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Comparative Literature Commons

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1998

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Articles 1 - 30 of 42

Full-Text Articles in Comparative Literature

Sexual Politics And Subversion: Feminist Utopia As Praxis, Jennifer Sue Boyers Dec 1998

Sexual Politics And Subversion: Feminist Utopia As Praxis, Jennifer Sue Boyers

Dissertations

Literary studies meets up with sociology as feminist utopian fiction Is examined for what sociologist Dorothy Smith (1990) labels normal narrative and counter-narrative articulations of gendered structures of power. The method of analytical Induction Is used both In the choosing of the four novels for study and the resulting textual analysis. Ursula Le Guln's The dispossessed (1974), Marge Plercy's Woman on the edge of time (1976), Suzy McKee Chamas's Motherllnes (1978), and Sally Miller Gearhart's The wandereround (1979) are examined for their constructions of dystopian normal narratives, as well as for their reconstructions of subversive utopian ...


George Eliot Birthday Luncheon: The Toast To The Immortal Memory 1998, Tenniel Evans Nov 1998

George Eliot Birthday Luncheon: The Toast To The Immortal Memory 1998, Tenniel Evans

The George Eliot Review

Sixty-two years ago, almost to the day - a freezing 25 November 1936 - I arrived at the London docks from Africa and came, without realizing it at the time, to live in the country of my background. I was to live with Alison and Rupert Winser and their family in the Rectory at Allesley, just outside Coventry, and it became my home for the next five years. By the end of that time, of course, the war had blown away the old life and it would never be the same again. So I was lucky that at least I had a ...


Celebrity And Immortality, Scott Abbott Aug 1998

Celebrity And Immortality, Scott Abbott

Scott Abbott

No abstract provided.


Timbre And The Jazz Voice, Scott Abbott Jul 1998

Timbre And The Jazz Voice, Scott Abbott

Scott Abbott

No abstract provided.


Wreath-Laying In Poets' Corner, Westminster Abbey 1998, Roy Hattersley Jun 1998

Wreath-Laying In Poets' Corner, Westminster Abbey 1998, Roy Hattersley

The George Eliot Review

I take a strange pleasure in being associated, no matter how vicariously, with the greatest novelist in the English language. I am by no means sure that she would approve of this event. Asked about God, Immortality and Duty - strange topics of conversation to be raised during an afternoon's stroll - 'she pronounced with terrible earnestness how inconceivable was the first, how unbelievable the second and how peremptory and absolute the third'. But there she is in black, polished marble on the floor of Westminster Abbey - the junkyard of the nation's vanities.

She keeps appropriate company, in a row ...


Wreath-Laying In The George Eliot Memorial Garden Nuneaton, May 1998, Margaret Jennings May 1998

Wreath-Laying In The George Eliot Memorial Garden Nuneaton, May 1998, Margaret Jennings

The George Eliot Review

In paying tribute to George Eliot today we acknowledge a debt of gratitude owed to her for the legacy of wonderful novels which have enriched so many lives during both the nineteenth and twentieth centuries.

As we approach the twenty-first century I find myself considering how her work will be greeted by the coming generations, indeed not just in a new century but in a new millenium.

In the early part of this century, the Bloomsbury writer Virginia Woolf helped restore George Eliot's standing as a great novelist by claiming that Middlemarch was one of the few novels for ...


翻譯的步驟, Di Jin Apr 1998

翻譯的步驟, Di Jin

文學與翻譯研究中心 論文叢刊 Centre for Literature and Translation Occasional Paper Series

No abstract provided.


Froissart Across The Genres, Donald Maddox Jan 1998

Froissart Across The Genres, Donald Maddox

Emeritus Faculty Author Gallery

No abstract provided.


‘Cleansing’ The Discipline: Ernst Robert Curtius And His Medievalist Turn, Richard Utz Jan 1998

‘Cleansing’ The Discipline: Ernst Robert Curtius And His Medievalist Turn, Richard Utz

Richard Utz

No abstract provided.


