Open Access. Powered by Scholars. Published by Universities.®

Art and Design Commons

Open Access. Powered by Scholars. Published by Universities.®

PDF

2015

History of Art, Architecture, and Archaeology

Institution
Keyword
Publication
Publication Type

Articles 1 - 30 of 63

Full-Text Articles in Art and Design

The Visual Memoir Project: Searching For An Art Of Memory, Blake Smith Dec 2015

The Visual Memoir Project: Searching For An Art Of Memory, Blake Smith

Marilyn Zurmuehlen Working Papers in Art Education

This essay describes an in-progress arts-based dissertation project that attempts “visual life writing” (Sinner & Owen, 2011) as photographic memoir. Spanning several years to date, the series addresses the idea of visually archiving the self through an everyday photographic ritual. Ruminations on loss, presence/absence, and the passage of time are given creative and emotional consideration from behind the camera. Through narrative reflections on my experiences as an artist, teacher, and researcher, the process of art-making is brought alongside the images themselves. Drawing as its subject matter selected scenes, encounters, and objects from everyday life, I share how the project came ...


Vr In Vr: Capture And Display Of Virtual Reality Photospheres In A Visual Resources Context, Alex Nichols Dec 2015

Vr In Vr: Capture And Display Of Virtual Reality Photospheres In A Visual Resources Context, Alex Nichols

VRA Bulletin

At Michigan State, we have begun investigating some possibilities for creating and displaying photospheres in art history courses. Virtual reality-style presentation is particularly appealing for teaching architecture, archaeological sites, and other large, complex works that benefit from a spatial understanding that is otherwise difficult to communicate effectively when actual travel is not an option. Our pedagogical experiments are at a very early stage at this point, but the following report seeks to summarize and recommend various technical approaches to the tasks of creating and displaying virtual reality content in the context of visual resources.


Adventures In Crowdsourcing: A Digital Odyssey From Lower Manhattan To Google Earth To Build A Museum Without Walls, Abby Suckle Faia, Anna Heineman Phd Dec 2015

Adventures In Crowdsourcing: A Digital Odyssey From Lower Manhattan To Google Earth To Build A Museum Without Walls, Abby Suckle Faia, Anna Heineman Phd

VRA Bulletin

cultureNOW has been developing a guidebook to the world outside thru smartphone technology to create a museum without walls. The exponentially growing digital collection currently contains about 18,000 sites, 52,000 images, 2550 podcasts, and 53 self-guided tours. 90 cities and arts organizations are partners to share their content. It is a collection that lives only in the cloud and can be accessed from everywhere, created by a group of ‘accidental librarians’ who are learning as they go about how to access and structure the content to reach its audience. It is very much a work in progress. These ...


Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse Dec 2015

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

School of Arts & Sciences Theses

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.


Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek Dec 2015

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

School of Arts & Sciences Theses

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.


Remembering Vietnam War Veterans: Interpreting History Through New Orleans Monuments And Memorials, Catherine Bourg Haws Dec 2015

Remembering Vietnam War Veterans: Interpreting History Through New Orleans Monuments And Memorials, Catherine Bourg Haws

University of New Orleans Theses and Dissertations

ABSTRACT

This thesis is concerned with the question of how America’s citizen soldiers are remembered and how their services can be interpreted through monuments and memorials. The paper discusses the concept of memory and the functions of memorialization. It explores whether and how monuments and memorials portray the difficulties, hardships, horror, costs, and consequences of armed combat. The political motivations behind the design, formation and establishment of the edifices are also probed. The paper considers the Vietnam War monuments and memorials erected by Americans and Vietnam expatriates in New Orleans, Louisiana, and examines their illustrative and educational usefulness. Results ...


Discover Joyce's Dublin By Reading And Running, Barry Sheehan Nov 2015

Discover Joyce's Dublin By Reading And Running, Barry Sheehan

Academic Articles

James Joyce told his friend Frank Budgen. “‘I want’ said Joyce, as we were walking down the Universitätstrasse, ‘to give a picture of Dublin so complete that if the city one day suddenly disappeared from the earth it could be reconstructed out of my book.’” (Budgen, 1960, p.67, 68).

