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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

Through The Eye And Into My Heart: Scenes Of Embrace In Morgan Ms M.245 And The Tactile Responses They Provoked, Zoe A. Coyle Jan 2019

Through The Eye And Into My Heart: Scenes Of Embrace In Morgan Ms M.245 And The Tactile Responses They Provoked, Zoe A. Coyle

School of Arts & Sciences Theses

This thesis examines representations of embrace in a Roman de la rose (Morgan Library, M.245). Emphasis is on the reader’s tactile interaction with the manuscript as an object, and the notion of romances as sites for a distinctly physical reading practice, in which miniatures would be kissed, rubbed, or pierced.


Sofonisba Anguissola And Her Early Teachers, Lily Chin Jan 2018

Sofonisba Anguissola And Her Early Teachers, Lily Chin

School of Arts & Sciences Theses

This thesis explores the career of the Cremonese-born Italian Renaissance woman artist Sofonisba Anguissola (c. 1532-1625) and her training under her teachers Bernardino Campi (c. 1522-1591) and Bernardino Gatti (c. 1495-1576) during the years c. 1546-1549 (Campi) and c. 1549-1552 (Gatti).


The Shrine System: Votive Culture And Cult Sculpture, Enshrining Space In 11th To 13th Century France, Kristen N. Racaniello May 2017

The Shrine System: Votive Culture And Cult Sculpture, Enshrining Space In 11th To 13th Century France, Kristen N. Racaniello

School of Arts & Sciences Theses

Possible relationships between northern and southern French shrines are examined in this paper through case studies of the shrines at Chartres and Conques. The materiality of cult statues and votive objects, the body as performative tool, and institutional motivations are considered for their bearing on the shrine as a system.


Hell In Hand: Fear And Hope In The Hellmouths Of The Hours Of Catherine Of Cleves, Stephanie Lish May 2017

Hell In Hand: Fear And Hope In The Hellmouths Of The Hours Of Catherine Of Cleves, Stephanie Lish

School of Arts & Sciences Theses

This paper is an attempt to investigate how well the borders and miniatures of The Hours of Catherine of Cleves facilitated the method of meditation recommended by Gerard Zerbolt of Zutphen and therefore was a useful tool in Catherine’s search for eternal salvation.


The Presence Of The Church: Morgan Library Ms M. 287, Danielle A. Fallon May 2017

The Presence Of The Church: Morgan Library Ms M. 287, Danielle A. Fallon

School of Arts & Sciences Theses

A discussion of the interwoven presence of the church within the fifteenth century Book of Hours, MS M. 287. This manuscript is argued as a multi-layered object, as a result of the context of its production, unique imagery, and use within the private and public sectors of the patron.


Homage To The Florentine Tondo, Geraldine Karnbach May 2017

Homage To The Florentine Tondo, Geraldine Karnbach

School of Arts & Sciences Theses

Tondi were circular paintings or relief carvings, popular in fifteenth-century Florence. They were placed in households and predominantly devotional, featuring the Madonna and Child. By uncovering dual meanings from religious/gender perspectives, I will confirm the importance women and Marian devotion played in the popularity and disappearance of the tondo.


A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai May 2016

A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai

School of Arts & Sciences Theses

This thesis will explore the relationship between Venice and the Islamic Near East. By examining works from various media, this paper argues that Venetians viewed the Islamic Near East as being ‘awesome,’ and that this view was twofold, as Venetians were both enamored with and fearful of this rising power.


How To Look At Monsters: Staging Female Bodies From The Periphery Of The Seventeenth-Century Spanish World In Baroque Portraiture And Hapsburg Collections, Risa A. Puleo Dec 2015

How To Look At Monsters: Staging Female Bodies From The Periphery Of The Seventeenth-Century Spanish World In Baroque Portraiture And Hapsburg Collections, Risa A. Puleo

School of Arts & Sciences Theses

This inquiry examines portraits of “monsters”—an early modern term describing those whose bodies challenged socially-constructed categories by deviating from the social norm through differences of race, gender and physical or mental capacity, painted for Hapsburg royals across Europe, who collected specimens, including people, representing the scope of their territories.


Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek Dec 2015

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

School of Arts & Sciences Theses

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.