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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

Sub Lege To Sub Gratia: An Iconographic Study Of Van Eyck’S Annunciation, Christopher J. Condon Oct 2018

Sub Lege To Sub Gratia: An Iconographic Study Of Van Eyck’S Annunciation, Christopher J. Condon

Student Publications

When the Archangel Gabriel descended from heaven to inform the Virgin Mary of her status as God’s chosen vehicle for the birth of Jesus Christ, she was immediately filled with a sense of apprehension. Gabriel’s words, “...invenisti enim gratiam apud Deum [you have found favor with God],” reassured the Virgin that she would face no harm, and the scene of the Annunciation (what this moment has come to be called) has forever been immortalized in Christian belief as a watershed moment in the New Testament. While many Byzantine icons of the Medieval period sought to depict this snapshot ...


Between Secular And Sacred: The Trade Windows' Depictions Of Food In Chartres Cathedral, Zachary A. Wesley Apr 2017

Between Secular And Sacred: The Trade Windows' Depictions Of Food In Chartres Cathedral, Zachary A. Wesley

Student Publications

Medieval artists often blended sacred and secular imagery in their works, though especially stained glass windows. The stained glass windows of Chartres Cathedral, for example, use images of commoners at work and depictions of food to convey religious messages. This paper discusses three such examples and their significance to both the lay community of Chartres and the teachings of the Church.


8. The Gothic Cathedral, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart Jan 1958

8. The Gothic Cathedral, Robert L. Bloom, Basil L. Crapster, Harold A. Dunkelberger, Charles H. Glatfelter, Richard T. Mara, Norman E. Richardson, W. Richard Schubart

Section III: The Medieval Church

The Gothic cathedral, like the Summa of Aquinas, the University of Paris, and the Christendom of Innocent III, stands as one of the major expressions of the spirit of the High Middle Ages. The word "Gothic," coined by the Renaissance as a term of disparagement, has come recently to have more favorable and appreciative connotations. Such a reevaluation may be due not only to the better perspective that a longer period of time offers us, but also to a deeper understanding of the cultural role of artistic and spiritual symbolism. The artistic expression of the Middle Ages found its supreme ...