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Articles 1 - 7 of 7

Full-Text Articles in Creative Writing

The Voices Of Native Guard: From The Page To Performance, Corrie Claiborne, Aaron Carter-Enyi, Cliff Miller Mar 2018

The Voices Of Native Guard: From The Page To Performance, Corrie Claiborne, Aaron Carter-Enyi, Cliff Miller

Africana Digital Ethnography Project

Published in 2006, Native Guard received the Pulitzer Prize in 2007, and the book's author, Natasha Trethewey, went on to become the US Poet Laureate in 2012 and 2014. Trethewey emphasizes that Native Guard is a book of poetry, not a collection of poems that were gathered together for publication. This one among many reasons it was an excellent source for a theatrical production by the Alliance Theatre (in Atlanta) in 2014, in restaged in 2018. Actors January Lavoy (the poet) and Anton Neal (the native guard) breathe new life into Trethewey's work, expressing the deep musicality of ...


Choreopoems: Augmenting Textuality With Movement, Aaron Carter-Enyi, Zari Mcfadden Mar 2018

Choreopoems: Augmenting Textuality With Movement, Aaron Carter-Enyi, Zari Mcfadden

Africana Digital Ethnography Project

In 1975, Ntozake Shange debuted For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf establishing a new intermedia genre: the choreopoem. A choreopoem is a unique approach to storytelling that departs from Western poetry by incorporating emphases on movement and nonverbal communication, using embodied emotion to connect with audiences. Shange’s innovation is continued through the work of Jessica Care Moore (poet) and Aku Kadogo (choreographer, Spelman College) who has developed a techno-choreopoem entitled Salt City. The work celebrates Black culture in Detroit: “the African-American presence in the city … [and] techno-music that was pioneered by African-American men ...


Pitch Polarity In Praise Singing And Hip-Hop: Evidence For An Underrepresented Poetic Feature, William S. Dula, Aaron Carter-Enyi, David Oludaisi Aina, Nathaniel Condit-Schultz Mar 2018

Pitch Polarity In Praise Singing And Hip-Hop: Evidence For An Underrepresented Poetic Feature, William S. Dula, Aaron Carter-Enyi, David Oludaisi Aina, Nathaniel Condit-Schultz

Africana Digital Ethnography Project

Tonal counterpoint is a common device in the oral improvisatory tradition of Yorùbá oríkì (praise-singing), first documented by Ọlátunji (1984). Both tonal and counterpoint are terms familiar to musicians, but the meaning here is the linguistic tonal, not the harmonic, and the rhetorical counterpoint, not polyphonic. Ọlátunji describes couplets in which each phrase is parallel if not identical in terms of phonic content and the first sets up a tonal expectancy for the second. The contrast might also be between words within a single phrase. There are three primary categories of tonal counterpoint in Yorùbá oríkì: parallelism of similar words ...


Auc Cypher: Nicholas Cummings Aka Nacl Confi, Nicholas Cummings, Aaron Carter-Enyi Sep 2017

Auc Cypher: Nicholas Cummings Aka Nacl Confi, Nicholas Cummings, Aaron Carter-Enyi

Africana Digital Ethnography Project

NaCl Confi is pronounced "Salt-Khan-Fee". According to the artist, his style is: "Punchlines, Schemes, Flow, Christian, Conscious, Personality"


"Why Women Are Smarter Than Men" By Gloria Barr Ford, Aaron Carter-Enyi, Corrie Claiborne Jul 2017

"Why Women Are Smarter Than Men" By Gloria Barr Ford, Aaron Carter-Enyi, Corrie Claiborne

Africana Digital Ethnography Project

Gloria Barr Ford, Gullah Storyteller, tells the tale of the father, daughter and preacher. Recorded July 31, 2017 at her home in Georgetown, South Carolina.


Morehouse College Glee Club Performs "Iya Mi" (My Mother) By Jude Nwankwo, David Morrow, Jude Nwankwo, Aaron Carter-Enyi Apr 2017

Morehouse College Glee Club Performs "Iya Mi" (My Mother) By Jude Nwankwo, David Morrow, Jude Nwankwo, Aaron Carter-Enyi

Africana Digital Ethnography Project

In the Fall of 2016, the Morehouse College Music Department issued a call for early-career Nigerian composers to submit applications for consideration. This project builds on the Morehouse College Glee Club’s reputation of performing African choral music under the direction of Wendell Whalum, Uzee Brown, Jr., and David Morrow.

In December 2016, Jude Nwankwo was selected as the inaugural recipient of the award. Mr. Nwankwo is a Lecturer of Music at the University of Nigeria, Nsukka.

Mr. Nwankwo was commissioned to write a three- to five-minute piece for TTBB (male-voice) choir on secular themes in one of Nigeria’s ...


Oriki Ogun (Praise Of The God Of Iron) By Mayowa Adeyemo, Aaron Carter-Enyi, David Oludaisi Aina, Mayowa Adeyemo Jul 2013

Oriki Ogun (Praise Of The God Of Iron) By Mayowa Adeyemo, Aaron Carter-Enyi, David Oludaisi Aina, Mayowa Adeyemo

Africana Digital Ethnography Project

Lagos State University music student, Mayowa Adeyemo, praises Ogun (Yoruba Orisha/God of Iron). Recorded on July 26, 2013 at Peter King College of Music near Badagry, Lagos State.