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Full-Text Articles in Comparative Literature

Rebel Roots.Docx, Rowan Cahill Apr 2018

Rebel Roots.Docx, Rowan Cahill

Rowan Cahill

A brief account of the role of Romain Gary's novel 'The Roots of Heaven' in the author's radicalisation in the 1960s.


Vintage Red.Docx, Rowan Cahill Sep 2017

Vintage Red.Docx, Rowan Cahill

Rowan Cahill

Review article based on the author's reading of the autobiographical novel by Stephen Moline, Red (Australian Scholarly Publishing, 2017). The novel is discussed in the context of the historiography of the Communist Party of Australia.


Unbalancing Acts: Plagiarism As Catalyst For Instructor Emotion In The Composition Classroom, Ann E. Biswas Sep 2016

Unbalancing Acts: Plagiarism As Catalyst For Instructor Emotion In The Composition Classroom, Ann E. Biswas

Ann E. Biswas

In this essay, the author reflects on her experiences while researching composition instructors’ emotional responses to plagiarism. The research found that instructors faced a variety of complex and competing feelings when students plagiarized, and those responses threatened to upset relationships, power structures, and professional identities in the classroom. The author considers how and why her own emotional labor was altered in light of these findings and what this might suggest about the need for increased professional conversation in our discipline regarding the impact of emotions in the writing classroom.


Freedom Is A Good Book And A Sugar High, Meredith Doench Aug 2016

Freedom Is A Good Book And A Sugar High, Meredith Doench

Meredith Doench

This is a creative nonfiction piece about reading literature with an inmate.


Familiar Strangers: International Students In The U.S. Composition Course, Elena Lawrick, Fatima Esseili Jun 2016

Familiar Strangers: International Students In The U.S. Composition Course, Elena Lawrick, Fatima Esseili

Fatima Esseili

This chapter presents selected findings from our study of a well-established ESL writing program at a U.S. university with a large population of international undergraduate students. The study was conducted in all 13 writing sections. The instruments included demographic data from university registrars; one instructor survey, administered at the end of the semester; and two student surveys, one administered at the beginning of the semester and one at the end. The instructor survey response rate was 100% (13 teachers); the student survey response rates were 82.5% (161 students) and 88% (171 students), respectively.

The reported findings inform five ...


Differend, Sexual Difference, And The Sublime, Andrew Slade Oct 2015

Differend, Sexual Difference, And The Sublime, Andrew Slade

Andrew R. Slade

The aim of this chapter is to articulate how two key feminist writers, Marguerite Duras and Luce lrigaray, engage and rewrite Lyotard's interest in the sublime as a feminist aesthetic category. Jean-François Lyotard was at the vanguard of a retrieval of the category of the sublime in contemporary aesthetic theory. A trenchantly polymorphous philosopher, he wrote of the sublime in a range of styles that rivals the old masters of aesthetics, who not only mastered the thought, but were themselves sublime in their works. Whereas the tradition of aesthetics almost unequivocally aligns the sublime with the masculine and the ...


Invisible Monsters And Palahniuk's Perverse Sublime, Andrew Slade Oct 2015

Invisible Monsters And Palahniuk's Perverse Sublime, Andrew Slade

Andrew R. Slade

Invisible Monsters is a novel about the search for identities — sexual, family, gender, social — that is never at ease with the search. The characters in the novel wish to put an end to the need to search for an identity and to draw to a close the need and urge to represent themselves to others. These are characters who wish to be what and who they are without apology or argument but are ill-equipped to do so. They cannot find the means by and through which to put the seeking to an end. It may be tempting to diagnose them ...


Mixing Mourning And Desire: Alfonso Cuarón's 'Y Tu Mamá También', Andrew Slade Oct 2015

Mixing Mourning And Desire: Alfonso Cuarón's 'Y Tu Mamá También', Andrew Slade

Andrew R. Slade

Alfonso Cuarón's Y Tu Mamá También was one of a series of hit movies from Mexico in the early years of the millennium. From the beginning, the movie generated shock and scandal for its representations of graphic sex, but more than that for its representation of queer desire between the emerging young stars Diego Luna and Gael Garcia Bernal. As the two established their careers, they continued to answer questions about Julio and Tenoch, the two adolescent, urban cowboys they played in Y Tu Mamá También. The road movie as coming-of-age story on its own would not produce any ...