This research looks at the relevance of Dublin to Joyce’s writings and to the relevance of Joyce’s writings to Dublin. It is concerned with the virtual Dublin of Joyce’s writings, the physical manifestation of Dublin over time, and the relationships between them.

Numerous scholars read and analyse ...


Place Matters: Mount Tamalpais In Marin County, California As Site And Insight, Leslie D. Ross Oct 2015

Place Matters: Mount Tamalpais In Marin County, California As Site And Insight, Leslie D. Ross

Collected Faculty and Staff Scholarship

No abstract available


What A Relief! Variations On Printmaking, Augustana College, Rock Island Illinois Oct 2015

What A Relief! Variations On Printmaking, Augustana College, Rock Island Illinois

2015-2016

What (is) a Relief?

Relief printmaking was the first printmaking process invented, and has its origins in seals in China around 255 BCE. At its most basic, one can think of a stamp as a relief print. The artist uses tools to cut away portions of the matrix (a wood block, linoleum sheet, Styrofoam, etc.), leaving behind a raised image area, which is then printed on a substrate (paper, fabric, etc.). To this day, relief printmaking is still the most accessible form of printmaking because a press is not required to make a print – just the matrix, ink, pressure and ...


Capomastro And Courier: Giacomo Borzacchi And Bernini's Equestrian Statue Of Louis Xiv In Transit, Karen J. Lloyd Oct 2015

Capomastro And Courier: Giacomo Borzacchi And Bernini's Equestrian Statue Of Louis Xiv In Transit, Karen J. Lloyd

Art Faculty Books and Book Chapters

"On February 24, 1684, Giacomo Borzacchi was given small iron pegs and wooden wedges by the members of the Fabbrica (Building Works) of St. Peter's, "which he needs for the armature that he is making for the horse and statue of the King of France."1 Borzacchi was a kind of handyman-a mason and engineer-who was in the regular employ of the Fabbrica for almost 30 years. His project in 1684, the "armature," must have been the wooden support structure needed to safeguard Gian Lorenzo Bernini's equestrian statue of French King Louis XIV on its long trip to ...


The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg Oct 2015

The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg

Schmucker Art Catalogs

The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.


'The Rhythm Of Our Time Is Jazz': Popular Entertainment During The Weimar Republic, Sharon L. Jordan Sep 2015

'The Rhythm Of Our Time Is Jazz': Popular Entertainment During The Weimar Republic, Sharon L. Jordan

Publications and Research

“’The Rhythm of Our Time is Jazz’: Popular Entertainment during the Weimar Republic” examines the widespread interest and influential role held by American ragtime and jazz music throughout German culture from the 1910s until World War II. Many artists incorporated minstrel imagery as a potent indicator of their outsider status during this period or used new materials and rhythmic forms inspired by jazz to fully reflect the technological achievements and dynamic environment of the modern metropolis.


The Sacred Art Of Labyrinth Design: Optimization Of A Liminal Aesthetic, Yadina Z. Clark Aug 2015

The Sacred Art Of Labyrinth Design: Optimization Of A Liminal Aesthetic, Yadina Z. Clark

Electronic Theses and Dissertations

This paper provides an overview of both practical and esoteric elements that inform the labyrinth design process and touches on the physiological and psychological effects of meditative walking. In addition to new installations, some other outcomes that have resulted from this research include an interactive online map of over 200 labyrinths in New England and two simple formulas for accurately calculating the path length of both 3- and 7-circuit Classical labyrinths.

Labyrinths, in their true, non-maze forms, have existed for thousands of years in numerous places around the world and there are similarities in the designs and uses of these ...


A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe Aug 2015

A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe

Master's Theses

David Lehman’s poem “The Breeders’ Cup” uses cross-generational coterie and ekphrasis to create a poetic poioumenon. When read in terms of art criticism, Lehman’s “The Breeders’ Cup” models creative processes from the past and calls for a rehabilitative ethic in postmodern poetics. Lehman follows the ekphrastic form, which associates a poem with a work of visual art, from his New York School predecessor Frank O’Hara. “The Breeders’ Cup” addresses Édouard Manet’s 1865 painting Olympia through ekphrasis, and the painting of a prostitute becomes a patron saint of parody for postmodern poetics. The poem introduces lust as ...


