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Articles 1 - 15 of 15

Full-Text Articles in Art and Design

White Noise, Chris Cohen May 2019

White Noise, Chris Cohen

Masters Theses

White Noise investigates moments when white supremacist ideology injects itself into the conversation about American Identity and American History in an attempt to co- opt those definitions and control the conversation. The exhibition considers the effects of this identity crisis on American identity, white identity, American history, and family unity. The exhibition looks at these issues through the lens of the Virginia Historical Markers program, Civil War Re-enactment, contemporary white identity politics and supremacy, monuments, educational history museums, and the artist’s personal narrative about white supremacy as it relates to his own sense of loyalty and connection to his ...

Heritage Sites, Leah Burke Jan 2019

Heritage Sites, Leah Burke

Masters Theses

A written thesis to accompany the M.F.A. Exhibition Heritage Sites, in which vignettes of the artist’s personal and familial narratives become a backdrop for examining themes such as global tourism, the notion of universal heritage, and questioning Puerto Rico as a postcolonial place. A two channel short video layers archival imagery with original material to examine the ways Puerto Rico has been represented and misrepresented personally and globally.

I Speak As One In Doubt, Margaret Hazel Wilson Jan 2019

I Speak As One In Doubt, Margaret Hazel Wilson

Masters Theses

A written thesis to accompany the M.F.A. Exhibition I Speak as One in Doubt. Blending epistolary format and visionary narrative, the artist addresses her complex relationship to her Catholic upbringing.

Existence Stories, Althea Keaton Jan 2019

Existence Stories, Althea Keaton

Masters Theses

Existence Stories is an interactive activist art project that gathers personal narratives from people about the ways in which their lives have been impacted by the current political climate in the United States, particularly surrounding the 2016 Presidential election and its aftermath. The project harnesses first-person narrative and audience participation as tools for humanizing the “Other” and building connections between people through the act of sharing stories. As the project has progressed over time, it has evolved in multiple directions and come to incorporate a variety of media, primarily comics, animation, printmaking, and zines. The roles that reproduction, distribution, and ...

Fielding, Emily Tareila Jan 2019

Fielding, Emily Tareila

Masters Theses

Fielding is an ongoing exploration of place-making, spaces of learning and relationship building in formal and informal learning environments. The project is comprised of a series of events and workshops that are embodied, multimodal, olfactory and engagement-focused and a mobile cart that helps to facilitate these happenings both in and out of the formal gallery space. I regard my art practice as pedagogical, a blurring of art and life into intentional ways of being in the world; an experience of sharing practices with others and a form of what is regarded in institutionalized art as social practice. I find art ...

Meatspace, Nicholas M. Criscuolo Jan 2019

Meatspace, Nicholas M. Criscuolo

Masters Theses

“MeatSpace” is a group of related bodies of work including podcasts, prints and videos produced by working with simulation technologies such as “weak A.I.”, virtual reality, and 3d scans. Collectively the works explore how people relate to these technologies and how they relate to us. They share thematic or process-oriented sensibilities involving a series of rule-based steps that alternate between the procedural and the intentional. “Uncanny” is defined as strangely familiar. Something which falls in the Uncanny Valley feels wrong, but the reasons may be difficult to articulate. “MeatSpace” is an ongoing experiment to see where our own digital ...

Mantle, David Hannon Jan 2018

Mantle, David Hannon

Masters Theses

Through a large-scale installation called mantle, I explore how the queer body becomes uncanny to the home through a human sized dollhouse and using scenic design ideas. Home for many is a safe place, but for queers, it can be a difficult one, wrought with not belonging in a childhood of heteronormativity. Being stuck in that heteronormative space is what I communicate through a stage set, composed of four theater flats, printed and collaged wallpaper, free-standing photos mounted on MDF, a giant necklace in a separate room, and impromptu pieces made in the space.