Danger In The Safety Zone: Notes On Race, Resentment, And The Discourse Of Crime, Violence, And Suburban Security, Cameron Mccarthy, A. P. Rodriguez, S. David, S. Meecham, Heriberto Godina Phd, K. E. Supriya, C. Wilson-Brown Jan 1998

Danger In The Safety Zone: Notes On Race, Resentment, And The Discourse Of Crime, Violence, And Suburban Security, Cameron Mccarthy, A. P. Rodriguez, S. David, S. Meecham, Heriberto Godina Phd, K. E. Supriya, C. Wilson-Brown

Heriberto Godina PhD

No abstract provided.


Spinoza And Marx, Eugene W. Holland Jan 1998

Spinoza And Marx, Eugene W. Holland

Eugene W Holland

This essay explores what replacing Hegel with Spinoza as a philosophical source might do for contemporary Marxism.


Review Of Ruth Finnegan's Oral Traditions And The Verbal Arts: A Guide To Research Practices, Chukwuma Azuonye Jan 1998

Review Of Ruth Finnegan's Oral Traditions And The Verbal Arts: A Guide To Research Practices, Chukwuma Azuonye

Africana Studies Faculty Publication Series

Review of Ruth Finnegan's Oral Traditions and the Verbal Arts: A Guide to Research Practices. (ASA Research Methods in Social Anthropology Series, no. 4.) xviii, 284pp. London and New York: Routledge, 1992.


O Caramuru Y Caramurú: Sus Relaciones En La Formación De Un Protoimaginario Nacional Uruguayo, Maria Cristina Burgueno Jan 1998

O Caramuru Y Caramurú: Sus Relaciones En La Formación De Un Protoimaginario Nacional Uruguayo, Maria Cristina Burgueno

Modern Languages Faculty Research

This article examines the inter-textual relations between the novel Caramurú (1848?) by the Uruguayan writer Alejandro Magariños Cervantes, and the epic poem O Caramuru (1781) by the Portuguese Friar Jose de Santa Rita Durão. The thesis of the article is that these literary works reflect the deep cultural and political connections between Uruguay and Brazil, and how these links were present at the time when –surrounded by uncertainties about the viability of the new state—the elaboration of a Uruguayan national identity started. The pro-Brazilian option –shown by the selection of Caramuru, who was a foundational character of the Brazilian ...


The Look Of The Book: Visual Elements In The Experience Of Reading From "Tristram Shandy" To Contemporary Artists' Books, Karen L. Schiff Jan 1998

The Look Of The Book: Visual Elements In The Experience Of Reading From "Tristram Shandy" To Contemporary Artists' Books, Karen L. Schiff

Publicly Accessible Penn Dissertations

In the age of the novel, we read fiction sequentially and unselfconsciously. This practice requires us to ignore the materiality and appearance of books, for these factors disrupt narrative absorption. "The Look of the Book" explores specific books from England and America whose visual and material characteristics resist and redefine habitual experiences of reading prose. These specimens connect word and image in the book format, and they therefore resist the theories of critics since Gotthold Lessing that have separated visual and verbal modes.

Lessing's contemporary, Laurence Sterne, uses visual elements in Tristram Shandy (1760–67) to digress from the ...


Warren's Audubon: A Vision Revisited, Sylwia W. Zechowska Jan 1998

Warren's Audubon: A Vision Revisited, Sylwia W. Zechowska

Masters Theses

This thesis consists of a Polish translation of a volume of Robert Penn Warren's poetry: Audubon: A Vision accompanied by an introductory essay focusing on historical, cultural and psychological aspects of the poems. As a novelist, Robert Penn Warren is well known to the Polish reading public. All his major novels have been translated into Polish and received with great acclaim, which has been confirmed by numerous editions. Warren's popularity among Polish readers may be attributed to the fact that his fiction is permeated with a peculiar sense of melancholy and a profound awareness of tragic national history ...


