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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

Archaeology And Conservation Of The Middle Phrygian Gate Complex At Gordion, Turkey, Semih Gönen, Richard F. Liebhart, Naomi F. Miller, Elspeth Dusinberre May 2018

Archaeology And Conservation Of The Middle Phrygian Gate Complex At Gordion, Turkey, Semih Gönen, Richard F. Liebhart, Naomi F. Miller, Elspeth Dusinberre

Classics Faculty Contributions

In 2016, a project was undertaken at Gordion, Turkey, to stabilize and conserve the remains of a rubble platform built early in the Middle Phrygian period (ca. 800–700 b.c.e.) under the vast Gate Complex leading to the megarons on the Citadel Mound. In the process, aspects of Middle Phrygian building strategies came to light that enhanced our understanding gained from the original excavation in the 1950s. This article outlines the archaeology of the Middle Phrygian Gate Complex and the sophisticated internal structures that lent stability to the rubble platform upon which it was built, and examines the ...


Metallurgy In The Roman Forts Of Scotland: An Archaeological Analysis, Scott S. Stetkiewicz Aug 2010

Metallurgy In The Roman Forts Of Scotland: An Archaeological Analysis, Scott S. Stetkiewicz

Honors Projects Overview

Investigates the presence of metalworking in thirty-seven Roman forts in Scotland during the Flavian, Antonine, and Severan occupations largely through analysis of published documentation concerning relevant archaeological excavations.


Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton Feb 2007

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles ...