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Full-Text Articles in Art and Design

Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, Alyson Brandes May 2019

Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, Alyson Brandes

Student Scholar Symposium Abstracts and Posters

During the Portuguese rule of Dom Pedro II until 1889, through the years of the First Brazilian Republic (1889-1930) and into the First Vargas Regime (1930-1945), Brazil struggled to solidify a strong national identity that would finally unify the country and legitimize its rich cultural heritage. The discovery and excavation of Marajó Island in the 1870s provided evidence of a great, ancient civilization, and inspired Brazilian Art Deco and early Modernist artists. Polychrome ceramic urns, vessels, and tangas (female pubic covers) were among the most abundant archaeological finds, many with zoomorphic and geometric motifs that show the cultural importance of ...


Keith Haring: Silence = Death, Nellie Jalalian May 2019

Keith Haring: Silence = Death, Nellie Jalalian

Student Scholar Symposium Abstracts and Posters

The American aids crisis is one of the most important epidemics of the contemporary world, yet many americans do not know the severity of the crisis or the true lasting effects on recent society. In my project I will go over personal accounts of individuals directly affected by the illness, like famed artist Keith Haring, to give it a more human perspective. I will also reflect on the art that was created at the time, and how that was reflective on the people affected. Aids is an immunodeficiency virus that has been proven difficult to diagnose in the early on ...


Review Of Visual Voyages: Images Of Latin American Nature From Columbus To Darwin, Amy Buono Apr 2019

Review Of Visual Voyages: Images Of Latin American Nature From Columbus To Darwin, Amy Buono

Art Faculty Articles and Research

A review of Daniela Bleichmar's Visual Voyages: Images of Latin American Nature from Columbus to Darwin.


Exhibition Review: “Valeska Soares: Any Moment Now”, Amy Buono Feb 2018

Exhibition Review: “Valeska Soares: Any Moment Now”, Amy Buono

Art Faculty Articles and Research

A review of Valeska Soares' exhibition titled "Any Moment Now" at the Santa Barbara Museum of Art and later the Phoenix Art Museum in 2017 and 2018.


"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono Jan 2018

"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono

Art Faculty Articles and Research

"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."


Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono Aug 2017

Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono

Art Faculty Articles and Research

A review of Peruvian Featherworks: Art of the Precolumbian Era, edited by Heidi King.


Freed From Fascism: Berlin's Gallery Culture In The Aftermath Of World War Ii, Brooke Fessler May 2017

Freed From Fascism: Berlin's Gallery Culture In The Aftermath Of World War Ii, Brooke Fessler

Student Scholar Symposium Abstracts and Posters

In post-World War II Germany, the city of Berlin was left in ruin after six years of war. A nation ripped apart both physically and at its governmental core was finally freed from Nazi fascism in 1945, and the German people were finally able to reconstruct their culture. Born out of years of strict regulation of the German art world, a new type of art was put on display. Focusing specifically on gallery culture in Berlin in the post-war years, one can see how twelve years of classically influenced Nazi art gave way to a push towards the avant-garde. The ...


Ellis H. Minns And Nikodim Kondakov’S The Russian Icon (1927), Wendy Salmond Jan 2017

Ellis H. Minns And Nikodim Kondakov’S The Russian Icon (1927), Wendy Salmond

Art Faculty Books and Book Chapters

"Kondakov’s magnum opus [The Russian Icon] failed to win an audience. Though it appeared just in time for a surge of popular interest in Russian icons abroad, it never became the book of choice for the English-speaking public seeking a guide through the ‘dark forest’ of the icon’s history... My chapter offers some suggestions for why this crude caricature of Kondakov’s work took hold in the 1920s and became axiomatic throughout the Soviet period. In particular, it considers the role that Minns’s translation may have played, however inadvertently, in cementing this impression. Minns’s interventions in ...


French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat Dec 2016

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I ...