Transit, Christopher Janke Jan 2018

Transit, Christopher Janke

Masters Theses

This written thesis, transit, accompanies an exhibition by the same name and serves to contextualize the exhibit. The written portion begins with an inquiry into the nature of the contextualization itself, questioning the nature of the relationship between the written thesis, the exhibit, and the University which explicitly requires and connects the two, especially the ways that the written word as granted authority through an institution of higher education might undermine the exhibit’s intent to provoke thought into other forms of knowledge and other avenues of legitimacy than those presented by this institution.

The thesis discusses the philosophic question ...

Shift; Explorations In A Changing Sense Of Self, Tara J. Ott May 2016

Shift; Explorations In A Changing Sense Of Self, Tara J. Ott

Masters Theses

In my art practice I am exploring how my “sense of self” changes as both the external and internal factors continue to shift throughout the stages of my life. I have centered on two main themes: personal experiences connected to gender that are based on the female body and changes in the formation of social identity in relation to others who are part of my life. My work mainly revolves around self-portraiture and reflections of my life, usually expressed through photography, video, painting and sculptural installations. In some bodies of work, however, I have used other women or people from ...

Primate Aesthetics, Chelsea L. Sams Jan 2016

Primate Aesthetics, Chelsea L. Sams

Masters Theses

A cultural, historical, and scientific survey of the phenomena of primate pictorial behavior, presented in a series of interconnected vignettes. What do primates find visually appealing? What is their motivation when creating images? What are the implications for art and for science? By drawing explicit and implicit connections between science, art, case studies, research, and personal narrative, I attempt to weave together what we know, and what we may never be able to know about this complex field.

The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond May 2015

The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond

Masters Theses

The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, I ...

A Step Of Two Or The Pas De Deux, Molly A. Hoisington Jan 2015

A Step Of Two Or The Pas De Deux, Molly A. Hoisington

Masters Theses

The second part of a two-part MFA Thesis presentation, this paper distills the content from the preceding exhibition A Step of Two or The Pas de Deux: an installation of paintings, drawings and projected video. It touches on various themes that surround [well researched] ideas about perception, dissociation, the gaze, and relationships. Most of all, this paper and the body of work it describes is about the visual representation of a sensual understanding of the world.

Navigating The Interim, Joseph E. Saphire Jr Jan 2015

Navigating The Interim, Joseph E. Saphire Jr

Masters Theses

Navigating the Interim attempts to build a framework for the ways in which visual art, media studies, and forms of social practice might intermingle within a career in the arts, as well as within a thorough art education curriculum. From broad theoretical analysis to the specificity of technical exercises and prompts, this paper serves as a roadmap for the ways in which production, teaching, and organizing might begin to merge into a single holistic practice. The author’s projects provide an anchor from which to analyze the various conceptual trajectories of art that have stemmed from modernism throughout the 20th ...

Isolation Nation: Representations Of The United States In The Photographs Of Rémi Noël, Pascal Aimar, Yves Marchand And Romain Meffre, Mary Elizabeth Downing May 2014

Isolation Nation: Representations Of The United States In The Photographs Of Rémi Noël, Pascal Aimar, Yves Marchand And Romain Meffre, Mary Elizabeth Downing

Masters Theses

Visions of America vary greatly. There is an extensive variety found in foreign and domestic portrayals of the United States and these representations are affected by both pro and anti-American ideologies. Such juxtapositions can be found in contemporary French photography. In analyzing the works of photographers, Rémi Noël, Pascal Aimar, as well as the collaborative works of Yves Marchand and Romain Meffre, I will argue that their vision of America is influenced by their own perceptions and their viewpoint as French artists. These photographers seek to picture their versions of Texas, Detroit, and New York in ways that reveal aspects ...

Instead Of A Resolution, Nour Ghassan Bishouty Jan 2014

Instead Of A Resolution, Nour Ghassan Bishouty

Masters Theses

Instead of a Resolution

explores the functions of narrative as an accumulative, simplified

and indexed order of elements (events, persons, objects and times,) through personal or

family histories. Each work in the exhibition, in its own way, locates and/or fabricates

connections between inside/outside, private/public, and individual/collective.