The Intersection Of Art And Medicine: Tanya Sheehan Breaks Down The Boundaries Between Disciplines, Gerry Boyle Jul 2015

The Intersection Of Art And Medicine: Tanya Sheehan Breaks Down The Boundaries Between Disciplines, Gerry Boyle

Colby Magazine

Tanya Sheehan arrived at Georgetown University intending to become a medical doctor. She aced her organic chemistry lab section, eventually was turned off by the rote memorization the program emphasized, and then discovered art history and film studies. "That changed everything," she said, "but I never forgot about science and medicine."


Art Journal 2015 - Vantage Jun 2015

Art Journal 2015 - Vantage

Art Journal

No abstract provided.


Now What?, Marian Lambers May 2015

Now What?, Marian Lambers

VRA Bulletin

Using her experiences at the College for Creative Studies, Marian Lambers challenges visual resources professionals to acknowledge the habits of a new generation of image users, promote department services, aggressively curate, and expand their roles in the educational communities they serve.


Rethinking Visual Resources Centers In The Digital Age: Case Studies At The University Of Georgia And The University Of Michigan, Courtney L. Baron, Molly J. Schoen May 2015

Rethinking Visual Resources Centers In The Digital Age: Case Studies At The University Of Georgia And The University Of Michigan, Courtney L. Baron, Molly J. Schoen

VRA Bulletin

Visual Resource Centers are facing many challenges—and opportunities—in the wake of the digital era. Since their beginnings as slide libraries, many VRCs have had missions across college campuses to serve the image needs of faculty in art-related fields. More recently, visual resources professionals have guided faculty and other colleagues into the digital era by providing digitization services and support. But as faculty and other clientele have become more tech-savvy over the years, and as high quality art images have become more readily available than ever before, the fate of VRCs and similar departments is at risk. In order ...


Wired! @ 5 (Years): Visualizing The Past At Duke University, The Wired! Group, Duke University May 2015

Wired! @ 5 (Years): Visualizing The Past At Duke University, The Wired! Group, Duke University

VRA Bulletin

Wired! is a learning community of faculty, staff, and students at Duke University committed to exploring how digital technologies prompt new approaches to teaching and research in the humanities. Wired! was founded to explore the potential of digital visualization tools for the study of art, architecture and urban space. Digital projects focus on communicating humanities research to a broad public through websites and digital applications.

Wired!’s special focus is the study of visual and material culture: art, architectural, and urban history. Research projects and teaching are based in the Wired! Lab at Duke University, where faculty, staff, and students ...


The Medieval Screen: A Work In Progress, Julie Carmen May 2015

The Medieval Screen: A Work In Progress, Julie Carmen

Symposium Of University Research and Creative Expression (SOURCE)

The purpose is to design a medieval screen to answer the question: "Will people be inspired to study history and fiber art when presented with colorful embroidered patches displayed on a screen?" The screen project is a work in progress I am creating to display images from a thirteenth century manuscript in a different art medium to induce inspiration and curiosity about this period of time. The poster will describe the work in progress, the different materials used to create a medieval screen, and how the screen has developed over fifteen years. It will discuss the importance of the codices ...


Professionalism And The Market In 19th-Century Europe, Robert Jensen May 2015

Professionalism And The Market In 19th-Century Europe, Robert Jensen

Art & Visual Studies Presentations

This paper explores the changing identity of artistic professionalism, especially in late 19th-century France. It ties artistic self-fashioning to the collapse of the Salon system and casts professionalism as a marketing strategy.


Landmarks For Sleepwalkers, Isaac S. Howell May 2015

Landmarks For Sleepwalkers, Isaac S. Howell

Undergraduate Theses—Unrestricted

Abstract:

In my recent work I have been interested in thinking about notions of instability. In order explore these notions, in this paper I will like to explore the relevance of postmodern literary theory and the color black in my work, as well as think about the importance of the grid as a tool for organization and ontological delineation.

I will be examining writing by Alain Robbe-Grillet, as well as art work by Mark Manders, Giorgio de Chirico, Kay Sage, and Ad Reinhardt.