Hiroshima, 'Mon Amour,' Trauma, And The Sublime, Andrew Slade Oct 2015

Hiroshima, 'Mon Amour,' Trauma, And The Sublime, Andrew Slade

Andrew R. Slade

Trauma ruptures the world of our daily experiences. It is an intrusion that threatens the body and psyche and affects us in symptomatic ways. That something happened is certain; what that is, however, resists comprehension and understanding. The impetus of much contemporary trauma research in the humanities derives from the coincidence of survivors' insistence on the truth of their experiences and life in a global culture that multiplies traumatic circumstances. These circumstances pose a radical threat to the fecundity of human life, to be sure, and also to the very possibility of brute survival. My aim in this essay is ...


The Vanishing Mexicana/O: (Dis)Locating The Native In Ruiz De Burton’S 'Who Would Have Thought It?' And 'The Squatter And The Don', Tereza M. Szeghi Oct 2015

The Vanishing Mexicana/O: (Dis)Locating The Native In Ruiz De Burton’S 'Who Would Have Thought It?' And 'The Squatter And The Don', Tereza M. Szeghi

Tereza M. Szeghi

This article complements the existing body of Ruiz de Burton scholarship by providing the first sustained examination of her literary representations of American Indians in both Who Would Have Thought It? (1872) and The Squatter and the Don (1885), and by exploring how these representations serve her broader aims of social and political reform. American Indians’ presence in the novels, however marginal, and Ruiz de Burton’s rendering of them as savage, powerless, and justly shut out from the social and political life of the nation, are critical to the author’s aims. Accounting for the absence and strategic appearance ...


Scientific Racism And Masculine Recuperation: Charles Lummis And The Search For 'Home', Tereza M. Szeghi Oct 2015

Scientific Racism And Masculine Recuperation: Charles Lummis And The Search For 'Home', Tereza M. Szeghi

Tereza M. Szeghi

Like many of his peers who came of age during the second half of the nineteenth century, Charles Lummis (1859-1928) chafed against the constraints of what he and other antimodernists viewed as the overly civilized Eastern United States. However, in Lummis’ own estimation, one of the many qualities that distinguished him from his peers was his willingness to take the necessary action to combat the devitalizing impact of city life by heading west to experience unfamiliar lands and cultures. As he states in the opening pages of his 1892 travel narrative, A Tramp Across the Continent, “I am an American ...


Weaving Transnational Identity: Travel And Diaspora In Sandra Cisneros’S 'Caramelo', Tereza M. Szeghi Oct 2015

Weaving Transnational Identity: Travel And Diaspora In Sandra Cisneros’S 'Caramelo', Tereza M. Szeghi

Tereza M. Szeghi

Sandra Cisneros's Caramelo, or, Puro Cuento: A Novel (2002) dramatizes the functions of travel and tourism for members of the Mexican and Chicana/o diaspora, particularly for second-generation Chicana protagonist and narrator, Lala Reyes. Caramelo showcases travel's critical role in cultural identity formation, maintenance, and contestation for diasporic peoples, while also demonstrating the variability and mutability of diasporic cultural identity as mediated through travel. My explication of the novel's representations of cultural identity formation through travel contributes to critical conversations regarding the relationship between diaspora and tourism, argues for elastic understandings of diaspora itself, and brings needed ...


'The Injin Is Civilized And Aint Extinct No More Than A Rabbit': Transformation And Transnationalism In Alexander Posey’S 'Fus Fixico Letters, Tereza M. Szeghi Oct 2015

'The Injin Is Civilized And Aint Extinct No More Than A Rabbit': Transformation And Transnationalism In Alexander Posey’S 'Fus Fixico Letters, Tereza M. Szeghi

Tereza M. Szeghi

In this article I first introduce my critical approach to Posey’s life and work in conjunction with an overview of the Fus Fixico Letters, as situated in their historical and cultural context. I position my argument in relation to the ideological framework outlined by Creek/Cherokee writer and theorist Craig Womack (one of the most significant Posey scholars), and throughout the article draw upon the groundbreaking historical and archival research of Daniel Littlefield. Following an introduction to the letters and an outline of my central arguments, I analyze Posey’s conception of transformation, as it manifests in the Fus ...


