Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 61 - 67 of 67

Full-Text Articles in Art and Design

Textilnet.Dk – A Toolkit For Terminology Research And Presentation, Susanne Lervad, Tove Engelhardt Mathiassen Jan 2017

Textilnet.Dk – A Toolkit For Terminology Research And Presentation, Susanne Lervad, Tove Engelhardt Mathiassen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Since February 2015, the digital dictionary or term database, textilnet.dk, has been accessible on the Internet.1 The purpose of this paper is to present the background and methods of this pilot project. Since 2010, the project has collaborated with The Danish National Research Foundation’s Centre for Textile Research (CTR), University of Copenhagen, and has gained moral support from Sabine Kirchmeier-Andersen, director of Dansk Sprognævn, the Danish National Language Advisory Committee.2 From 2011 to 2015, we have been working with generous funding from the Danish Ministry of Culture. The objective of textilnet.dk is to preserve and ...


Conceptualizing Greek Textile Terminologies: A Databased System, Kalliope Sarri Jan 2017

Conceptualizing Greek Textile Terminologies: A Databased System, Kalliope Sarri

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

One of the major challenges in costume and textile research is dealing with the vast number of terms related to textiles and garments, especially because similar terms are found in different languages and dialects, in various regions and over long periods of time, where they have survived in a complicated network of linguistic and cultural interrelations. There have been many attempts to collect textile terms in glossaries as parts of costume studies or as parts of museum archival projects. These glossaries however are usually limited to specific topics, geographical areas, languages, and time periods.

Creating a diachronic and global costume ...


Irritating Byssus – Etymological Problems, Material Facts, And The Impact Of Mass Media, Felicitas Maeder Jan 2017

Irritating Byssus – Etymological Problems, Material Facts, And The Impact Of Mass Media, Felicitas Maeder

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Byssus and sea-silk made of the fibre beard of the Pinna nobilis – zoologically called byssus – have both become subjects of scholarly interest in the last decade. The subject is discussed not only in scientific books and journals, but also in mass media around the world. Although scientific research has clarified some old misunderstandings, the double meaning of the term byssus has created new doubts and scepticism in the scholarly debate, bearing the danger of new, additional erroneous interpretations. This article recapitulates the present state of knowledge and calls attention to the consequences of assumed ‘old/new knowledge’ entering the scientific ...


The Oscillum Misunderstanding, Francesco Meo Jan 2017

The Oscillum Misunderstanding, Francesco Meo

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In this passage the Latin term oscillum refers to a particular class of objects: a small face or mask hung on trees during certain religious feasts celebrated by the Ausones in honour of Bacchus (Fig. 1). The Roman oscilla most probably derives from the Aἰῶραι, small images related to Dionysus hung on trees during the Aἰῶρα, an Athenian public feast. They were believed to purify the air as they swung in the wind. Both the Greek and the Latin words refer to objects used during particular sacred feasts, in the first case public and in the second case private, inside ...


Baye Fadioul Niang: A Brief Biography Of An Ebeniste In Senegal, Katie J. Niang May 2013

Baye Fadioul Niang: A Brief Biography Of An Ebeniste In Senegal, Katie J. Niang

Interior Design: Student Creative Activity

Baye Fadioul Niang described himself as a traditional European designer of wood furniture, doors, and trim. In 1945, at age 22, Fadioul began designing furniture as an apprentice in the state labor department of Kaolack. He settled in Dakar, where Fadioul not only designed and constructed furniture, but was a popular informal educator in the business. His furniture shop became a center for education in Menuserie and Ebenisterie, which is the art of furniture making. In 2005 Fadioul retired from furniture making because of deteriorating eyesight.

Includes photos taken in February 2013 in Dakar, Senegal.


The Logic Of Objects, David B. Eichelberger Jan 2010

The Logic Of Objects, David B. Eichelberger

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

The human mind assimilates information and experiences quickly and constantly, and is aided by mental systems that we rely on to function. We classify the input of our lives with extreme efficiency. Our notions about the things we encounter in the world are learned from past experiences, and these expectations help us file the data of our lives. My work is composed to create pause. I am interested in slowing down the processes of assimilation by manipulating our expectations, and extending events measured in microseconds into saturated and engaging experiences. Functional qualities, visual rhythms, and exaggerated proportions are some of ...


Paintings And Drawings In Willa Cather's Prose: A Catalogue Raisonné, Polly P. Duryea May 1993

Paintings And Drawings In Willa Cather's Prose: A Catalogue Raisonné, Polly P. Duryea

Dissertations, Theses, and Student Research: Department of English

Paintings and Drawings in Willa Cather's Prose: A Catalogue Raisonné considers the specific artists and their visual art that greatly influenced Willa Cather's textual compositions. The Catalogue draws upon the author's research of Cather-related art from both American and European libraries and art museums. This art includes painting, drawing, illustration, and tapestry. A detailed and alphabetized list of selected artists and paintings that Cather preferred is provided. The artists are cross-referenced with Cather's own statements about their work or style. Included is biographical data for each artist, the named work of art, and often the date ...