Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 2 of 2

Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

Micro-Architecture As A Spatial And Conceptual Frame In Byzantium: Canopies In The Monastery Of Hosios Loukas, Jelena Bogdanović Jan 2014

Micro-Architecture As A Spatial And Conceptual Frame In Byzantium: Canopies In The Monastery Of Hosios Loukas, Jelena Bogdanović

Jelena Bogdanović

The use of architecture as a visual and conceptual frame is well attested in medieval art. For example, in medieval illuminations, architectural frames are often used to separate images from the accompanying texts. Such architectural 140 frames signify potent transparent boundaries between the space of the beholder and the space of that which is seen and, therefore, define perceptible liminal spaces. Actual architectural frames and their role in defining sacred space, however, have been studied far less.


Stained Glass And Liturgy: The Uses And Limits Of An Analogy, Gerald B. Guest Dec 2013

Stained Glass And Liturgy: The Uses And Limits Of An Analogy, Gerald B. Guest

Gerald B. Guest

This article considers how we might productively juxtapose the study of medieval stained glass and the study of liturgy. Central to the argument is the notion that both narrative stained glass and medieval liturgical rites can be understood as spatial practices. In their concatenation of scenes, narrative windows of the 12th and 13th centuries create what might be termed maps of the medieval world. These maps are undergirded by ideologies of space that were in play during that period. At heart, these maps can be read as interventions, as attempts to remake the medieval world for the sacred. The article ...