The Possibilities And Pitfalls In Teaching Sherman Alexie’S 'The Absolutely True Diary Of A Part-Time Indian', Tereza M. Szeghi Oct 2015

The Possibilities And Pitfalls In Teaching Sherman Alexie’S 'The Absolutely True Diary Of A Part-Time Indian', Tereza M. Szeghi

Tereza M. Szeghi

About the book: This book provides original essays that suggest ways to engage students in the classroom with the cultural factors of American literature. Some of the essays focus on individual authors’ works, others view American literature more broadly, and still others focus on the application of culturally based methods for reading. All suggest a closer look at how ethnicity, culture and pedagogy interact in the classroom to help students better understand the complexity of works by African Americans, Native Americans, Asian Americans, Latinos and several other sometimes overlooked American cultural groups. Abstract for Tereza M. Szeghi's essay: In ...


'I Second That Emotion': Minding How Plagiarism Feels, Ann E. Biswas Jul 2015

'I Second That Emotion': Minding How Plagiarism Feels, Ann E. Biswas

Ann E. Biswas

It stands to reason that when writing teachers believe their students have plagiarized, they will experience strong emotions that impact their relationships with students, their pedagogy, and their sense of professional identity. Far from being a threat to reason, understanding and acknowledging writing teachers’ emotional responses to plagiarism can lead to a deeper wisdom of its true impact. By examining the literature on emotion from psychology, sociology, education, and writing studies as well as findings from a pilot study of writing teachers’ emotional responses to plagiarism, this article argues that the work involved in managing the emotions of plagiarism reflects ...


Inverting The Haiku Moment: Alienation, Objectification, And Mobility In Richard Wright’S ‘Haiku: This Other World’, Thomas Lewis Morgan Jun 2015

Inverting The Haiku Moment: Alienation, Objectification, And Mobility In Richard Wright’S ‘Haiku: This Other World’, Thomas Lewis Morgan

Thomas Morgan

Richard Wright’s haiku — both the 4,000 he wrote at the end of his life and the 817 he selected for inclusion in Haiku: This Other World (1998) — remain something of an enigma in his larger oeuvre; critics variously position them as a continuation of his earlier thematic concerns in a different literary form, an aesthetic departure from the racialized limitations imposed upon his earlier work, or one of several positions in between. Such arguments debate the formal construction as well as the strategic reinvention of Wright’s haiku. The present essay engages both sides of this conversation, arguing ...


The City As Refuge: Constructing Urban Blackness In Paul Laurence Dunbar’S 'The Sport Of The Gods' And James Weldon Johnson’S 'Autobiography Of An Ex-Colored Man.', Thomas Lewis Morgan Jun 2015

The City As Refuge: Constructing Urban Blackness In Paul Laurence Dunbar’S 'The Sport Of The Gods' And James Weldon Johnson’S 'Autobiography Of An Ex-Colored Man.', Thomas Lewis Morgan

Thomas Morgan

This essay analyzes the narrative strategies that Paul Laurence Dunbar and James Weldon Johnson used to represent black characters in The Sport of the Gods and The Autobiography of an Ex-Colored Man as a means of examining the authors' construction of the city as an alternative space for depicting African Americans. In late nineteenth- and early twentieth-century fiction, the majority of African American images in popular fiction were confined to Southern-based pastoral depictions that restricted black identity to stereotypically limited and historically regressive ideas, exemplified in such characters as Zip Coon, Sambo, Uncle Tom, Jim Crow, and Mammy Jane. The ...


Whitewashing Blackface Minstrelsy In Nineteenth-Century England: Female Banjo Players In 'Punch', Laura Vorachek Jan 2015

Whitewashing Blackface Minstrelsy In Nineteenth-Century England: Female Banjo Players In 'Punch', Laura Vorachek

Laura Vorachek

Blackface minstrelsy, popular in England since its introduction in 1836, reached its apogee in 1882 when the Prince of Wales took banjo lessons from James Bohee, an African-American performer. The result, according to musicologist Derek Scott, was a craze for the banjo among men of the middle classes. However, a close look at the periodical press, and the highly influential Punch in particular, indicates that the fad extended to women as well. While blackface minstrelsy was considered a wholesome entertainment in Victorian England, Punch's depiction of female banjo players highlights English unease with this practice in a way that ...


Speculation And The Emotional Economy Of 'Mansfield Park', Laura Vorachek Jan 2015

Speculation And The Emotional Economy Of 'Mansfield Park', Laura Vorachek

Laura Vorachek

At the midpoint of Mansfield Park (1814), the Bertram family dines at the Parsonage, and card games make up the after dinner entertainment. The characters form two groups, with Sir Thomas, Mrs. Norris, and Mr. and Mrs. Grant playing Whist, while Lady Bertram, Fanny, William, Edmund, and Henry and Mary Crawford play Speculation, This scene is central not only because Speculation reveals certain characters' personalities, but also because another type of “speculation” occurs during the game as the players contemplate or conjecture about one another. Moreover, “speculation” in the sense of gambling functions as a metaphor for the vicissitudes of ...


