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Comics Against Themselves: Chris Ware's Graphic Narratives As Literature, David M. Ball
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The recent rise in scholarly interest regarding graphic narratives has been precipitous and remarkable. This intellectual ferment is evidenced both by the strength, volume, and range of the comics produced, as well as an attendant enthusiasm and productivity in comics criticism and theory. Graphic narratives' ability to reinvigorate literary theoretical questions of temporality, narrative, and periodization, among others, points toward the catalytic effect that studies of comics are beginning to provide for conventional literary scholarship (for examples, see Chute and DeKoven 2006; Chute 2008; Baetens and Blatt 2008).
In this essay I will concentrate in particular on periodization and explore ...