A Note Of Daniel Deronda's Circumcision, Derek Miller Jan 1998

A Note Of Daniel Deronda's Circumcision, Derek Miller

The George Eliot Review

For the last twenty years or so critics have wondered if Daniel Deronda, the eponymous hero of George Eliot's last novel, was circumcised or not. If he was, he would scarcely have to wait for his mother's revelations to know he was a Jew. Some commentators, however, say that, for medical reasons, circumcision was not uncommon among middle class people at the time of Deronda's infancy, and he might therefore not have given much attention to the matter.

Professor John Sutherland, recently entering this lively discussion! points to the rebellion by Deronda's mother against her father ...


American Branch Report 1997, Shoshanan Milgram Knapp Jan 1998

American Branch Report 1997, Shoshanan Milgram Knapp

The George Eliot Review

The eighth annual MLA dinner, a typically informal and festive occasion, was held at the Ristorante Amalfi in Toronto on Sunday, 28 December 1997. Present were Michael Ballin, Margaret Barfield, Nancy Cervetti, Connie Fulmer, Bonnie Gerard, Gabe Gerard, Shoshana Milgram Knapp, and Richard Maxwell. Shoshana conveyed greetings from Linda Robertson, the new coordinator of the American branch, and from Kathleen Adams.


The Stereotyped Edition's Title-Page Vignettes, Beryle Gray Jan 1998

The Stereotyped Edition's Title-Page Vignettes, Beryle Gray

The George Eliot Review

On 2 November 1866, George Eliot wrote to John Blackwood approving of his proposal to publish an illustrated edition of her books. The project, she saw, was

a wise one, as likely to assist in [the books'] circulation. In the abstract I object to illustrated literature, but abstract theories of publishing can no more be carried out than abstract theories of politics.'

B1ackwood's idea developed into a plan 'to try the cheap illustrated edition of your Novels in six penny numbers of which Adam, The Mill, Scenes, Silas, and Felix would make 30, ultimately to form four volumes selling ...


The George Eliot Review: Journal Of The George Eliot Fellowship 1998 No. 29, Beryl Gray, John Rignall Jan 1998

The George Eliot Review: Journal Of The George Eliot Fellowship 1998 No. 29, Beryl Gray, John Rignall

The George Eliot Review

CONTENTS

Notes on Contributors ...................................................................................... 5

REPORTS Kathleen Adams: Annual Report 1997 ........................................... 7

Shoshana Milgram Knapp: American Branch Report.................................... 14

ADDRESSES Ruth Harris: Address at the wreath-laying in the George Eliot Memorial Garden, 15 June 1997 ................................................. 15

Carol A. Martin: Address at the wreath-laying in Westminster Abbey, 21 June 1997 .......................................................................... 18

Gillian Beer: The Twenty-Sixth George Eliot Memorial Lecture, 11 October 1997................................................ 24

Geoffrey Beevers: The Toast to the Immortal Memory: George Eliot Birthday Luncheon, 23 November 1997........................................ .30

ARTICLES David Malcolm: 'Grand and Vague': Why is Daniel Deronda about the Jews? (Prize-winning Essay)................................................................................ .33

David Bell: The Idea of an ...


The Twenty-Sixth George Eliot Memorial Lecture: A Troubled Friendship, Gillian Beer Jan 1998

The Twenty-Sixth George Eliot Memorial Lecture: A Troubled Friendship, Gillian Beer

The George Eliot Review

Edith Simcox is now usually remembered, if at all, as the woman who recorded in a secret journal ('Autobiography of a Shirt Maker') her passionate and physically unrequited love for George Eliot. Yet to her contemporaries Simcox was well known as a philosopher, a distinguished translator of intellectual works from German, an incisive journalist reviewing important works written in French and German as well as English, an ethnographer, and a political activist. She was, under the pen-name 'H. Lawrenny' one of the founding contributors to the Academy in 1869 and appeared for the first time in her own person there ...


