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Articles 1 - 16 of 16

Full-Text Articles in Art and Design

Braque And Picasso In The Dark Years: A Comparative Consideration Of The Still-Life Paintings Completed During The Occupation Of Paris, 1940-1944, Shelley Demaria Aug 2018

Braque And Picasso In The Dark Years: A Comparative Consideration Of The Still-Life Paintings Completed During The Occupation Of Paris, 1940-1944, Shelley Demaria

School of Arts & Sciences Theses

This thesis examines the work and actions of Georges Braque and Pablo Picasso throughout the Occupation of Paris during World War II, and in doing so, aims to demonstrate that the two artists were more closely aligned in wartime comportment and artistic production than the current scholarship might indicate.


On Memory And The Radical Black Imagination, Todd Thomas May 2018

On Memory And The Radical Black Imagination, Todd Thomas

School of Arts & Sciences Theses

On Memory and the Radical Black Imagination is an exploration of the personal, sociological, and historical elements contained within the art of T. Eliott Mansa (Todd Eliott Thomas) Mansa examines the memorialization of black death and the radical black imagination. included are illustrations of specific art works and descriptions.


Ruin Runes, Justin Cloud May 2018

Ruin Runes, Justin Cloud

School of Arts & Sciences Theses

My work probes masculine fetishization around vehicles, competition, and survivalism through sculptural intervention of industrial material. I address the implication of market driven lifestyles specifically pertaining to gendered notions of the male ego. Vehicles, sneakers, sculptural arrangements and survival gear all function as manifestations of masculine forms reconstructed and reassessed.


Double Splinters, Theresa M. Daddezio May 2018

Double Splinters, Theresa M. Daddezio

School of Arts & Sciences Theses

Awareness of matters outside oneself can be heightened by a repetitive task, one that requires a meditative focus on the rudimentary of movement. The construction of a line is a projection from a fixed point that creates a multiplicity of lines, synapses, and connective fabric in the mind that project outward to any possible or arbitrary point. When assembling our reality, our eyes operate as the mediators of such points, drawing in visual clues to the world around us. Sight is composed from the movement of light particles alongside of individual and collective memories that construct what is.


Private Rainbows, Mikey F. Estes May 2018

Private Rainbows, Mikey F. Estes

School of Arts & Sciences Theses

I make art that refers to how the self is mediated through structures, objects, and images — a kind of self-portraiture that circles around its subject, reflecting a state of simultaneous formation and disintegration. Over the past few years, I have used my iPhone as a tool to make images of everyday life. As the user of this device, I am defined by both my presence and absence. I am interested in the process of locating the self within the scattered yet ordered space of the screen.


The Artwork As A Surrogate For Living, Julia Christina Korneffel May 2018

The Artwork As A Surrogate For Living, Julia Christina Korneffel

School of Arts & Sciences Theses

The picture plane is a lived experience in which I aim to arrive at a precision of forms and colors that reveal the process, result and content of my reductive sensibility in painting. My thesis discusses my work relative to the influences of Cy Twombly, Agnes Martin and Mary Heilmann.


Painting Through Time And Space, Michelle O'Connell May 2018

Painting Through Time And Space, Michelle O'Connell

School of Arts & Sciences Theses

By questioning painting-as-object, I arrive at capturing painting in time. Digital editing and projecting onto paintings and screens in space creates an overlapping of timecodes. With this environment, I aim to create an experience of painting and travel that is non-linear and multi-directional.


Layered Histories, Interpretive Desires, Rachelle Dang May 2018

Layered Histories, Interpretive Desires, Rachelle Dang

School of Arts & Sciences Theses

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.


“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales May 2018

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

School of Arts & Sciences Theses

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.


Construction Narratives, Pablo M. Diaz May 2018

Construction Narratives, Pablo M. Diaz

School of Arts & Sciences Theses

The whiteness of this work proposes a state of preparation for the painting to begin. However, it is the lighting of the room that completes it, adding a wider range of tones. The white wall of the gallery is also incorporated into the work by the opening slit. Additionally, the slit becomes a contrapposto pose, showing the space between bent knees as found in paintings of Saint Sebastian.


Rror, Carter D. Johnson May 2018

Rror, Carter D. Johnson

School of Arts & Sciences Theses

Building on common definitions of terms such as machine, human, and code, this paper presents a strategy for an art practice that engages with data that has been processed and the processor as actor or character. Material is presented in such a way that rules, guidelines, logic, code, coherence may be viewed as tools to be employed for the use of obtaining and retaining power and control. Presenting digital technologies not only as a mediating force upon physical bodies but also a part of those bodies, and, furthermore, as abject and thus positioned outside an ideological structure of consumer technology ...


Making Sounds, Patrick Costello May 2018

Making Sounds, Patrick Costello

School of Arts & Sciences Theses

Using collaboration and performance as tools, I situate my personal story, my body, and my skills and interests within a contemporary landscape that is intersectional, full of partialities, and rooted in evolving ecologies.


Polaroid Access, Becky Jane Rosen May 2018

Polaroid Access, Becky Jane Rosen

School of Arts & Sciences Theses

In her thesis statement, Becky Jane Rosen discusses the relationships between photography, family, and the psyche through her recent paintings and artistic influences.


Long Vacation In Bk, Doll Chao Jan 2018

Long Vacation In Bk, Doll Chao

School of Arts & Sciences Theses

The diary of a transcontinental search for self and place, a journey through obtuse politics, cultural oppression, and loneliness - this film is the document of a lost generation of Taiwanese youth and its conflict with China, swirling in a transpacific gyre of sound, image, and text.


Xu Zhen & Madein Company: The Phenomenon Of Artist-Company, Qianfan Gu Jan 2018

Xu Zhen & Madein Company: The Phenomenon Of Artist-Company, Qianfan Gu

School of Arts & Sciences Theses

The thesis is about the phenomenon of "artist-company" -- commercial methodologies employed by contemporary artists are determining their artworks. Taking XuZhen as a case study, it attempts to understand the phenomenon through aspects including art autonomy and institutional theories. It argues that "artist-company" is a continuation of institutional critique.


The Tragic Notion Of Painting, Yang Yu Jan 2018

The Tragic Notion Of Painting, Yang Yu

School of Arts & Sciences Theses

The tragic notion in my painting is to remind the viewers of the preciousness of their lives. My paintings convey the same feeling as Rothko achieved with his dark paintings. I express my personal experience on the canvas by employing colors and cinematic Atmosphere.