Articles 1 - 2 of 2
Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture
Representing Propaganda: Anti-Tyrannical Art Of The Greek, Roman, And French Populist Agendas, Katherine Norgard
Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design
History is often shaped to fit certain agendas. Regular, flawed individuals become heroes and martyrs. The truth is often more complicated, as proven by the fact that Harmodios and Aristogeiton gained their fame by publicly slaughtering a well-liked ruler for encroaching on their pederastic relationship, Brutus gained his fame by murdering Julius Caesar for getting too close to his mother (and sister), and Jean-Paul Marat was exalted and worshiped for violence-inciting journalism.
Harmodios, Brutus, and Jean Paul Marat all serve as symbols of equalitarianism. Their public portrayals were crafted to be symbols that fit the [needs of] revolutionary agendas. As ...
Tracing Paintings In Napoleonic Italy: Archival Records And The Spatial And Contextual Displacement Of Artworks, Nora Gietz
Using a Venetian case study from the Napoleonic Kingdom of Italy, this article demonstrates how archival research enables us to trace the spatial life of artworks. The Revolutionary and Napoleonic policy of the suppression of religious corporations, followed by the appropriation of their patrimony, as well as the widespread looting of artworks, led to the centralisation of patrimony in newly established museums in the capitals of the Empire and its satellite kingdoms. This made the geographical and contextual displacement, transnationalisation, and change in the value of artworks inevitable.