Comparative Literature: Theory, Method, Application, Steven Tötösy De Zepetnek Mar 2014

Comparative Literature: Theory, Method, Application, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

Tötösy de Zepetnek, Steven. Comparative Literature: Theory, Method, Application. Amsterdam: Rodopi, 1998. ISBN 90-420-0534-3 299 pages, bibliography, index. Steven Tötösy de Zepetnek presents a framework of comparative literature based on a contextual (systemic and empirical) approach for the study of culture and literature and applies the framework in audience studies, film and literature, women's literature, translation studies, new media and scholarship in the humanities and in the analyses of English, French, German, Austrian, Hungarian, Romanian, and English-Canadian modern, contemporary, and ethnic minority texts. Copyright release to the author in 2006.


Yiddish In Abramovitsh's Literary Revival Of Hebrew, Ken Frieden Dec 2011

Yiddish In Abramovitsh's Literary Revival Of Hebrew, Ken Frieden

Ken Frieden

No abstract provided.


World Literature As A Communal Apartment: Semyon Lipkin’S Ethics Of Translational Difference, Rebecca Gould Dec 2011

World Literature As A Communal Apartment: Semyon Lipkin’S Ethics Of Translational Difference, Rebecca Gould

Rebecca Gould

No abstract provided.


The Spoils Of War, Rebecca Gould Dec 2010

The Spoils Of War, Rebecca Gould

Rebecca Gould

“The Spoils of War,” New Writing: The International Journal for the Practice and Theory of Creative Writing (story about war and corruption in the North Caucasus, with critical introduction comparing the Chechen war to the Palestinian conflict) 82 (2011): 35-42.


Review Of The Calligrapher’S Secret By Rafik Schami, Rebecca Gould Dec 2010

Review Of The Calligrapher’S Secret By Rafik Schami, Rebecca Gould

Rebecca Gould

The Calligrapher’s Secret by Rafik Schami, Wasafiri: The Magazine of International Contemporary Writing 27 (3): 94-96.


Landslide - Interview With The Descendants Of Titsian Tabidze, Rebecca Gould Dec 2009

Landslide - Interview With The Descendants Of Titsian Tabidze, Rebecca Gould

Rebecca Gould

No abstract provided.


Becoming A Georgian Women, Rebecca Gould Dec 2009

Becoming A Georgian Women, Rebecca Gould

Rebecca Gould

No abstract provided.


Language Dreamers: Race And The Politics Of Etymology In The Caucasus, Rebecca Gould Dec 2006

Language Dreamers: Race And The Politics Of Etymology In The Caucasus, Rebecca Gould

Rebecca Gould

No abstract provided.


Michel Foucault, “Nietzsche, La Généalogie, L’Histoire,” Hommage À Jean Hyppolite, Ed. S. Bachelard, Et Al (Paris: Presses Universitaires De France), Michel Foucault Dec 1970

Michel Foucault, “Nietzsche, La Généalogie, L’Histoire,” Hommage À Jean Hyppolite, Ed. S. Bachelard, Et Al (Paris: Presses Universitaires De France), Michel Foucault

Rebecca Gould

No abstract provided.


Akhlakov, A. A. Geroiko-Istoricheskie Pesni Avartsev (Heroic-Historical Songs Of The Avars) (Makhachkala: An Sssr, Iiilgt, 1968). Full Book., A.A. Akhlakov Dec 1967

Akhlakov, A. A. Geroiko-Istoricheskie Pesni Avartsev (Heroic-Historical Songs Of The Avars) (Makhachkala: An Sssr, Iiilgt, 1968). Full Book., A.A. Akhlakov

Rebecca Gould

No abstract provided.


Erich Auerbach, "Philologie Der Weltliteratur", Erich Auerbach Dec 1951

Erich Auerbach, "Philologie Der Weltliteratur", Erich Auerbach

Rebecca Gould

"Philologie der Weltliteratur," in Weltliteratur: Festgabe für Fritz Strich zum 70. Geburtstag, ed. Walter Muschg and E. Staiger (Bern: Francke, 1952), 39-50. Translated into English as "Philology and Weltliteratur" Trans. Edward and Marie Said, Centennial Review, 1969).