Embroidery In The Circle Of The Last Romanovs, Wendy Salmond Jan 2016

Embroidery In The Circle Of The Last Romanovs, Wendy Salmond

Art Faculty Articles and Research

This article essay examines the liturgical embroideries associated with the Empress Alexandra Fedorovna and her sister Grand Duchess Elizaveta Fedorovna. It suggests that the sisters’ needlework for sacred purposes was invested with a significance not seen in elite Russian society since the late seventeenth century. At a time when the arts of Orthodoxy were undergoing a state-sponsored renaissance, who was better suited to lead the resurgence of liturgical embroidery than the wife and sister-in-law of the Emperor, the last in a long line of royal women seeking to assert their piety and their power through traditional women’s work? In ...


Capomastro And Courier: Giacomo Borzacchi And Bernini's Equestrian Statue Of Louis Xiv In Transit, Karen J. Lloyd Oct 2015

Capomastro And Courier: Giacomo Borzacchi And Bernini's Equestrian Statue Of Louis Xiv In Transit, Karen J. Lloyd

Art Faculty Books and Book Chapters

"On February 24, 1684, Giacomo Borzacchi was given small iron pegs and wooden wedges by the members of the Fabbrica (Building Works) of St. Peter's, "which he needs for the armature that he is making for the horse and statue of the King of France."1 Borzacchi was a kind of handyman-a mason and engineer-who was in the regular employ of the Fabbrica for almost 30 years. His project in 1684, the "armature," must have been the wooden support structure needed to safeguard Gian Lorenzo Bernini's equestrian statue of French King Louis XIV on its long trip to ...


Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono Jan 2015

Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono

Art Faculty Articles and Research

"In this essay, I use three nontraditional forms from the visual culture of colonial Brazil—Tupinambá featherwork, Portuguese Atlantic mandinga pouches, and azulejos (tilework)— in order to meditate upon materiality and temporality as methodological problems with which our discipline should engage. Each of these art forms has historical trajectories that span cultures, continents, and centuries, a circumstance that raises questions as to how such diverse and stubbornly nonhistoricizable genres can be melded into a coherent historical narrative of the visual and material cultures specific to 'Brazil,' especially when two of them — the mandinga bags and azulejos — are not intrinsically Brazilian."


Interpretative Ingredients: Formulating Art And Natural History In Early Modern Brazil, Amy Buono Dec 2014

Interpretative Ingredients: Formulating Art And Natural History In Early Modern Brazil, Amy Buono

Art Faculty Articles and Research

"In this article I look at two early modern texts that pertain to the natural history of Brazil and its usage for medicinal purposes. These texts present an informative contrast in terms of information density and organization, raising important methodological considerations about the ways that inventories and catalogues become sources for colonial scholarship in general and art history in particular."


Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono Jan 2013

Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono

Art Faculty Articles and Research

A review of Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, edited by Daniela Bleichmar and Peter C. Mancall.


An Imperial Collection: Exploring The Hammers' Icons, Wendy Salmond Jan 2013

An Imperial Collection: Exploring The Hammers' Icons, Wendy Salmond

Art Faculty Books and Book Chapters

"Changing hands one last time, in the 1950s, for many years the icons at BJU lived as it were incognito, the details of their glamorous origins largely forgotten. Reuniting this core group-the cream of the Hammers' imperial icons--with others that passed into American museums in the 1930s allows us to appreciate the full significance of Armand and Victor Hammer's foray into marketing icons Americans.Viewed in isolation, most of their "imperial icons" are perhaps no mo than a poignant reminder of the vast destruction and dislocation of Orthodox culture during the Soviet Cultural Revolution. Taken together, however, they paint ...


Crafts Of Color: Tupi Tapirage In Early Colonial Brazil, Amy Buono Jan 2012

Crafts Of Color: Tupi Tapirage In Early Colonial Brazil, Amy Buono

Art Faculty Books and Book Chapters

"Tyrian purple. Lamp black. Lead white. Cadmium yellow. Ultramarine blue. The materiality of color, as it is often discussed, has a fixed quality. Pigments and dyes derived from many natural substances-minerals, earths, plants, and animals-have stable optic qualities. Lapis lazuli can be reliably counted upon to be blue. Dyes made from cochineal consistently fall within a certain range at the red end of the spectrum. Similarly, we might expect that the green feathers of a bird such as the Festive Parrot (Amazona festiva), after molting, would be replaced by equally green plumes. As the excerpt above suggests, from a letter ...


