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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

Smart Mobs, Bad Crowds, Godly People And Dead Priests: Crowd Symbols In The Josianic Narrative And Some Mesopotamian Parallels, Steven W. Holloway Jun 2018

Smart Mobs, Bad Crowds, Godly People And Dead Priests: Crowd Symbols In The Josianic Narrative And Some Mesopotamian Parallels, Steven W. Holloway

Steven W Holloway

No abstract provided.


Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway Jun 2018

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Steven W Holloway

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection ...


Sargon Ii And His Redactors Repair Eanna Of Uruk, Steven W. Holloway Jun 2018

Sargon Ii And His Redactors Repair Eanna Of Uruk, Steven W. Holloway

Steven W Holloway

No abstract provided.


The Shape Of Utnapishtim’S Ark: A Rejoinder, Steven W. Holloway Jun 2018

The Shape Of Utnapishtim’S Ark: A Rejoinder, Steven W. Holloway

Steven W Holloway

No abstract provided.


Benjamin Mazar, Biblical Israel: State And People, Philip R. Davies, In Search Of ‘Ancient Israel’, John Van Seters, Prologue To History: The Yahwist As Historian In Genesis, Steven W. Holloway Jun 2018

Benjamin Mazar, Biblical Israel: State And People, Philip R. Davies, In Search Of ‘Ancient Israel’, John Van Seters, Prologue To History: The Yahwist As Historian In Genesis, Steven W. Holloway

Steven W Holloway

No abstract provided.


A ‘New’ Kutir-Nahhunte Ii Text, Steven W. Holloway Jun 2018

A ‘New’ Kutir-Nahhunte Ii Text, Steven W. Holloway

Steven W Holloway

No abstract provided.


Micro-Architecture As A Spatial And Conceptual Frame In Byzantium: Canopies In The Monastery Of Hosios Loukas, Jelena Bogdanović Jan 2014

Micro-Architecture As A Spatial And Conceptual Frame In Byzantium: Canopies In The Monastery Of Hosios Loukas, Jelena Bogdanović

Jelena Bogdanović

The use of architecture as a visual and conceptual frame is well attested in medieval art. For example, in medieval illuminations, architectural frames are often used to separate images from the accompanying texts. Such architectural 140 frames signify potent transparent boundaries between the space of the beholder and the space of that which is seen and, therefore, define perceptible liminal spaces. Actual architectural frames and their role in defining sacred space, however, have been studied far less.


Silenced Sacred Spaces: Selected Photographs Of Syrian Synagogues By Robert Lyons, Exhibition Essay, Lowe Art Gallery, Syracuse University, Samuel D. Gruber Dr. Aug 1996

Silenced Sacred Spaces: Selected Photographs Of Syrian Synagogues By Robert Lyons, Exhibition Essay, Lowe Art Gallery, Syracuse University, Samuel D. Gruber Dr.

Samuel D. Gruber, Ph.D.

No abstract provided.


What Ship Goes There: The Flood Narratives In The Gilgamesh Epic And Genesis Considered In Light Of Ancient Near Eastern Temple Ideology, Steven W. Holloway Dec 1990

What Ship Goes There: The Flood Narratives In The Gilgamesh Epic And Genesis Considered In Light Of Ancient Near Eastern Temple Ideology, Steven W. Holloway

Steven W Holloway

Despite efforts made to understand the Mesopotamian and Genesis flood narratives as cosmogonies, the architecture and religious symbolism of the arks remain a scholarly embarrassment. Comparisons of the design of the arks described in Gilgamesh XI and Genesis 6—8 traditionally have focused on the sharp incompatibility of their dimensions. I shall attempt to demonstrate by a close