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Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

The Burgos Tapestry: Medieval Theatre And Visual Experience, Nathalie Rochel Frch '11 Dec 2013

The Burgos Tapestry: Medieval Theatre And Visual Experience, Nathalie Rochel Frch '11

The Fordham Undergraduate Research Journal

In the field of art history, the medium of tapestry has only recently begun to gain attention as its own significant art form. This paper examines the possible relationship between the Burgos Tapestry, recently on view at The Cloisters after a thirty-year conservation, and medieval theatre. The compositional and stylistic forms of the tapestry may have been influenced by productions of medieval mystery plays, which through analysis can help provide a greater understanding of the medieval cultural mindset, the possible artistic decisions behind maintaining medieval pictorial traditions into the early sixteenth century, and the medieval viewer’s experience when looking ...


Power And Nostalgia In Eras Of Cultural Rebirth: The Timeless Allure Of The Farnese Antinous, Kathleen Lamanna Apr 2013

Power And Nostalgia In Eras Of Cultural Rebirth: The Timeless Allure Of The Farnese Antinous, Kathleen Lamanna

Scripps Senior Theses

Little did Hadrian know in 130 A.D. that when he deified his beloved departed Antinous, in order to provide a unifying symbol of worship for his diverse empire, that he was instead creating a lasting symbol of the antique world. This thesis examines the power of nostalgia and its successful use by two formidable men from different eras in Rome: The Emperor Hadrian and the extravagantly wealthy Renaissance merchant Agostino Chigi. Though separated by centuries, each man used the nostalgic allure of the beautiful youthful male figure of Antinous to gain power and influence in his own time and ...


Architecture And Elite Identity In Late Antique Rome: Appropriating The Past At Sant'andrea Catabarbara, Gregor Kalas Dec 2012

Architecture And Elite Identity In Late Antique Rome: Appropriating The Past At Sant'andrea Catabarbara, Gregor Kalas

Gregor A. Kalas

The conversion of the fourth-century basilica of Junius Bassus, a secular structure on an aristocratic estate, into the church of Sant’Andrea Catabarbara in Rome during the 470s invites a discussion of how architectural adaptation contributed to the identity of its restorer, Valila.