Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 6 of 6

Full-Text Articles in Art and Design

Mybarrio: Emigdio Vasquez And Chicana/O Identity In Orange County, Natalie Lawler, Denise Johnson, Marcus Herse, Jessica Bocinski, Manon Wogahn Sep 2017

Mybarrio: Emigdio Vasquez And Chicana/O Identity In Orange County, Natalie Lawler, Denise Johnson, Marcus Herse, Jessica Bocinski, Manon Wogahn

Exhibition Catalogs

"Emigdio Vasquez created artwork that challenged Orange County’s more prominent narrative of wealthy beachside neighborhoods. He painted the brown bodies and brown histories that defined our earliest communities and economy... Vasquez produced much of the local art history that Orange County should be known for and should protect. It is with this perspective that Chapman University is proud to present the exhibition, My Barrio: Emigdio Vasquez and Chicana/o Identity in Orange County, in conjunction with the Getty Pacific Standard Time: LA/LA initiative. We hope to initiate discourse not only about Vasquez’s prolific career, but also about ...


Freed From Fascism: Berlin's Gallery Culture In The Aftermath Of World War Ii, Brooke Fessler May 2017

Freed From Fascism: Berlin's Gallery Culture In The Aftermath Of World War Ii, Brooke Fessler

Student Scholar Symposium Abstracts and Posters

In post-World War II Germany, the city of Berlin was left in ruin after six years of war. A nation ripped apart both physically and at its governmental core was finally freed from Nazi fascism in 1945, and the German people were finally able to reconstruct their culture. Born out of years of strict regulation of the German art world, a new type of art was put on display. Focusing specifically on gallery culture in Berlin in the post-war years, one can see how twelve years of classically influenced Nazi art gave way to a push towards the avant-garde. The ...


French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat Dec 2016

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I ...


Francisco Pedro Do Amaral (C. 1780-1830), Amy J. Buono Jun 2016

Francisco Pedro Do Amaral (C. 1780-1830), Amy J. Buono

Art Faculty Books and Book Chapters

A biographical essay on Francisco Pedro do Amaral (c. 1780–1830), Afro- Brazilian painter, stage designer, and decorative artist.


Pavel Tretiakov’S Icons, Wendy Salmond Jun 2014

Pavel Tretiakov’S Icons, Wendy Salmond

Art Faculty Books and Book Chapters

"Between 1890 and his death in 1898, the Moscow art collector Pavel Tretiakov acquired sixty-two icons of the sixteenth and seventeenth centuries. With this comparatively late entry into the world of icons, Tretiakov laid the foundation for one of the world’s greatest collections of medieval Russian paintings. Why is it, then, that Tretiakov’s icons are today so rarely mentioned and so hard to find? The most practical explanation is that they were simply swallowed up into the vast repositories of the reorganized State Tretiakov Gallery in 1930, along with thousands of icons from churches and private collections nationalized ...


Gunther Gerzso: Chronology; Bibliography; Exhibitions; Filmography; And Scenography, Amy J. Buono Jan 2003

Gunther Gerzso: Chronology; Bibliography; Exhibitions; Filmography; And Scenography, Amy J. Buono

Art Faculty Books and Book Chapters

Dr. Buono wrote the Chronology and Bibliography, Exhibitions, Filmography, and Scenography sections for the catalogue for the "Risking the Abstract: Mexican Modernism and the Art of Gunther Gerzso" exhibition at the Santa Barbara Museum of Art.