"Grand And Vague" Why Is Daniel Deronda About The Jews?, David Malcolm Jan 1998

"Grand And Vague" Why Is Daniel Deronda About The Jews?, David Malcolm

The George Eliot Review

'I am sure you are right to leave everything grand and vague', George Eliot's publisher wrote bemusedly to her about Daniel Deronda's Zionism (Letters VI: 272). In his 'Conversation' on Daniel Deronda, Henry James too, like many contemporary and later readers, expresses his doubt and unease about the novel's Zionist subject matter.

Traditional interpretations of the Zionist subject matter in Daniel Deronda are not wholly satisfactory. It is often dismissed as vague and lacking in concreteness (Fisher 227; Bamber 421; Hochman 113-33; LiddellI82), or explained purely in biographical terms, which, while fascinating, do not reveal much about ...


Gwendolen's Story From Daniel Deronda, Gabriel Woolf, Rosalind Shanks Jan 1998

Gwendolen's Story From Daniel Deronda, Gabriel Woolf, Rosalind Shanks

The George Eliot Review

In 1902, the essayist, Leslie Stephen, wrote that Daniel Deronda was 'two stories put side by side' and the 'Gwendolen Story' taken by itself was a 'masterly piece of social satire'. In his biography of George Eliot, Gordon Haight makes a general reference to 'Gwendolen's story' as part of the whole narrative of Daniel Deronda including the Jewish portion. He showed some disdain towards 'careless readers' who thought the Jewish elements could be separated from the story of Gwendolen.

George Eliot herself, writing to Barbara Bodichon, seemed displeased with readers who 'cut the book up into scraps and talk ...


'Hardy And Eliot': A Response, Toru Sasaki Jan 1998

'Hardy And Eliot': A Response, Toru Sasaki

The George Eliot Review

In the last issue of the Review, Nicola Harris, in her Fellowship Prize Essay, discussed the different attitudes of Hardy and George Eliot to 'moral perception'.' In the course of her argument she refers to an article of mine, published several years ago, where I dealt with the same passages that she considers. Having read her piece with great interest, I should like to make the following observations.

The reference to what I said occurs where Harris is comparing the description of Boldwood looking fixedly at the Valentine that Bathsheba has sent him (,Here the bachelor's gaze was continually ...


Mathilde Blind, Graham Handley Jan 1998

Mathilde Blind, Graham Handley

The George Eliot Review

The first titles in the Eminent Women Series published in 1883 by W. H. Allen included studies of Emily Bronte and George Sand (Margaret Fuller, Maria Edgeworth, Elizabeth Fry, and Harriet Martineau would be in the next wave) as well as Mathilde Blind's pioneering, sensitive, uneven and sympathetically feminist exposition of George Eliot's life and art. Blind herself deserves a full-length study, and at particular points her own life and works touch those of George Eliot. Born Mathilde Cohen in Mannheim in 1841, she took her stepfather's name when her mother remarried. Dr. Karl Blind was an ...


'My Own Dear Heart's Ease': George Eliot's Coventry Friend, Caroline (Cara) Bray (1814-1905), Kathleen Adams Jan 1998

'My Own Dear Heart's Ease': George Eliot's Coventry Friend, Caroline (Cara) Bray (1814-1905), Kathleen Adams

The George Eliot Review

In September 1842 Mary Ann Evans wrote a short but illuminating letter to her Coventry friend Cara Bray:

My own dear Heart's Ease [it was not unusual for her to give her closest friends the name of a flower as she had done this on several occasions before], ... your looks and words of love are so precious to me. I am together ashamed of myself - do not tell anyone that I am so silly as I appear to her whom I love best ... '

We don't know why Mary Ann was so ashamed but we do see clearly what ...


