Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 9 of 9

Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker Apr 2017

The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker

The Research and Scholarship Symposium

This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing ...


Incremental Urbanism In Medieval Italy: The Example Of Todi, Samuel D. Gruber Dr. Dec 2016

Incremental Urbanism In Medieval Italy: The Example Of Todi, Samuel D. Gruber Dr.

Samuel D. Gruber, Ph.D.

The shape and texture of the medieval Italian city is examined in this study of the small decisions made to create the urban form of the medieval Umbrian town of Todi.


Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman Jan 2015

Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman

Williams Honors College, Honors Research Projects

This article looks at the way Italian Baroque painter, Michelangelo Merisi da Caravaggio broke from the artistic conventions of the Renaissance and Mannerist styles in his religious paintings to create an entirely new style that reflected the needs of the post-Tridentine Catholic Church. Caravaggio pushed painting throughout Europe in a new direction, away from the idealization of the Renaissance and the artistic extremes of Mannerism, by popularizing realism in art. Caravaggio’s unique style is examined through comparisons of his paintings, The Conversion of Paul, c.1601 and The Martyrdom of Saint Peter, c.1601 in the Roman basilica, Santa ...


"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff Dec 2014

"Future City In The Heroic Past: Rome, Romans, And Roman Landscapes In Aeneid 6–8", Eric Kondratieff

History Faculty Publications

From the Intro: “Arms and the Man I sing…” So Vergil begins his epic tale of Aeneas, who overcomes tremendous obstacles to find and establish a new home for his wandering band of Trojan refugees. Were it metrically possible, Vergil could have begun with “Cities and the Man I sing,” for Aeneas’ quest for a new home involves encounters with cities of all types: ancient and new, great and small, real and unreal. These include Dido’s Carthaginian boomtown (1.419–494), Helenus’ humble neo-Troy (3.349–353) and Latinus’ lofty citadel (7.149–192). Of course, central to his ...


Masterpieces Of Italian Literature In Translation, Silvia Valisa Jan 2010

Masterpieces Of Italian Literature In Translation, Silvia Valisa

Silvia Valisa

No abstract provided.


Sex, Lies And Anecdotes: Gender Relations In The Life Stories Of Italian Women Artists, 1550-1800, Julia K. Dabbs Jan 2005

Sex, Lies And Anecdotes: Gender Relations In The Life Stories Of Italian Women Artists, 1550-1800, Julia K. Dabbs

Art History Publications

The writer discusses gender relations in life stories of Italian women artists between 1550 and 1800. In early modern life stories, a recurring emphasis on gender relations, typically deflecting or overshadowing discussion of artistic accomplishment, clearly marks the female artist as a breed apart from her male colleagues. In light of the fact that their biographers were frequently artists themselves, or at least were linked to artistic circles, the commonalities of these anecdotal narratives illuminate how these “miracles of nature” were viewed by the male artistic community, and, by association, the broader society of which they were a part. The ...


"Representations Of Domestic Space In Medieval Italian Painting" Paper Delivered At The Fordham Medieval Conference: The Family In The Middle Ages, Samuel D. Gruber Dr. Mar 1995

"Representations Of Domestic Space In Medieval Italian Painting" Paper Delivered At The Fordham Medieval Conference: The Family In The Middle Ages, Samuel D. Gruber Dr.

Samuel D. Gruber, Ph.D.

This paper, presented at a conference in 1995, presents impressions about the interior spaces of medieval Italian urban houses based on architecture, literature and painting. The paper in its present state refers to many works of art but is not illustrated or annotated.


Urbanism, Western Medieval, Samuel D. Gruber Dr. Dec 1989

Urbanism, Western Medieval, Samuel D. Gruber Dr.

Samuel D. Gruber, Ph.D.

Survey of the architectural aspects of medieval urbanism in Western Europe.


Ordering The Urban Environment: City Statutes And City Planning In Medieval Todi, Italy, Samuel D. Gruber Dr. Dec 1989

Ordering The Urban Environment: City Statutes And City Planning In Medieval Todi, Italy, Samuel D. Gruber Dr.

Samuel D. Gruber, Ph.D.

Discusses the deliberate urban policies that of medieval Todi, Italy that helped create a functioning and beautiful medieval town through explicit laws and the careful micro-planning that utilized an incremental urbanism to create an inter-connected and integrated urban environment. Many of the medieval views visitors assume are part of an "organic" growth are actually careful projections of communal power and order.