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Articles 1 - 14 of 14

Full-Text Articles in Art and Design

Saying Goodbye To Grandma, Courtney A. Brown Dec 2018

Saying Goodbye To Grandma, Courtney A. Brown

Comparative Woman

No abstract provided.


Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp Oct 2018

Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp

Masters Theses

Abstract

Remains to be Seen, a multi-media installation, provides the opportunity for reconfiguration, re-contextualization and re-remembering of visual memory. Geoffry Cubit, a historian of memory, has noted that “memory has no fixed, stable, unitary meaning to which we can invariably recur: it has always been, and legitimately, a concept in flux and under review”.[1]My work in this exhibition (and as discussed throughout this paper) addresses the unstable and revisionist nature of memory—both culturally and individually. Additionally, I attempt to address how memory (collective, visual, familial and individual) is implicated in the creation of selfhood, of personal narrative ...


Nirmal Raja Interview, Dalton Campbell Jun 2018

Nirmal Raja Interview, Dalton Campbell

Asian American Art Oral History Project

Artist Bio: Nirmal Raja is an interdisciplinary artist living and working in Milwaukee, WI. Born in India, she has lived and traveled in several countries. Raja received a Bachelor’s of Arts in English Literature in India, a Bachelor’s of Fine Arts in Painting at the Milwaukee Institute of Art & Design and a Master’s of Fine Arts at the University of Wisconsin, Milwaukee. Her work deals with concepts of displacement, cultural negotiation and memory. http://nirmalraja.com


Tightrope Walking On The Red Lines, Arghavan Khosravi Jun 2018

Tightrope Walking On The Red Lines, Arghavan Khosravi

Masters Theses

My work is deeply connected to my own personal experience of the culture and politics of my homeland of Iran. I was born and raised in Iran in a nonreligious family. I experienced the first decade after the 1979 Islamic Revolution as a child. The hardliners had taken power, society suffered tremendous suppression, and Iran was at war with Iraq. My memories are filled with so many occasions in which the dominance of the oppressive regime affected my daily life, from being forced to wear a headscarf in elementary school, to being required to pray and recite the Quran at ...


Circle, Loops, Straps, Tracks, Towels, Laura Thatcher Jun 2018

Circle, Loops, Straps, Tracks, Towels, Laura Thatcher

Masters Theses

When running, thoughts come and go and disappear otten before I can solidify them. I can only really hang onto a few but it's liberating because it allows my mind to leap from one thing to the next by way of lucidity. This brings an experience of felt time or the sensation of time passing. I can slide rhythmically from the haptic to the elusive while passing quickly through places and ambiences.


The Contested Landscapes Of Mnemosyne : Constructing Maps Of Memory, Valeria Rachel Herrera Jun 2018

The Contested Landscapes Of Mnemosyne : Constructing Maps Of Memory, Valeria Rachel Herrera

Masters Theses

This is an unbound portfolio UV printed on plexiglass containing fragments and scenes from my master’s thesis The Contested Landscapes of Mnemosyne - Constructing Maps of Memory.


Home Is, Jodie Masterman Jun 2018

Home Is, Jodie Masterman

LSU Master's Theses

As an exploration of family and personal history, Home is. aims not only to chronicle my own experiences and memories, but to touch upon the innumerable definitions of the word “home”. The objects are rooted in personal reflection, but each one refers to an aspect of play, identity, love, loss, or regret, inherent within any family. Although they do serve as a blueprint of my life, they are meant to stand as moments shared by all.


Design As An Accompaniment To Performance Art: Incorporating Imagery To Amplify Emotional Impact, Brianna O'Neal Jun 2018

Design As An Accompaniment To Performance Art: Incorporating Imagery To Amplify Emotional Impact, Brianna O'Neal

Masters Theses

Design as an Accompaniment to Performance Art: Incorporating Imagery to Amplify Emotional Impact is an investigation of how graphic design can be used to increase the emotional impact of a performance art piece, such as spoken word or music. The research indicates that memory plays a significant role in informing the emotion felt. The felt emotion then allows the viewer to form a perspective on the artistic piece as a whole. However, it is important to note that an individual’s memory cannot be controlled by the artist. Therefore, it is necessary for the artist to place a direct focus ...


Dearest, Grace Tessein May 2018

Dearest, Grace Tessein

LSU Master's Theses

Dearest is the examination of what remains of a person, looking to the objects they cherished most while contemplating the inevitability of their certain absence. The work questions the futility of preservation in the measure of time, the failure of memories held in fragile containers, and the decay of the physical body. The materials that compose Dearest are chosen for their innate longevity and their ability to evoke remembrance.


Mind In Hand, Anna Olson May 2018

Mind In Hand, Anna Olson

Bachelor of Fine Arts Senior Papers

This thesis explores the intersection of art and psychology as it manifests in my art practice, particularly in the medium of weaving. The contemporary frameworks of memory and archive provide the basis of this discussion, as well as findings from the field of Art Therapy. Difficult emotions like loss and grief often show up in my work, and I will discuss how artists like Felix Gonzalez-Torres and Sophie Calle also utilize these concepts. In weaving, I capture my internal mental states, memories, and perceptions of the future in a variety of found and gifted objects. Guided by the precedents set ...


Observance | A Passage, Charis Schneider Norell May 2018

Observance | A Passage, Charis Schneider Norell

Graduate School of Art Theses

My art practice consists of drawing with fibers within handcrafted frame looms. I position these drawings as expanded, three-dimensional “drawing spaces,” creating medium-scale installations. I wish to expand drawing’s definition beyond its traditional material limits to simply be the process of leaving marks. Fiber is my medium, and the space within the frame loom’s warp and weft becomes my support. I see the drawing process to be the gestural residue of thought, and call these works my “fiber drawings.” While I use traditional weaving methods and materials as I work, I do not call myself a weaver. I ...


If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation Of Objects, Encounters And The Passage Of Time, Sara Weininger May 2018

If My Grandmother Had Wheels She'd Be A Trolley Car: The Accumulation Of Objects, Encounters And The Passage Of Time, Sara Weininger

Graduate School of Art Theses

The house is the structure. Within the house are rooms, spaces, hallways and corners. In those live the objects.The objects live on surfaces, surfaces that much like the previous layers, are made up of many things, most certainly not one thing. A static object may hold a series of other objects, spaces and events. A static object may also embody the passage of time.Though one may try to hold the object at a constant, that is to slow or even bring a halt to its motion, this task is near impossible.

Bird Box House, Bear Box Dresser, Lamp ...


“Lately, I’Ve Been Feeling Distraught” Self And Fear, Jelena Prljevic Jan 2018

“Lately, I’Ve Been Feeling Distraught” Self And Fear, Jelena Prljevic

MFA Statements

No abstract provided.


In Search Of Communication, Usman O. Oladeinde Jan 2018

In Search Of Communication, Usman O. Oladeinde

Electronic Theses and Dissertations

This thesis examines the work included in Usman Oladeinde’s MFA thesis exhibition. The goal of this thesis paper is to explore major themes such as communication, identity, change, centeredness, landscapes, and language. These paintings present Arabic letter forms transformed into illegible shapes which are painted on landscape backgrounds, often depicting an aesthetic of textual elements receding into space. All these works are inspired by the Qibla, which is represented in the abstract and painted using acrylic media. Occasionally image transfers are mounted on the painted surface.

Visual representations like mine are communicative without forcing the viewer to one specific ...