2016

Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women, Caitlyn D. Marianacci

Scripps Senior Theses

This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways that reaffirm their ...