Review Of A Monument To The Memory Of George Eliot. Edith J. Simcox's Autobiography Of A Shirtmaker, Constance M. Fulmer, Margaret E. Barfield Jan 1998

Review Of A Monument To The Memory Of George Eliot. Edith J. Simcox's Autobiography Of A Shirtmaker, Constance M. Fulmer, Margaret E. Barfield

The George Eliot Review

The intensity of Edith Jemima Simcox's passion for George Eliot has been known to a twentieth- century reading public since the publication of K. A. McKenzie's Edith Simcox and George Eliot in 1961. McKenzie's book is a combination of summary and quotation of a manuscript acquired by the Bodleian Library in 1958, This manuscript, entitled The Autobiography of a Shirtmaker, is a journal kept by Simcox from 10 May 1876 until 29 January 1900. Gordon Haight wrote the introduction to McKenzie's book, relied on the Simcox manuscript in his 1968 biography of Eliot, and printed lengthy ...


Review Silas Marner, Geoffrey Beevers Jan 1998

Review Silas Marner, Geoffrey Beevers

The George Eliot Review

Following on from his extremely successful stage adaptation of Adam Bede, which won a Time Out award in 1991, Geoffrey Beevers chose to bring another George Eliot masterpiece, Silas Mamer, to the stage at the Orange Tree theatre.

With four stage exit and entry points, this theatre-in-the-round offered a perfect opportunity to create the pace required to move through a tale spanning thirty years in the confines of a two and- a-half-hour play. The cast took full advantage, with actors narrating from all corners while the scene developed centre stage, giving the audience no time to lose the thread.

Narration ...


The Idea Of An English Gentleman: Mr. Knightley And Arthur Donnithorne, David Ball Jan 1998

The Idea Of An English Gentleman: Mr. Knightley And Arthur Donnithorne, David Ball

The George Eliot Review

My modest purpose in this essay is to develop the interesting suggestion of Ellen Moers in Literary Women that George Eliot's inspiration to write Adam Bede may well have lain in her attentive reading of Emma: that Adam Bede himself is the heroic and detailed portrait of Robert Martin that Emma has no place for. George Eliot's father, Robert Evans, was a mari similar to Robert Martin and Adam Bede, in both status and ability, and the creation of Adam is Eliot's first fictional tribute to him. Ellen Moers also briefly compares Harriet Smith and Hetty Sorrel ...


Review Of From Author To Text: Re-Reading George Eliot's Romola; George Eliot And Italy: Literary, Cultural And Politcal Influences From Dante To The Risorgimento, Caroline Levine, Mark W. Turner, Andrew Thomspon Jan 1998

Review Of From Author To Text: Re-Reading George Eliot's Romola; George Eliot And Italy: Literary, Cultural And Politcal Influences From Dante To The Risorgimento, Caroline Levine, Mark W. Turner, Andrew Thomspon

The George Eliot Review

Each of these books took me by surprise. There is a curious tension between the incorporativeness of Andrew Thompson's title, George Eliot and Italy, and his compendiously specific sub-title, Literary, Cultural and Political Influences from Dante to the Risorgimento, which somehow led me to expect something like a descriptive catalogue of alleged influences. Instead, I found a book which indeed has awkwardnesses, but which pursues an argument and offers valuable illumination of George Eliot's whole career (and not just Romola, as might easily be assumed). Barbara Hardy memorably observed in 1959 that 'Romola is undoubtedly a book which ...


Review Of George Eliot And Goethe: An Elective Affinity Sisters In Literature: Female Sexuality In 'Antigone', 'Middlemarch,' 'Howards End' And 'Women In Love', Gerlinde Roder-Bolton Jan 1998

Review Of George Eliot And Goethe: An Elective Affinity Sisters In Literature: Female Sexuality In 'Antigone', 'Middlemarch,' 'Howards End' And 'Women In Love', Gerlinde Roder-Bolton

The George Eliot Review

George Eliot's admiration for Goethe is well known but how exactly it impinges on her own fiction is less clear and hence Gerlinde Roder-Bolton's useful attempt to analyse her creative use of him. As the sub-title of this study is perhaps intended to suggest, however, it either combines, or slips between, two different arguments. It looks closely at three parallel texts: The Mill on the Floss and Elective Affinities; Daniel Deronda and Faust; Daniel Deronda and Wilhelm Meister's Apprenticeship. In the first case, evidence is adduced, along with an interpretative argument, to suggest that Goethe's novel ...