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Full-Text Articles in Creative Writing

Damar On Fridays, Maja Sadikovic Apr 2017

Damar On Fridays, Maja Sadikovic

Theses

Abstract

These poems are about the first hand witnessing of the Balkan war and its visceral repercussions, ripping of families across generations and continents due to religious intolerance, and an identity crisis within the diaspora of the former Yugoslav people. They interact with appeals of loss, in terms of bodies, memory, and material, despair within the identity of the self in and outside of religion, and the perception of love and belonging, but not necessarily in that order. They are largely inspired by victim story-telling, translations of conversations with natives of the former Yugoslavia and their children, and ramifications of ...


The Last Slave Ship: A Practice-Led Exploration, Via The Production Of A Literary Artefact, Into The Possibility Of Harnessing Tonal Signifier Texts To Make A Creative Intervention Into The Cultural Amnesia Surrounding Liverpool's Slaving Past: Exegesis And The Last Slave Ship: Phd Core Creative Text, Martin Edward Chatterton Jan 2017

The Last Slave Ship: A Practice-Led Exploration, Via The Production Of A Literary Artefact, Into The Possibility Of Harnessing Tonal Signifier Texts To Make A Creative Intervention Into The Cultural Amnesia Surrounding Liverpool's Slaving Past: Exegesis And The Last Slave Ship: Phd Core Creative Text, Martin Edward Chatterton

Theses

Liverpool’s pivotal role in the Atlantic Slave Trade has become dessicated through musealisation, and a dominant white identity; a situation which has resulted in the marginalisation of Liverpool’s black population. This thesis is a practice-led exploration into harnessing tonal signifier texts to make a creative intervention into the cultural amnesia surrounding Liverpool’s slaving past. The thesis attempts to suggest an alternate discourse by translating Antony Gormley’s “things which cannot be articulated” into a novel, referencing the politics of civil disobedience, micro nationhood, identity, memory, and texts that engage with Machery’s “ideological necessity” of silence.