The Only Way Out Is Through, Lia Halloran Jan 2010

The Only Way Out Is Through, Lia Halloran

Art Faculty Creative Works – Exhibitions

"DCKT Contemporary is pleased to present LIA HALLORAN’s third New York solo exhibition. The exhibition includes new paintings of crystal caves and personified icebergs, along with ink on vellum works. HALLORAN uses science and the natural world to map out physical and psychological spaces in her painting and addresses time in ways that stretch our notions of perception."

This exhibition can also be viewed on DCKT's website.


Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd Jan 2010

Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd

Art Faculty Articles and Research

This article focuses on the artistic relationship between Baciccio and Gian Lorenzo Bernini.


Russian Icons And American Money, 1928-1938, Wendy Salmond Jan 2009

Russian Icons And American Money, 1928-1938, Wendy Salmond

Art Faculty Articles and Research

The article explores the marketing tactics and consumer expectations with regards to icons released in the street markets and provincial cities of Soviet Russia and acquired by American collectors from 1928-1938. These icons, including those from Byzantium in the tenth century, were seen as cultural commodities during the Russian revolution and the subsequent socialist construction. The Soviet apparatus Antikvariat was tasked with appraising the icon collections held by the Gosmuzeifond or the State Museum Reserve for exports.


William Pope L. At Santa Monica Museum Of Art, Micol Hebron Nov 2007

William Pope L. At Santa Monica Museum Of Art, Micol Hebron

Art Faculty Articles and Research

This article focuses on William Pope's three part installation Art After White People: Trees, Time & Celluloid.


Elizabeth Tremante At Central Utah Art Center, Micol Hebron Nov 2007

Elizabeth Tremante At Central Utah Art Center, Micol Hebron

Art Faculty Articles and Research

This article focuses on painter Elizabeth Tremante and her exhibit that showcases art of the discord between urban and rural viewpoints.


Vija Celmins At The Hammer Museum, Micol Hebron Jul 2007

Vija Celmins At The Hammer Museum, Micol Hebron

Art Faculty Articles and Research

This article focuses on Vija Celmins drawings and photography that deals with the theme of finding one's place in the universe.


Wack! Art And The Feminist Revolution At Moca, Micol Hebron May 2007

Wack! Art And The Feminist Revolution At Moca, Micol Hebron

Art Faculty Articles and Research

This article focuses on an art exhibit featuring works of feminist art throughout the 1960s and 1970s.


Incendiary Postcard Art, Micol Hebron Mar 2007

Incendiary Postcard Art, Micol Hebron

Art Faculty Articles and Research

This article explores Susan Stilton's art project of mailing postcards with messages from the American military in Iraq and colors coordinated to terror alert levels.


Review Of Paul Pfeiffer At Mc Kunst, Micol Hebron Mar 2007

Review Of Paul Pfeiffer At Mc Kunst, Micol Hebron

Art Faculty Articles and Research

This article focuses on Pfeiffer's "Four Horsemen of the Apocalypse" series as they explore notions of spectacle and spectatorship.


Dark Skate, Lia Halloran Jan 2007

Dark Skate, Lia Halloran

Art Faculty Creative Works – Exhibitions

"The ten photographs on view were taken at night in various Los Angeles locations ranging from spaces appropriated by skateboarders, such as the Los Angeles River, to skate parks and backyard ramps.

The works blur the boundaries of photography and become self-portraits and drawings as well as records of performances. Light is used to form the drawing line while HALLORAN skateboards at night through different venues. The resulting images are each a trajectory of the artist’s movements over time. The photographs pair urban environments with lines of light which behave as physical objects or break apart into flurries of ...


The Solomenko Embroidery Workshops, Wendy Salmond Jul 1987

The Solomenko Embroidery Workshops, Wendy Salmond

Art Faculty Articles and Research

This article reevaluates the Solomenko Embroidery Workshops in the context of late nineteenth century Russia's rapid establishment of art colonies and centers dedicated to restoring the handicraft industries of the kustar.