Imagining New Possibilities Through Social Practice, Sarah O. Hull May 2015

Imagining New Possibilities Through Social Practice, Sarah O. Hull

Undergraduate Theses—Unrestricted

In my practice, I have significantly questioned the role of the arts in social change. I have explored various forms of social practice, especially political art,public art and community art. Social practice lives in-between the world of art and social action and can add an important voice to both. Still, social practice, (like all forms of art) is limited and cannot be the sole source of social change. It is by working with others already organizing for social change, but bringing in the unique skills and perspectives of an artist that social practice is most effective. In this thesis ...


The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond May 2015

The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond

Masters Theses

The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, I ...


The Artist, The Workhorse: Labor In The Sculpture Of Anna Hyatt Huntington, Brooke Baerman May 2015

The Artist, The Workhorse: Labor In The Sculpture Of Anna Hyatt Huntington, Brooke Baerman

Syracuse University Honors Program Capstone Projects

Anna Hyatt Huntington (1876-1973) was an American sculptor of animals who founded the nation’s first sculpture garden, Brookgreen Gardens, in 1932. Hyatt Huntington, whose personal papers are housed at Syracuse University, is an important yet understudied artist. Focusing on Hyatt Huntington’s sculptures in Brookgreen Gardens and on the gardens themselves, which also included a zoo, this paper will examine themes of labor in the artist’s oeuvre.

Hyatt Huntington placed an emphasis on hard work as she fought to distinguish herself as a sculptor in a male-dominated field. The products of her labor often venerate the work of ...


Appropriation And The Art Of The Copy, Elizabeth K. Mix May 2015

Appropriation And The Art Of The Copy, Elizabeth K. Mix

Scholarship and Professional Work – Arts

This essay focuses on why and how copying occurs within the field of visual art and identifies shifts in the perception of the role of copying over time as indicated by changing terminology. Copies are ubiquitous in our culture today. They are especially prevalent on the Internet in the form of mash-ups and memes. While appropriation (the quoting or borrowing of an earlier artist's work or style) is generally considered a postmodern strategy, the practice has, in fact, a long and complicated history that includes the tradition of academic copying (a method of artistic training whereby students copy the ...


Presence-At-Hand, Eric Lyle Schultz May 2015

Presence-At-Hand, Eric Lyle Schultz

Graduate School of Art Theses

Abstract

The writing that follows is intended to provide a theoretical framework for the motives behind my practice. The primary concerns addressed are the reception, transmission, and physical shape of knowledge. I will discuss a human condition that exists as a byproduct of both the legacy of representation as well as the innate biology of the brain. I will argue that as a society we are governed by the residue of an extreme logic, and that this condition places severe margins on our potential for creative solutions. I will propose that our ability to create meaning is stifled by the ...


Design, Programming, And User-Experience, Kaila G. Manca May 2015

Design, Programming, And User-Experience, Kaila G. Manca

Honors Scholar Theses

This thesis is a culmination of my individualized major in Human-Computer Interaction. As such, it showcases my knowledge of design, computer engineering, user-experience research, and puts into practice my background in psychology, com- munications, and neuroscience.

I provided full-service design and development for a web application to be used by the Digital Media and Design Department and their students.This process involved several iterations of user-experience research, testing, concepting, branding and strategy, ideation, and design. It lead to two products.

The first product is full-scale development and optimization of the web appli- cation.The web application adheres to best practices ...


Situating Urban Moving Images: Illuminating Place, Annie Dell'aria May 2015

Situating Urban Moving Images: Illuminating Place, Annie Dell'aria

Graduate Student Publications and Research

No abstract provided.


Lucas Cranach's Samson And Delilah In Northern European Art, Jacqueline S. Spackman May 2015

Lucas Cranach's Samson And Delilah In Northern European Art, Jacqueline S. Spackman

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

This thesis explores images of Samson and Delilah in northern Europe in the fifteenth and early sixteenth centuries. My research focuses primarily on Lucas Cranach’s painting, Samson and Delilah of 1528-30, in the Metropolitan Museum of Art, New York. By examining prints and decorative artworks that include the Samson and Delilah narrative, it is my goal to understand where Cranach’s painting fits into the larger art historical picture. Through examining the locations and suggested meanings of other works, I hope to establish that it is also possible to understand the intention and meaning behind Cranach’s painting. I ...