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Articles 1 - 4 of 4

Full-Text Articles in Art and Design

Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp Jan 2018

Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp

Masters Theses

Abstract

Remains to be Seen, a multi-media installation, provides the opportunity for reconfiguration, re-contextualization and re-remembering of visual memory. Geoffry Cubit, a historian of memory, has noted that “memory has no fixed, stable, unitary meaning to which we can invariably recur: it has always been, and legitimately, a concept in flux and under review”.[1]My work in this exhibition (and as discussed throughout this paper) addresses the unstable and revisionist nature of memory—both culturally and individually. Additionally, I attempt to address how memory (collective, visual, familial and individual) is implicated in the creation of selfhood, of personal narrative ...


Mantle, David Hannon Jan 2018

Mantle, David Hannon

Masters Theses

Through a large-scale installation called mantle, I explore how the queer body becomes uncanny to the home through a human sized dollhouse and using scenic design ideas. Home for many is a safe place, but for queers, it can be a difficult one, wrought with not belonging in a childhood of heteronormativity. Being stuck in that heteronormative space is what I communicate through a stage set, composed of four theater flats, printed and collaged wallpaper, free-standing photos mounted on MDF, a giant necklace in a separate room, and impromptu pieces made in the space.


Meditation On The Middle Ground, Jennifer Chandler Creef May 2014

Meditation On The Middle Ground, Jennifer Chandler Creef

Masters Theses

The installation of Meditations on the Middle Ground, is a space filled with photomontages, video and sounds that were captured during my expeditions out on the water, through the woods and by the shore. My work is a meditation on my relationship with the natural environment and how to form new realities out of these interactions.


Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild May 2012

Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild

Masters Theses

The outpost installations I create reveal my choice to be inventive with mostly found materials that I discover on my walks. Calling myself an artist-archeologist, I write down field notes as I collect my art-bound specimens and make a descriptive inventory for each of the works. I often surprise my viewers (and myself) by creating something fabulously strange and compelling with things that were cast aside. I hope to increase my viewers’ abilities to find beauty in these forgotten and trashed items and to generate an innovative dialogue and an outside-of-the-box way of thinking.